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Current Musicology
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Current Musicology is a leading journal for scholarly research on music. We publish articles and book reviews in the fields of historical musicology, ethnomusicology, music theory, and philosophy of music. The journal was founded in 1965 by graduate students at Columbia University as a semiannual review. This archive contains articles published in the journal starting in 1980. https://currentmusicology.columbia.edu/
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2. “Words for Music, Perhaps”? Texts, 1975-2013
3. ...whence freedom
4. Voice Function, Sonority, and Contrapuntal Procedure in Late Medieval Polyphony
5. Voice as Action: Towards a Model for Analyzing the Dynamic Construction of Racialized Voice
6. Variations V: "Escaping Stagnation" Through Movement of Signification
7. Varese in vitro: On Attention, Aurality, and the Laboratory
8. Ulysses Kay Archive: Columbia University Rare Book and Manuscript Library
9. Troubadour Song as Performance: A Context for Guiraut Riquier’s “Pus sabers no’m val ni sens”
10. Transformational Analysis: An Essay Toward an Analytic Model
11. Tradition and Creation
12. Toward a Revised Understanding of Young Children's Musical Activities: Reflections from the "Day in the Life" Project
13. To Astonish the Roses: 7 e–mails to Walter Branchi
14. Tia DeNora, Beethoven and the Construction of Genius: Musical Politics in Vienna, 1792-1803
15. Things I Think about, and Don't Think about, When I Compose
16. The Turn from the Aesthetic
17. The Song Sketches of Hugo Wolf
18. The Selection of Clausula Sources for Thirteenth- Century Motets: Some Practical Considerations and Aesthetic Implications
19. The Role of Adele T. Katz in the Early Expansion of the New York "Schenker School"
20. The Rhythm of Text and Music in Ottocento Melody: An Empirical Reassessment in Light of Contemporary Treatises
21. The Question of Purpose in Music Theory: Description, Suggestion, and Explanation
22. The Prelude from Bach's Suite No.4 for Violoncello Solo: The Submerged Urlinie
23. The Pastoral After Environmentalism: Nature and Culture in Stephen Albert's Symphony: RiverRun
24. The Origins of the Orchestra Machine
25. The Musical Work Reconsidered, In Hindsight
26. The Lost Movements of Ernst Toch’s Gesprochene Musik
27. The Idea of Transfiguration in the Early German Reception of Mozart's Requiem
28. The Historical Soundscape of Monophonic Hi–Fidelity
29. The German Musical Exile and the Course of American Musicology
30. The Foundations of Mozart Scholarship
31. The Filth and the Fury: An Essay on Punk Rock Heavy Metal Karaoke
32. The Disc Jockey as Composer, or How I Became a Composing DJ
33. The Cyberpolitics of Music in Ukraine's 2004 Orange Revolution
34. The Concept of Ausweichung in Music Theory, ca. 1770-1832
35. The Composer as Pole Seeker: Reading Vaughan Williams's Sinfonia antartica
36. The "Arabian Influence" Thesis Revisited
37. The Aesthetics of Textural Ambiguity: Brahms and the Changing Piano
38. The 1990s "Kutaisi Wave": Music and Youth Movement in a Postindustrial Periphery
39. "Telling a Story": Louis Armstrong and Coherence in Early Jazz
40. Suspicious Silence: Walking Out on John Cage
41. Subtiliter alternare: The Yoxford Motet o amicus / Precursaris
42. Spooning Good Singing Gum: Meaning, Association, and Interpretation in Rock Music
43. Speaking and Sighing: Bellini's canto declamato and the Poetics of Restraint
44. Spatial and Psychoacoustic Factors in Atonal Prolongation
45. Some Observations on the "Germanic" Plainchant Tradition
46. Solving Elgar's Enigma
47. Signification, Objectification, and the Mimetic Uncanny in Claude Debussy's "Golliwog's Cakewalk"
48. Sex and Laughter in Women's Music, 1970-77
49. Scat Singing: A Timbral and Phonemic Analysis
50. Review of Wayne D. Bowman and Ana Lucía Frega, eds. 2012. The Oxford Handbook of Philosophy in Music Education. London and New York: Oxford University Press.
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