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Current Musicology
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Current Musicology is a leading journal for scholarly research on music. We publish articles and book reviews in the fields of historical musicology, ethnomusicology, music theory, and philosophy of music. The journal was founded in 1965 by graduate students at Columbia University as a semiannual review. This archive contains articles published in the journal starting in 1980. https://currentmusicology.columbia.edu/
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2. Writing Under the Influence?: Salieri and Schubert's Early Opinion of Beethoven
3. Writing the City: The Cosmopolitan Realism of Offenbach’s La Vie parisienne
4. “Words for Music, Perhaps”? Texts, 1975-2013
5. ...whence freedom
6. Wagnerian Singing and the Limits of Vocal Pedagogy
7. Voice Function, Sonority, and Contrapuntal Procedure in Late Medieval Polyphony
8. Voice as Action: Towards a Model for Analyzing the Dynamic Construction of Racialized Voice
9. Variations V: "Escaping Stagnation" Through Movement of Signification
10. Varese in vitro: On Attention, Aurality, and the Laboratory
11. Ulysses Kay Archive: Columbia University Rare Book and Manuscript Library
12. Troubadour Song as Performance: A Context for Guiraut Riquier’s “Pus sabers no’m val ni sens”
13. Transformational Analysis: An Essay Toward an Analytic Model
14. Tradition and Creation
15. Toward A Rupture in the Sensus Communis: On Sound Studies and the Politics of Knowledge Production
16. Toward a Revised Understanding of Young Children's Musical Activities: Reflections from the "Day in the Life" Project
17. To Astonish the Roses: 7 e–mails to Walter Branchi
18. Tia DeNora, Beethoven and the Construction of Genius: Musical Politics in Vienna, 1792-1803
19. Tia DeNora. 2013. Music Asylums: Wellbeing Through Music in Everyday Life
20. Through the Fabric of My Own: Louise Alenius and Embodied Interrelationality
21. Things I Think about, and Don't Think about, When I Compose
22. The Wonder of Delays
23. The Turn from the Aesthetic
24. The Song Sketches of Hugo Wolf
25. The Selection of Clausula Sources for Thirteenth- Century Motets: Some Practical Considerations and Aesthetic Implications
26. The Role of Adele T. Katz in the Early Expansion of the New York "Schenker School"
27. The Rhythm of Text and Music in Ottocento Melody: An Empirical Reassessment in Light of Contemporary Treatises
28. The Question of Purpose in Music Theory: Description, Suggestion, and Explanation
29. The Prelude from Bach's Suite No.4 for Violoncello Solo: The Submerged Urlinie
30. The Politics of Music: Women’s Music Education in the United States in the late 18th Century
31. The Pastoral After Environmentalism: Nature and Culture in Stephen Albert's Symphony: RiverRun
32. The Origins of the Orchestra Machine
33. The Musical Work Reconsidered, In Hindsight
34. The Lost Movements of Ernst Toch’s Gesprochene Musik
35. The Idea of Transfiguration in the Early German Reception of Mozart's Requiem
36. The Historical Soundscape of Monophonic Hi–Fidelity
37. The German Musical Exile and the Course of American Musicology
38. The Foundations of Mozart Scholarship
39. The Filth and the Fury: An Essay on Punk Rock Heavy Metal Karaoke
40. The Disc Jockey as Composer, or How I Became a Composing DJ
41. The Cyberpolitics of Music in Ukraine's 2004 Orange Revolution
42. The Concept of Ausweichung in Music Theory, ca. 1770-1832
43. The Composer as Pole Seeker: Reading Vaughan Williams's Sinfonia antartica
44. The "Arabian Influence" Thesis Revisited
45. The Aesthetics of Textural Ambiguity: Brahms and the Changing Piano
46. The 1990s "Kutaisi Wave": Music and Youth Movement in a Postindustrial Periphery
47. Telling Tales: A Survey of Narratological Approaches to Music
48. "Telling a Story": Louis Armstrong and Coherence in Early Jazz
49. Suspicious Silence: Walking Out on John Cage
50. Subtiliter alternare: The Yoxford Motet o amicus / Precursaris
51. Steingo, Gavin. 2016. Kwaito’s Promise: Music and the Aesthetics of Freedom in South Africa. Chicago: University of Chicago Press
52. Spooning Good Singing Gum: Meaning, Association, and Interpretation in Rock Music
53. Speaking and Sighing: Bellini's canto declamato and the Poetics of Restraint
54. Spatial and Psychoacoustic Factors in Atonal Prolongation
55. Some Observations on the "Germanic" Plainchant Tradition
56. Solving Elgar's Enigma
57. “Sing About Me”: Social Media Memorial and Inventory Form
58. Signification, Objectification, and the Mimetic Uncanny in Claude Debussy's "Golliwog's Cakewalk"
59. Sex and Laughter in Women's Music, 1970-77
60. Seeing and Hearing the Thinking Voice
61. Scat Singing: A Timbral and Phonemic Analysis
62. Sarah Hibbert and Richard Wrigley, eds. 2014. Art, Theatre, and Opera in Paris, 1750-1850: Exchanges and Tensions
63. Ricardo Lorenz: A Post-Colonial/Modern Latin(o) American Composer
64. Rhythms of Relation: Black Popular Music and Mobile Technologies
65. Review of Wayne D. Bowman and Ana Lucía Frega, eds. 2012. The Oxford Handbook of Philosophy in Music Education. London and New York: Oxford University Press.
66. Review of Jennifer Milioto Matsue. 2009. Making Music in Japan’s Underground: The Tokyo Hardcore Scene. New York and London: Routledge
67. Representing Recording Studios of the Past: A Review Essay
68. Reflections on Teaching Music 17: Hip Hop
69. Recombinant Melody: Ten Things to Love About Willaert's Music
70. Recent Developments at the Columbia University Computer Music Center
71. Rebel Girls and Singing Boys: Performing Music and Gender in the Teen Movie
72. Realizing Musical Gestures with the Computer: Paradigms and Problems
73. Reading and Misreading: Schumann's Accompaniments to Bach's Sonatas and Partitas for Solo Violin
74. Queer Theory, Ethno/Musicology, and the Disorientation of the Field
75. Prognosticating Echoes: Race, Sound, and Naturalizing Technology
76. Producing Producers: Women and Electronic/Dance Music
77. Preface to Gesprochene Musik, 1. “O–a” and 2. “Ta–tam”
78. Porgy and Miles
79.
Plot and Tonal Design as Compositional Constraints
in Il trovatore
80. Pierrepont, Alexandre. 2015. La Nuée. L’AACM: Un Jeu de Société Musicale. Marseille: Éditions Parenthèses.
81. Perspectives on Bruckner
82. Periods in Progressive Rock and the Problem of Authenticity
83. Performance and Social Meaning in the Lied: Schubert's Erster Verlust
84. Patricia Carpenter in Commemoration
85. "Paths of Harmony" in the First Movement of Brahms's Cello Sonata in E minor, Op. 38
86. Outside Forces: "Autumn Leaves" in the 1960s
87. Otto Luening (1900-) and the Theories of Bernhard Ziehn (1845-1912)
88. “Organic and Beautiful and Imperfect”: An Interview with Queer Pop Musician Be Steadwell
89. Opera at Columbia: A Shining Legacy
90. On the Identity of Some Musicians At The Brescian Court of Pandolfo III Malatesta
91. On Teaching the History of Nineteenth-Century Music
92. "On stage, everyone loves a Black": Afro-Ukrainian Folk Fusion, Migration, and Racial Identity in Ukraine
93. On Plurality
94. Oblique Strategies
95. Noticing Musical Becomings: Deleuzian and Guattarian Approaches to Ethnographic Studies of Musicking
96. Nonsense and Unmusic
97. Nigun Poems
98. New Musicologies, Old Musicologies: Ethnomusicology and the Study of Western Music*
99. My Attitude Problem
100. Music Smashed to Pieces: The Destructive Logic of Berlioz's Romeo au tombeau
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