1. William Weber, The Rise of Musical Classics in Eighteenth- Century England: A Study in Canon, Ritual and Ideology. Oxford; Clarendon Press, 1992. 174 pp. Charlton, David 1995 Reviews Music
3. When the Music of Psychoanalysis Becomes the Psychoanalysis of MusicDavid Schwarz. Listening Subjects: Music, Psychoanalysis, Culture. Scherzinger, Martin 2001 Reviews Music
4. Uptown Conversations: The New Jazz Studies and The Other Side of Nowhere: Jazz, Improvisation, and Communities in Dialogue. Higgins, Niko 2004 Reviews Music
5. Timothy McGee, editor, with A. G. Rigg and David N. Klausner. Singing Early Music: The Pronunciation of European Languages in the Late Middle Ages and Renaissance Rice, Eric 1998 Reviews Music
6. Timothy D. Taylor. 2012. The Sounds of Capitalism: Advertising, Music, and the Conquest of Culture. Chicago: University of Chicago Press. Whyte, Ralph Richard 2014 Reviews AdvertisingMusic in advertisingCapitalismMusic
7. Thomas Owens. Bebop: The Music and the Players. NewYork: Oxford University Press, 1995. xvi, 323 pp. Rawlins, Robert 1997 Reviews Music
8. Thomas Emmerig. Joseph Riepel (1709-1782): Hofkapellmeister des Fürsten von Thurn und Taxis Knouse, Nola Reed 1984 Reviews MusicBiography
9. The Symphony as Described by J. A. P. Schulz (1774): A Commentary and Translation Churgin, Bathia 1980 Reviews Music
10. The Sources of the Christmas Interpolations in J. S. Bach's Magnificat in E-flat Major (BWV 243a) Cammarota, Robert M. 1983 Reviews Music
11. The Meyer Manuscript: An 18th-Century American Tunebook Music, David W. 1980 Reviews MusicMusic--Instruction and study
12. Tara Rodgers. 2010. Pink Noises: Women on Electronic Music and Sound. Durham and London: Duke University Press. Keenan, Elizabeth K. 2010 Reviews Music
14. Stephen Walsh. Stravinsky: Oedipus Rex. Cambridge: Cambridge University Press, 1993. 118pp. van den Toorn, Pieter C. 1995 Reviews Music
15. Stephen Banfield. Sensibility and the English Song: Critical Studies of the Early 20th Century. Cambridge: Cambridge University Press, 1988. xvii, 619 pages. Adams, Byron 1992 Reviews Music
16. Sarah Kay. 2013. Parrots and Nightingales: Troubadour Quotation and the Development of European Poetry. Philadelphia: University of Pennsylvania Press. Levitsky, Anne Adele 2014 Reviews Literature, MedievalQuotationsOccitan poetryMusic
18. Roger Freitas. 2009. Portrait of a Castrato: Politics, Patronage, and Music in the Life of Atto Melani. New Perspectives in Music History and Criticism. Wilbourne, Emily 2009 Reviews MusicHistoryBiography
19. Robert S. Hatten. Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation Agawu, Kofi 1996 Reviews Music
20. Robert Samuels. Mahler's Sixth Symphony: A Study in Musical SemioticsSemiotics and Mahler's Sixth Symphony: The Suicide of Music Analysis? Buhler, James 1996 Reviews Music
21. Review of William T. Dargan. 2006. Lining Out the Word: Dr. Watts Hymn Singing in the Music of Black Americans. Berkeley and Los Angeles: University of California Press Miller, Kiri 2008 Reviews Music
22. Review of "Where the Dark and Light Folks Meet: Race and the Mythology, Politics, and Business of Jazz" by Randall Sandke Johnson, Aaron Joseph 2011 Reviews Music
23. Review of "Where the Dark and Light Folks Meet: Race and the Mythology, Politics and Business of Jazz" by Randall Sandke Gridley, Mark C. 2011 Reviews Music
24. Review of Uta G. Poiger.Jazz, Rock, and Rebels: Cold War Politics and American Culture in a Divided Germany. Berkeley: University of California Press, 2000. xiii, 333 pp. Jackson, Jeffrey H. 2002 Reviews Music
25. Review of Tricia Rose. 2008. The Hip Hop Wars: What We Talk About When We Talk About Hip Hop-And Why It Matters. New York: Basic/Civitas Books. Bothwell, Beau 2010 Reviews MusicAfrican Americans
26. Review of Timothy D. Taylor. Strange Sounds: Music, Technology, and Culture. New York: Routledge, 2001. x, 278 pp. Zak III, Albin J. 2002 Reviews Music
27. Review of Timothy D. Taylor. 2007. Beyond Exoticism: Western Music and the World. Durham, NC, and London: Duke University Press Zuberi, Nabeel 2007 Reviews Music
28. Review of Thomas Turino. Nationalists, Cosmopolitans, and Popular Music in Zimbabwe. University of Chicago Press, 2000. x, 401 pp. Emoff, Ron 2000 Reviews Music
29. Review of Thomas Goldsmith, ed. The Bluegrass Reader. Urbana: University of Illinois Press, 2004. King, Jonathan T. 2003 Reviews Music
30. Review of Theodore Gracyk and Andrew Kania, eds. 2011. The Routledge Companion to Philosophy and Music. Abingdon, UK, and New York, NY: Routledge. Gleason, Scott 2012 Reviews Music
31. Review of Tess Knighton and Álvaro Torrente, eds. 2007. Devotional Music in the Iberian World, 1450-1800: The Villancico and Related Genres Le Guin, Elisabeth 2009 Reviews Music
32. Review of Susan Thomas. 2009. Cuban Zarzuela: Performing Race and Gender on Havana's Lyric Stage. Urbana and Chicago: University of Illinois. Newland, Marti 2010 Reviews Music
33. Review of Susan Boynton and Roe-Min Kok, eds. 2006. Musical Childhoods and the Cultures of Youth. Music/Culture. Middletown, CT: Wesleyan University Press. Bickford, Tyler 2008 Reviews Music
34. Review of Spitzer, John and Neal Zaslaw. 2004. The Birth of the Orchestra: History of an Institution, 1650-1815. New York and Oxford: Oxford University Press. Rice, John A. 2004 Reviews Music
35. Review of Simon P. Keefe. Mozart's Piano Concertos: Dramatic Dialogue in the Age of Enlightenment. Woodbridge, Suffolk (U.K): The Boydell Press, 2001. x, 205 pp. Will, Richard 2002 Reviews Music
36. Review of "She's So Fine: Reflections on Whiteness, Femininity, Adolescence and Class in 1960s Music" by Laurie Stras Yamagata, Sayo 2011 Reviews Music
37. Review of Sean Gallagher, James Haar, John Nadas, and Timothy Striplin, eds. Western Plainchant in the First Millennium: Studies in the Medieval Liturgy. Burlington, VT: Ashgate, 2004. Dohoney, Ryan W. 2003 Reviews Music
38. Review of "Rush, Rock Music and the Middle Class: Dreaming in Middletown" by Chris McDonald Sroka, Bradley 2011 Reviews Music
39. Review of Rob van der Bliek, ed. The Thelonious Monk Reader. New York: Oxford University Press, 2001. xvii, 286 pp. Priestley, Brian 2002 Reviews Music
40. Review of Riley, Matthew. 2004. Musical Listening in the German Enlightenment: Attention, Wonder and Astonishment. Aldershot, UK and Burlington, VT: Ashgate Publishing. Head, Matthew 2004 Reviews Music
41. Review of Powrie, Phil and Robynn Stilwell, eds. 2006. Changing Tunes: The Use of Pre-existing Music in Film. Ashgate Popular and Folk Music Series. Biancorosso, Giorgio 2007 Reviews Music
42. Review of Pisani, Michael V. 2005. Imagining Native America in Music. New Haven, eT, and London: Yale University Press. Harrison, Klisala 2006 Reviews MusicIndians of North AmericaIndians of North America--Songs and musicMusic--Historiography
43. Review of Philip Rupprecht. Britten's Musical Language. Cambridge: Cambridge University Press, 2001. x, 358 pp. Whitesell, Lloyd 2002 Reviews Music
44. Review of Philip Brett. 2006. Music and Sexuality in Britten: Selected Essays, edited by George E. Haggerty. Berkeley and Los Angeles: University of California Press Adams, Byron 2007 Reviews Music
45. Review of Peter Szendy. 2008. Listen: A history of Out Ears. Translated by Charlotte Mandell. New York: Fordham University Press. Kane, Brian 2008 Reviews Music
46. Review of Peter Kivy. New Essays on Musical Understanding. Oxford University Press, 2001. and Lawrence Kramer. Musical Meaning: Toward a Critical History. University of California Press, 2002. Goehr, Lydia 2002 Reviews Music
47. Review of Peraino, Judith. 2006. Listening to the Sirens: Musical Technologies of Queer Identity from Homer to Hedwig. Berkeley and Los Angeles: University of California Press. Raykoff, Ivan 2006 Reviews Music
48. Review of "Oye Como Va!: Hybridity and Identity in Latino Popular Music" by Deborah Pacini-Hernandez Calle, Simón 2011 Reviews MusicLatin Americans
49. Review of O'Neill, Mary. 2006. Courtly Love Songs of Medieval France: Transmission and Style in the Trouvère Repertoire. Oxford and New York: Oxford University Press. Boynton, Susan Leslie 2007 Reviews Music
50. Review of Nicholas Cook. 2007. the Schenker Project: Culture, Race and Music Theory in Fine-de-siecle Vienna. Oxford and New York: Oxford University Press. Tunbridge, Laura 2009 Reviews Music
51. Review of Neil Lerner and Joseph N. Straus, eds. 2006. Sounding Off: Theorizing Disability in Music. London and New York: Routledge Schmalenberger, Sarah 2007 Reviews Music
52. Review of "Natural Acts: Gender, Race, and Rusticity in Country Music" by Pamela Fox Heidemann, Kate Ellen 2011 Reviews MusicAmericans
53. Review of Monod, David. 2005. Settling Scores: German Music, Denazification, and the Americans, 1945-1953. Chapel Hill: University of North Carolina Press. Tompkins, David 2006 Reviews Music
54. Review of Michael Cherlin. 2007. Schoenberg's Musical Imagination. Cambridge and New York: Cambridge University Press Root, Gordon 2008 Reviews Music
55. Review of Matthew Gelbart. 2007. The Invention of "Folk Music" and "Art Music": Emerging Categories from Ossian to Wagner. Cambridge and New York: Cambridge University Press. Oderdonk, Julian 2009 Reviews Music
56. Review of Mary Ann Smart. 2004. Mimomania: Music and Gesture in Nineteenth-Century Opera. Berkeley and Los Angeles: University of California Press. Cruz, Gabriela 2007 Reviews Music
57. Review of Martha Feldman. 2007. Opera and Sovereignty: Transforming Myths in Eighteenth-Century Italy. Chicago and London: University of Chicago Press. Burgess, Geoffrey 2008 Reviews Music
58. Review of Marian Smith. Ballet and Opera in the Age of "Giselle". Princeton: Princeton University Press, 20001. xx, 306 pp. Hibberd, Sarah 2002 Reviews Music
59. Review of Listening Through the Noise: The Aesthetics of Experimental Electronic Music by Joanna Demers and The Cambridge Companion to Electronic Music by Nick Collins and Julio d'Escriván Polymeropoulou, Marilou 2010 Reviews MusicDance
60. Review of Leech-Wilkinson, Daniel. 2002. The Modern Invention of Medieval Music: Scholarship, Ideology, Performance. Cambridge: Cambridge University Press. Irvine, Thomas 2004 Reviews Music
61. Review of Jonathan Cross. Harrison Birtwistle: Man, Mind, Music. Cornell University Press, 2000. and Robert Adlington. The Music of Harrison Birtwistle. Cambridge University Press, 2000. Walsh, Stephan 2000 Reviews Music
62. Review of John S. Powell. Music and Theatre in France, 1600-1680.Oxford: Oxford University Press, 2000. xvil , 582 pp. Heyer, John Hajdu 2002 Reviews Music
63. Review of John Gennari. 2006. Blowin' Hot and Cool: Jazz and Its Critics. Chicago and London: University of Chicago Press. Steinbeck, Paul 2007 Reviews Music
64. Review of Jean-Luc Nancy. 2007. Listening, translated by Charlotte Mandell. New York: Fordham University Press. Gallope, Michael 2008 Reviews Music
65. Review of "In the Process of Becoming: Analytic and Philosophical Perspectives on Form in Early Nineteenth-Century Music" by Janet Schmalfeldt Hansberry, Benjamin Konrad 2011 Reviews Music
66. Review of Ignacio Corona and Alejandro Madrid, eds. 2008. Postnational Musical Identities: Cultural Production, Distribution, and Consumption in a Globalized Scenario. Lanham: Lexington Books. Garland, Shannon 2010 Reviews Music
67. Review of How to Wreck a Nice Beach by Dave Tompkins and Sonic Warfare by Steve Goodman Marshall, Wayne 2010 Reviews Music
68. Review of Hillel Schwartz. 2011. Making Noise: From Babel to the Big Bang and Beyond. Brooklyn: Zone Books Mattern, Shannon 2012 Reviews Music
69. Review of Hervé Lacombe. The Keys to French Opera in the Nineteenth Century. Translated by Edward Schneider. Berkeley: University of California Press, 2001. xv, 415 pp. Speare, Mary Jean 2002 Reviews Music
70. Review of Heffley, Mike. 2005. Northern Sun, Southern Moon: Europe's Reinvention of Jazz. New Haven: Yale University Press. Lewis, George E. 2004 Reviews Music
71. Review of Heath Lees. 2007 Mallarmé and Wagner: Music and Poetic Language. Aldershot, UK, and Burlington, VT: Ashgate Publishing Code, David J. 2008 Reviews Music
72. Review of Harness, Kelley. 2006. Echoes of Women's Voices: Music, Art, and Female Patronage in Early Modern Florence. Chicago and London: University of Chicago Press. Marshall, Melanie L. 2006 Reviews Music
73. Review of Goldmark, Daniel. 2005. Tunes for 'Toons: Music and the Hollywood Cartoon. Berkeley and Los Angeles: University of California Press. McQuiston, Kate 2006 Reviews Music
74. Review of Georgina Born and David Hesmondhalgh, eds. Western Music and Its Others: Difference, Representation, and Appropriation in Music. University of California Press, 2000. xi, 360 pp. Fox, Aaron Andrew 2000 Reviews Music
75. Review of George Lipsitz. 2007. Footsteps in the Dark: The Hidden Histories of Popular Music. Minneapolis: University of Minnesota Press. Burford, Mark 2008 Reviews Music
76. Review of Frisch, Walter. 2005. German Modernism: Music and the Arts. Berkeley and Los Angeles: University of California Press Painter, Karen 2005 Reviews Music
77. Review of Fosler-Lussier. 2007. Music Divided: Bartók's Legacy in Cold War Culture. Berkeley and Los Angeles: University of California Press. Walden, Joshua S. 2008 Reviews Music
78. Review of Fink, Robert. 2005. Repeating Ourselves: American Minimal Music as Cultural Practice. Berkeley and Los Angeles: University of California Press. Haskins, Rob 2006 Reviews Music
79. Review of Fabian Holt. 2007. Genre in Popular Music. Chicago and London: University of Chicago Press. Keenan, Elizabeth K. 2008 Reviews Music
80. Review of "Experimentalism Otherwise: The New York Avant-Garde and Its Limits" by Benjamin Piekut Fogg, Thomas 2011 Reviews JazzAvant-garde (Music)EthnomusicologyMusic
81. Review of Evan Jones, ed., Intimate Voices: The Twentieth CenturyString Quartet (Rochester University Press, 2009) Kozak, Mariusz S. 2012 Reviews Music
82. Review of E. Taylor Atkins. Blue Nippon: Authenticating Jazz in Japan. Durham, N.C.: Duke University Press, 2001. xiv, 366 pp. Condry, Ian 2002 Reviews Music
83. Review of Eric Porter. What Is This Thing Called Jazz?: African American Musicians as Artists, Critics, and Activists. Berkeley: University of California Press, 2002. XXI, 404 pp. Gabbard, Krin 2002 Reviews Music
84. Review of Eric Chafe. Analyzing Bach Cantatas. Oxford University Press, 2000. xvii, 286 pp. Ito, John 2000 Reviews Music
85. Review of Eileen M. Hayes. 2010. Songs in Black and Lavender: Race, Sexual Politics, and Women's Music. Urbana and Chicago: University of Illinois Press. Burrell, Jalylah 2010 Reviews MusicWomen's studiesAfrican Americans
86. Review of DeNora, Tia. 2003. After Adorno: Rethinking Music Sociology. Cambridge and New York: Cambridge University Press. Roy, William G. 2006 Reviews Music
87. Review of Dell'Antonio, Andrew, ed. 2004. Beyond Structural Listening? Postmodern Modes of Hearing. Berkeley and Los Angeles: University of California Press. Horton, Julian 2004 Reviews Music
88. Review of David Ferris. Schumann's Eichendorff"Liederkreis" and the Genre of the Romantic Cycle. Oxford and New York: Oxford University Press, 2000. vii, 270 pp. Kramer, Richard 2002 Reviews Music
89. Review of David Charlton. French Opera 1730-1830: Meaning and Media. Aldershot, Hampshire (U.K.), and Brookfield, Vt.: Ashgate, 2000. xii, 374 pp. Rushton, Julian 2002 Reviews Music
90. Review of Clarke, Eric and Nicholas Cook, eds. 2004. Empirical Musicology: Methods, Aims, Prospects. Oxford and New York: Oxford University Press. Devaney, Johanna 2005 Reviews Music
91. Review of Christina Bashford. 2007. The Pursuit of High Culture: John Ella and Chamber Music in Victorian London. Woodbridge, UK: Boydell Solie, Ruth A. 2009 Reviews Music
92. Review of Caroline Bithell. 2007. Transported by Song: Corsican Voices from Oral Tradition to World Stage, Europea: Ethnomusicologies and Modernities, no. 5. Rosenberg, Ruth Emily 2008 Reviews Music
93. Review of Brooks, Tim. 2004. Lost Sounds: Blacks and the Birth of the Recording Industry, 1890-1919. Urbana and Chicago: University of Illinois Press. Graham, Sandra Jean 2006 Reviews Music
94. Review of Brandon LaBelle. 2010. Acoustic Territories: Sound Culture and Everyday Life. New York and London: Continuum Fischbeck, Luke 2010 Reviews Music
95. Review of Bennet Zon. 2007. Representing Non-Western Music in Nineteenth-Century Britain. Rochester, NY: University of Rochester Press Revuluri, Sindhumathi 2009 Reviews Music
96. Review of Barbara Lorenzkowski. 2010. Sounds of Ethnicity. Listening to German North America 1850–1914. Winnipeg:University of Manitoba Press Feiereisen, Florence 2012 Reviews Music
97. Review of "Apocalypse Jukebox: The End of the World in American Popular Music" by David Janssen and Edward Whitelock Gutkin, David Jonas 2011 Reviews Music
98. Review of Andy Hamilton. 2007. Aesthetics and Music. London and New York: Continuum. Kane, Brian 2008 Reviews Music
99. Review of Amy C. Beal. 2006. New Music, New allies: American Experimental Music in West German from the Zero Hour of Reunification. Berkeley and Lost Angeles: University of California Press. Silverberg, Laura 2008 Reviews Music
100. Review of Alyn Shipton. A New History of Jazz. London and New York: Continuum, 2001. x, 965 pp. Tirro, Frank 2002 Reviews Music