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2. Student Citizens: Whiteness, Inequality, and Social Reproduction in Marketized Music Education
3. “Freedom Ain’t Free:” Race and Representation(s) in Extreme Heavy Metal
4. “Jazz Steel”: An Ethnography of Race, Sound, and Technology in Spaces of Live Performance
5. Songs of Action, Songs of Calm: Rabindranath Tagore and the Aural Fabric of Bengali Life in America
6. Sound and Surveillance: The Making of the Neoliberal Ear
7. Imagining Together: Éliane Radigue's Collaborative Creative Process
8. Resonances of Land: Silence, Noise, and Extractivism in the Brazilian Amazon
9. Sounds that Fall Through the Cracks, and Other Silences and Acts of Love: Decoloniality and Anticolonialism in Puerto Rican Nueva Canción and Chanson Québécoise
10. Iron Gongs and Singing Birds: Paths of Migration and Acoustic Assemblages of Alterity in the Former Dutch Colonial Empire
11. Heuristic and supervised approaches to handwritten annotation extraction for musical score images
12. Mixed Media and Metaphor: An Analysis of the Performance Technologies Utilized in Drop and Decoder
13. Nymsuque: Contemporary Muisca Indigenous Sounds in the Colombian Andes
14. One Line, Many Views: Perspectives on Music Theory, Composition, and Improvisation through the Work of Muhal Richard Abrams
15. Unmute This: Circulation, Sociality, and Sound in Viral Media
16. Doing Sound: An Ethnography of Fidelity, Temporality, and Labor Among Live Sound Engineers
17. Expériences sonores: Music in Postwar Paris and the Changing Sense of Sound
18. Get Crunk! The Performative Resistance of Atlanta Hip-Hop Party Music
19. Itaataatawi: Hopi Song, Intellectual Property, and Sonic Sovereignty in an Era of Settler-Colonialism
20. Specters of Maelo: An Ethnographic Biography of Ismael 'Maelo' Rivera
21. The Song from the Singer: Personification, Embodiment, and Anthropomorphization in Troubadour Lyric
22. Convergence Lines: A Musical Distillation of Thomas Pynchon’s V.
23. Ethnography, Sound Studies and the Black Atlantic
24. Experiencing Structure in Penderecki’s Threnody: Analysis, Ear-Training, and Musical Understanding
25. Listening to Ekphrastic Musical Compositions
26. Moving with Music: Approaches to the Analysis of Movement-Music Interactions
27. Perle Noire: Meditations for Josephine - Aesthetics, Discussion, and Reception
28. Phenomenon and Abstraction: Coordinating Concepts in Music Theory and Analysis
29. Prognosticating Echoes: Race, Sound, and Naturalizing Technology
30. Recalling the Traces of Ancient Fires: Memory and Composed Reinterpretation in Vestigia Flammae for sinfonietta and Agnosco Veteris for orchestra
31. Salience and Musical Form: On the Composition of 'Objets À Réaction Poétique' for Large Chamber Ensemble
32. Texts—Textures—Intertexts: The Orchestral Worlds of Brian Cherney
33. Approaches to handwritten conductor annotation extraction in musical scores
34. Beethoven’s Catholicism: A Reconsideration
35. Building and Becoming: DIY Music Technology in New York and Berlin
36. Composition in Relative Intonation Sadhana (2015) and k. tracing (2015)
37. Music and the Uncanny Valley
38. Noise, sound and objecthood: the politics of representation in avant-garde music
39. Poetics, Performance, and Translation in Eastern Cherokee Language Revitalization
40. Presence, Absence, and Disjunctures: Popular Music and Politics in Lomé, Togo, 1967-2005
41. Sirens/Cyborgs: Sound Technologies and the Musical Body
42. Zou Qilai!: Musical Subjectivity, Mobility, and Sonic Infrastructures in Postsocialist China
43. American Opera, Jazz, and Historical Consciousness, 1924-1994
44. Between Imagination and Realization: Composers and Metaphysical Spaces
45. "Cien por Ciento Nacional!" Panamanian Música Típica and the Quest for National and Territorial Sovereignty
46. Flutes, Pianos, and Machines: Compositions for Instruments and Electronic Sounds
47. Implications of Contemporary Bluegrass Music Performance at and around a New York City Jam Session
48. Listeners’ Bodies in Music Analysis: Gestures, Motor Intentionality, and Models
49. Optimizing Future Perfect: A Model for Composition with Genetic Algorithms
50. Repetition, Reception, Response: Minimal Music and the Use of Affect in Analysis
51. Staging the Past: Richard Wagner's Ring Cycle in Divided Germany during the 1970s and 1980s
52. Studies in the History of the Cadence
53. A Multiphonic Reappraisal and the Alto Saxophone Concerto Radial
54. A Time for Everything, for chorus: Analysis of a Musical Meditation
55. Carol Vernallis. 2013. Unruly Media: YouTube, Music Video, and the New Digital Cinema. New York: Oxford University Press. Reviewed
56. Contemporary Composers Web Archive (CCWA): A Borrow Direct Composers Project
57. Dangerous Tenors, Heroic Basses, and Non-Ingénues: Singers and the Envoicing of Social Values in Russian Opera, 1836-1905
58. David Novak. 2013. Japanoise: Music at the Edge of Circulation. Durham, NC: Duke University Press.
59. Editor’s Note
60. Editor’s Note to Gesprochene Musik, 1. “O–a” and 2. “Ta–tam”
61. European Echoes: Jazz Experimentalism in Germany, 1950-1975
62. Glissando as a Metaphor in Beat Furrer's FAMA
63. Hearing Women's Voices in Popular Song: Analyzing Sound and Identity in Country and Soul
64. Images of Time and Timelessness: A Musical Reading of Death in Venice
65. Jazz and Radio in the United States: Mediation, Genre, and Patronage
66. Lists, reliquaries and angels in the music and the modern world/ Tombeau pour New York
67. Misshapen Shadows, Broken Symmetries, Lustrous Glimmering: Gyӧrgy Ligeti's "Melodien" and Gustav Klimt's Mosaics
68. Music, Affect, Labor, and Value: Late Capitalism and the (Mis)Productions of Indie Music in Chile and Brazil
69. Music in Conflict: Palestine, Israel and the Politics of Aesthetic Production
70. Nono and Marxist Aesthetics
71. Preface to Gesprochene Musik, 1. “O–a” and 2. “Ta–tam”
72. Sarah Kay. 2013. Parrots and Nightingales: Troubadour Quotation and the Development of European Poetry. Philadelphia: University of Pennsylvania Press.
73. Schubert's Mythological Mayrhofer-Lieder: Historical, Philosophical, and Psychological Contexts
74. Sounding "Black": An Ethnography of Racialized Vocality at Fisk University
75. Sound in the Construction of Race: From Blackface to Blacksound in Nineteenth-Century America
76. Staging the Operas of Francesco Cavalli: Dramaturgy in Performance, 1651-1652
77. The Historical Soundscape of Monophonic Hi–Fidelity
78. The Lost Movements of Ernst Toch’s Gesprochene Musik
79. The Musical Work Reconsidered, In Hindsight
80. Thirty-three Dialectics on a Theme: Hegelian Philosophy Vis-à-vis Beethoven's "Diabelli" Variations, Op. 120
81. Timothy D. Taylor. 2012. The Sounds of Capitalism: Advertising, Music, and the Conquest of Culture. Chicago: University of Chicago Press.
82. Voice and Instrument at the Origins of Music
83. Whence We Come, Whither We Go: Return and Renewal in Lineage for Large Orchestra
84. “A Disturbing Lack of Musical and Stylistic Continuity”? Elliott Carter, Charles Ives, and Musical Borrowing
85. Ambient Drone and Apocalypse
86. A Picture is Worth a Thousand Words: Road Maps as Analytical Tools
87. A Psychological Approach to Musical Form: The Habituation–Fluency Theory of Repetition
88. A Timely Musical Discourse, or a Music Treatise from Lost Times, Part I
89. Breathtails: a Song Cycle in 13 Breaths Written for Anne LeBaron
90. Building Mobile Instruments for Improvised Musical Performance
91. Composing Breathtails (a Song Cycle in 21 Breaths)
92. Confusion in the Karnatic Capital: Fusion in Chennai, India
93. Correspondences
94. Cover To Cover
95. Editor's Note
96. Eleven Theses on Sound and Transcendence
97. Excerpted from The Days and Nights of the Lotus Trio
98. Experiencing Alba Tressina’s Anima mea liquefacta est through Bodily Humors and the Sacred Erotic
99. From Errata 5uite
100. from From a Broken Bottle Traces of Perfume Still Emanate, Volume Five
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