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Current Musicology
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Current Musicology is a leading journal for scholarly research on music. We publish articles and book reviews in the fields of historical musicology, ethnomusicology, music theory, and philosophy of music. The journal was founded in 1965 by graduate students at Columbia University as a semiannual review. This archive contains articles published in the journal starting in 1980. https://currentmusicology.columbia.edu/
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52. The 1990s "Kutaisi Wave": Music and Youth Movement in a Postindustrial Periphery
53. A Message for Peace or a Tool for Oppression? Israeli Jewish-Arab duo Achinoam Nini and Mira Awad's Representation of Israel at Eurovision 2009
54. Editor's Note
55. Music Smashed to Pieces: The Destructive Logic of Berlioz's Romeo au tombeau
56. Sex and Laughter in Women's Music, 1970-77
57. Signification, Objectification, and the Mimetic Uncanny in Claude Debussy's "Golliwog's Cakewalk"
58. Solving Elgar's Enigma
59. Variations V: "Escaping Stagnation" Through Movement of Signification
60. Aida and the Empire of Emotions (Theodor W. Adorno, Edward Said, and Alexander Kluge)
61. A Paper Trail: Missa Jouyssance vous donneray, Uncertain Identity, and the National Institutes of Health's "Bathtub Collection"
62. Hearing Glenn Gould's Body: Corporeal Liveness in Recorded Music
63. Kundry and the Jewish Voice: Anti-antisemitism and Musical Transcendence in Wagner's Parsifal
64. Rebel Girls and Singing Boys: Performing Music and Gender in the Teen Movie
65. Speaking and Sighing: Bellini's canto declamato and the Poetics of Restraint
66. Becoming Bach, Blaspheming Bach: Kinesthetic Knowledge and Embodied Music Theory in Ysaÿe's "Obsession" for Solo Violin
67. Beyond Sonata Deformation: Liszt's Symphonic Poem Tasso and the Concept of Two-Dimensional Sonata Form
68. Debussy as Storyteller: Narrative Expansion in the Trois Chansons de Bilitis
69. Eisler's Notes on Hollywood and the Film Music Project, 1935-42
70. Medievalism and Exoticism in the Music of Dead Can Dance
71. Periods in Progressive Rock and the Problem of Authenticity
72. Producing Producers: Women and Electronic/Dance Music
73. The Filth and the Fury: An Essay on Punk Rock Heavy Metal Karaoke
74. Analysis, Performance, and Images of Musical Sound: Surfaces, Cyclical Relationships and the Musical Work
75. Bach: Luther's Musical Prophet?
76. Dvořak's Armida and the Czech Oriental "Self"
77. Musical Meaning for the Few: Instances of Private Reception in the Music of Brahms
78. Music of the Gods: Solo Song and effetti meravigliosi in the Interludes for La pellegrina
79. The Pastoral After Environmentalism: Nature and Culture in Stephen Albert's Symphony: RiverRun
80. Toward a Revised Understanding of Young Children's Musical Activities: Reflections from the "Day in the Life" Project
81. Disruptive Spatiality and the Experience of Recordings of Bach's Solo Cello Suites
82. The Aesthetics of Textural Ambiguity: Brahms and the Changing Piano
83. The Cyberpolitics of Music in Ukraine's 2004 Orange Revolution
84. The Foundations of Mozart Scholarship
85. The Idea of Transfiguration in the Early German Reception of Mozart's Requiem
86. Curious Intersections, Uncommon Magic: Steve Reich's It's Gonna Rain
87. Der Tod und die Forelle: New Thoughts on Schubert's Quintet
88. Disciplinary Movements, the Civil Rights Movement, and Charles Keil's Urban Blues
89. Hearing Emerson, Lake, and Palmer Anew: Progressive Rock as "Music of Attractions"
90. Opera at Columbia: A Shining Legacy
91. The German Musical Exile and the Course of American Musicology
92. Adolphe Appia, Les maîtres chanteurs de Nuremberg: An Introduction and Translation
93. A View From Death: Ariadne auf Naxos as Failed Totality
94. A Voice Like Thunder: Corsican Women's Lament as Cultural Work
95. Beyond the Beethoven Model: Sentence Types and Limits
96. Interpreting Discontinuity in the Late Works of Debussy
97. "Lenin in Swaddling Clothes": A Critique of the Ideological Conflict Between Socialist State Policy and Christian Music in Cold War Romania
98. Musical Platonism in Modern Culture
99. "Paths of Harmony" in the First Movement of Brahms's Cello Sonata in E minor, Op. 38
100. Recombinant Melody: Ten Things to Love About Willaert's Music
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