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4. “A Disturbing Lack of Musical and Stylistic Continuity”? Elliott Carter, Charles Ives, and Musical Borrowing Thurmaier, David 2013 Articles MusicMusical criticismIves, Charles, 1874-1954Carter, Elliott, 1908-2012
5. Adolphe Appia, Les maîtres chanteurs de Nuremberg: An Introduction and Translation Cox, Cathy 2004 Articles MusicTheaterHistory
7. Aesthetics, Authenticities, and Appeals to Authority: The Auditor as Author Thompson, Daniel N. 1998 Reviews Music
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10. Aida and the Empire of Emotions (Theodor W. Adorno, Edward Said, and Alexander Kluge) Goehr, Lydia 2009 Articles MusicAdorno, Theodor W., 1903-1969Said, Edward W.Kluge, Alexander, 1932-Aïda (Verdi, Giuseppe
13. Alexander Johnson and the Tennessee Harmony Music, David W. 1984 Articles MusicMusic--Instruction and study
14. Alexander Rehding. 2009. Music and Monumentality: Commemoration and Wonderment in Nineteenth-Century Germany. Oxford and New York: Oxford University Press. Kim, Ji Young 2011 Reviews Music
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17. American Opera, Jazz, and Historical Consciousness, 1924-1994 Gutkin, David 2015 Theses MusicOperaJazzCritical theoryMusic and raceEllington, Duke, 1899-1974Wagner, Richard, 1813-1883
18. A Message for Peace or a Tool for Oppression? Israeli Jewish-Arab duo Achinoam Nini and Mira Awad's Representation of Israel at Eurovision 2009 Belkind, Nili 2010 Articles Music
19. A Multiphonic Reappraisal and the Alto Saxophone Concerto Radial Moore, Keith 2014 Theses MusicMultiphonicsSaxophone--Multiphonics
20. A Musical Education: Lee Morgan and the Philadelphia Jazz Scene of the 1950's McMillan, Jeffrey S. 2002 Articles MusicBiography