2. William Kinderman. Beethoven
When the Music of Psychoanalysis Becomes the Psychoanalysis of Music
David Schwarz. Listening Subjects: Music, Psychoanalysis, Culture.
4. Uptown Conversations: The New Jazz Studies and The Other Side of Nowhere: Jazz, Improvisation, and Communities in Dialogue.
5. Timothy McGee, editor, with A. G. Rigg and David N. Klausner. Singing Early Music: The Pronunciation of European Languages in the Late Middle Ages and Renaissance
6. Timothy D. Taylor. 2012. The Sounds of Capitalism: Advertising, Music, and the Conquest of Culture. Chicago: University of Chicago Press.
Thomas Owens. Bebop: The Music and the Players. New
York: Oxford University Press, 1995. xvi, 323 pp.
8. Thomas Emmerig. Joseph Riepel (1709-1782): Hofkapellmeister des Fürsten von Thurn und Taxis
9. The Symphony as Described by J. A. P. Schulz (1774): A Commentary and Translation
10. The Sources of the Christmas Interpolations in J. S. Bach's Magnificat in E-flat Major (BWV 243a)
11. The Meyer Manuscript: An 18th-Century American Tunebook
12. Tara Rodgers. 2010. Pink Noises: Women on Electronic Music and Sound. Durham and London: Duke University Press.
13. Struggling with Jazz
14. Stephen Walsh. Stravinsky: Oedipus Rex. Cambridge: Cambridge University Press, 1993. 118pp.
15. Stephen Banfield. Sensibility and the English Song: Critical Studies of the Early 20th Century. Cambridge: Cambridge University Press, 1988. xvii, 619 pages.
16. Sarah Kay. 2013. Parrots and Nightingales: Troubadour Quotation and the Development of European Poetry. Philadelphia: University of Pennsylvania Press.
17. Ruth Smith, Handel's Oratorios and Eighteenth-Century Thought
18. Roger Freitas. 2009. Portrait of a Castrato: Politics, Patronage, and Music in the Life of Atto Melani. New Perspectives in Music History and Criticism.
19. Robert S. Hatten. Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation
Robert Samuels. Mahler's Sixth Symphony: A Study in Musical Semiotics
Semiotics and Mahler's Sixth Symphony: The Suicide of Music Analysis?
21. Review of William T. Dargan. 2006. Lining Out the Word: Dr. Watts Hymn Singing in the Music of Black Americans. Berkeley and Los Angeles: University of California Press
22. Review of "Where the Dark and Light Folks Meet: Race and the Mythology, Politics, and Business of Jazz" by Randall Sandke
23. Review of "Where the Dark and Light Folks Meet: Race and the Mythology, Politics and Business of Jazz" by Randall Sandke
24. Review of Uta G. Poiger.Jazz, Rock, and Rebels: Cold War Politics and American Culture in a Divided Germany. Berkeley: University of California Press, 2000. xiii, 333 pp.
25. Review of Tricia Rose. 2008. The Hip Hop Wars: What We Talk About When We Talk About Hip Hop-And Why It Matters. New York: Basic/Civitas Books.
26. Review of Timothy D. Taylor. Strange Sounds: Music, Technology, and Culture. New York: Routledge, 2001. x, 278 pp.
27. Review of Timothy D. Taylor. 2007. Beyond Exoticism: Western Music and the World. Durham, NC, and London: Duke University Press
28. Review of Thomas Turino. Nationalists, Cosmopolitans, and Popular Music in Zimbabwe. University of Chicago Press, 2000. x, 401 pp.
29. Review of Thomas Goldsmith, ed. The Bluegrass Reader. Urbana: University of Illinois Press, 2004.
30. Review of Theodore Gracyk and Andrew Kania, eds. 2011. The Routledge Companion to Philosophy and Music. Abingdon, UK, and New York, NY: Routledge.
31. Review of Tess Knighton and Álvaro Torrente, eds. 2007. Devotional Music in the Iberian World, 1450-1800: The Villancico and Related Genres
32. Review of Susan Thomas. 2009. Cuban Zarzuela: Performing Race and Gender on Havana's Lyric Stage. Urbana and Chicago: University of Illinois.
33. Review of Susan Boynton and Roe-Min Kok, eds. 2006. Musical Childhoods and the Cultures of Youth. Music/Culture. Middletown, CT: Wesleyan University Press.
34. Review of Spitzer, John and Neal Zaslaw. 2004. The Birth of the Orchestra: History of an Institution, 1650-1815. New York and Oxford: Oxford University Press.
35. Review of Simon P. Keefe. Mozart's Piano Concertos: Dramatic Dialogue in the Age of Enlightenment. Woodbridge, Suffolk (U.K): The Boydell Press, 2001. x, 205 pp.
36. Review of "She's So Fine: Reflections on Whiteness, Femininity, Adolescence and Class in 1960s Music" by Laurie Stras
37. Review of Sean Gallagher, James Haar, John Nadas, and Timothy Striplin, eds. Western Plainchant in the First Millennium: Studies in the Medieval Liturgy. Burlington, VT: Ashgate, 2004.
38. Review of "Rush, Rock Music and the Middle Class: Dreaming in Middletown" by Chris McDonald
39. Review of Rob van der Bliek, ed. The Thelonious Monk Reader. New York: Oxford University Press, 2001. xvii, 286 pp.
40. Review of Riley, Matthew. 2004. Musical Listening in the German Enlightenment: Attention, Wonder and Astonishment. Aldershot, UK and Burlington, VT: Ashgate Publishing.
41. Review of Powrie, Phil and Robynn Stilwell, eds. 2006. Changing Tunes: The Use of Pre-existing Music in Film. Ashgate Popular and Folk Music Series.
42. Review of Pisani, Michael V. 2005. Imagining Native America in Music. New Haven, eT, and London: Yale University Press.
43. Review of Philip Rupprecht. Britten's Musical Language. Cambridge: Cambridge University Press, 2001. x, 358 pp.
44. Review of Philip Brett. 2006. Music and Sexuality in Britten: Selected Essays, edited by George E. Haggerty. Berkeley and Los Angeles: University of California Press
45. Review of Peter Szendy. 2008. Listen: A history of Out Ears. Translated by Charlotte Mandell. New York: Fordham University Press.
46. Review of Peter Kivy. New Essays on Musical Understanding. Oxford University Press, 2001. and Lawrence Kramer. Musical Meaning: Toward a Critical History. University of California Press, 2002.
47. Review of Peraino, Judith. 2006. Listening to the Sirens: Musical Technologies of Queer Identity from Homer to Hedwig. Berkeley and Los Angeles: University of California Press.
48. Review of "Oye Como Va!: Hybridity and Identity in Latino Popular Music" by Deborah Pacini-Hernandez
49. Review of O'Neill, Mary. 2006. Courtly Love Songs of Medieval France: Transmission and Style in the Trouvère Repertoire. Oxford and New York: Oxford University Press.
50. Review of Nicholas Cook. 2007. the Schenker Project: Culture, Race and Music Theory in Fine-de-siecle Vienna. Oxford and New York: Oxford University Press.
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