2. Iverson, Jennifer. 2018. Electronic Inspirations: Technologies of the Cold-War Musical Avant Garde. New York: Oxford University Press.
3. Chávez, Alex E. 2017. Sounds of Crossing: Music, Migration, and the Aural Poetics of Huapango Arribeño. Durham, NC: Duke University Press
4. David Brackett. 2016. Categorizing Sound: Genre and Twentieth-Century Popular Music. Berkeley: University of California Press
5. Fink, Robert, Melinda Latour, and Zachary Wallmark (eds). 2018. The Relentless Pursuit of Tone. New York: Oxford University Press.
6. Kreuzer, Gundula. 2018. Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera. Oakland, CA: University of California Press.
7. Mary I. Ingraham, Joseph K. So, and Roy Moodley, eds. 2016. Opera in a Multicultural World: Coloniality, Culture, Performance. New York: Routledge
8. Steingo, Gavin. 2016. Kwaito’s Promise: Music and the Aesthetics of Freedom in South Africa. Chicago: University of Chicago Press
9. Yasar, Kerim. 2018. Electrified Voices: How the Telephone, Phonograph, and Radio Shaped Modern Japan, 1868–1945. New York: Columbia University Press.
10. Andrey Smirnov. 2013. Sound in Z: Experiments in Sound and Electronic Music in Early 20th-Century Russia
11. Eidsheim, Nina Sun. 2015. Sensing Sound: Singing and Listening as Vibrational Practice
12. Kajikawa, Loren. 2015. Sounding Race in Rap Songs. Oakland: University of California Press.
13. Marie Sumner Lott. 2015. The Social Worlds of Nineteenth-Century Chamber Music
14. Pierrepont, Alexandre. 2015. La Nuée. L’AACM: Un Jeu de Société Musicale. Marseille: Éditions Parenthèses.
15. Sarah Hibbert and Richard Wrigley, eds. 2014. Art, Theatre, and Opera in Paris, 1750-1850: Exchanges and Tensions
16. Tia DeNora. 2013. Music Asylums: Wellbeing Through Music in Everyday Life
17. Carol Vernallis. 2013. Unruly Media: YouTube, Music Video, and the New Digital Cinema. New York: Oxford University Press. Reviewed
18. Daniel Albright. 2014. Panaesthetics: On the Unity and Diversity of the Arts. New Haven and London: Yale University Press.
19. David Novak. 2013. Japanoise: Music at the Edge of Circulation. Durham, NC: Duke University Press.
20. Davies, J.Q. 2014. Romantic Anatomies of Performance. Berkeley: University Of California Press.
21. Helbig, Adriana. 2014. Hip Hop Ukraine: Music, Race, and African Migration. Bloomington, IN: Indiana University Press.
22. Morgan, Robert P. 2014. Becoming Heinrich Schenker: Music Theory and Ideology. New York: Cambridge University Press.
23. Sarah Kay. 2013. Parrots and Nightingales: Troubadour Quotation and the Development of European Poetry. Philadelphia: University of Pennsylvania Press.
24. Timothy D. Taylor. 2012. The Sounds of Capitalism: Advertising, Music, and the Conquest of Culture. Chicago: University of Chicago Press.
25. Charles M. Joseph. 2011. Stravinsky’s Ballets
26. Editor's Note
27. Eva Rieger. 2011. Richard Wagner’s Women. Translated by Chris Walton. Laurence Dreyfus. 2010. Wagner and the Erotic Impulse
28. Heather Wiebe. 2012. Britten’s Unquiet Pasts: Sound and Memory in Postwar Reconstruction
29. Judging Performance, Performing Judgments: Race and Performance in Weimar Germany
30. Review of Barbara Lorenzkowski. 2010. Sounds of Ethnicity. Listening to German North America 1850–1914. Winnipeg:University of Manitoba Press
31. Review of Evan Jones, ed., Intimate Voices: The Twentieth CenturyString Quartet (Rochester University Press, 2009)
32. Review of Hillel Schwartz. 2011. Making Noise: From Babel to the Big Bang and Beyond. Brooklyn: Zone Books
33. Review of Theodore Gracyk and Andrew Kania, eds. 2011. The Routledge Companion to Philosophy and Music. Abingdon, UK, and New York, NY: Routledge.
34. Alexander Rehding. 2009. Music and Monumentality: Commemoration and Wonderment in Nineteenth-Century Germany. Oxford and New York: Oxford University Press.
35. Hilary Poriss. 2009. Changing the Score: Arias, Prima Donnas, and the Authority of Performance. Oxford: Oxford University Press.
36. Metal in Three Modes of Enmity: Political, Musical, Cosmic
37. Review of "Apocalypse Jukebox: The End of the World in American Popular Music" by David Janssen and Edward Whitelock
38. Review of "Experimentalism Otherwise: The New York Avant-Garde and Its Limits" by Benjamin Piekut
39. Review of "In the Process of Becoming: Analytic and Philosophical Perspectives on Form in Early Nineteenth-Century Music" by Janet Schmalfeldt
40. Review of "Natural Acts: Gender, Race, and Rusticity in Country Music" by Pamela Fox
41. Review of "Oye Como Va!: Hybridity and Identity in Latino Popular Music" by Deborah Pacini-Hernandez
42. Review of "Rush, Rock Music and the Middle Class: Dreaming in Middletown" by Chris McDonald
43. Review of "She's So Fine: Reflections on Whiteness, Femininity, Adolescence and Class in 1960s Music" by Laurie Stras
44. Review of "Where the Dark and Light Folks Meet: Race and the Mythology, Politics, and Business of Jazz" by Randall Sandke
45. Review of "Where the Dark and Light Folks Meet: Race and the Mythology, Politics and Business of Jazz" by Randall Sandke
46. Karin Bijsterveld and Jose van Dijck, eds. 2009. Sound Souvenirs: Audio Technologies, Memory and Cultural Practices. Amsterdam: Amsterdam University Press.
47. Raymond Monelle. 2006. The Musical Topic: Hunt, Military, and Pastoral. Bloomington and Indianapolis: Indiana University Press.
48. Review of Alejandro L. Madrid. 2008. Nor-tec Rifal: Electronic Dance Music from Tijuana to the World. Oxford: Oxford University Press.
49. Review of Brandon LaBelle. 2010. Acoustic Territories: Sound Culture and Everyday Life. New York and London: Continuum
50. Review of Eileen M. Hayes. 2010. Songs in Black and Lavender: Race, Sexual Politics, and Women's Music. Urbana and Chicago: University of Illinois Press.
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