1. Anne Teresa De Keersmaeker’s Violin Phase and the Experience of Time, or Why Does Process Music Work? Kozak, Mariusz S. 2021 Articles TimeDanceMusic theoryKeersmaeker, Anne Teresa deReich, Steve, 1936-
2. Free Jazz Simulations in Aaron Cassidy’s The wreck of former boundaries Yulsman, Samuel 2021 Theses Music theoryImprovisation (Music)Music and historyJazzFree jazzCassidy, Aaron, 1976-Ayler, AlbertColtrane, John, 1926-1967
3. Partial Displacement: En/decoding Spectral Thinking in Tristan Murail’s Mémoire/Érosion, and Two Compositions for String Quartet Lo, Shih-Wei 2021 Theses Music theoryMusical analysisComposition (Music)String quartetsMusic--Psychological aspectsTaiwanese--Ethnic identityMurail, Tristan
4. Phenomenon and Abstraction: Coordinating Concepts in Music Theory and Analysis Hansberry, Benjamin Konrad 2017 Theses Music theoryMusicMusical analysisPhilosophy of mind
5. Repetition, Reception, Response: Minimal Music and the Use of Affect in Analysis Saccomano, Mark 2015 Theses MusicRepetition in musicMusical analysisAffect (Psychology)Music theoryIkeda, Ryoji, 1966-Feldman, Morton, 1926-1987Reich, Steve, 1936-
6. Studies in the History of the Cadence Mutch, Caleb Michael 2015 Theses MusicMusic theoryCadences (Music)
7. Morgan, Robert P. 2014. Becoming Heinrich Schenker: Music Theory and Ideology. New York: Cambridge University Press. Parkhurst, Bryan 2014 Reviews Music theorySchenkerian analysisIdeologyMorgan, Robert P.Schenker, Heinrich, 1868-1935
8. Generative processes in Stockhausen's Lichter - Wasser Bianchi, Oscar 2013 Theses MusicComposition (Music)Music theoryStockhausen, Karlheinz, 1928-2007