1. The Meyer Manuscript: An 18th-Century American Tunebook Music, David W. 1980 Reviews MusicMusic--Instruction and study
2. The Symphony as Described by J. A. P. Schulz (1774): A Commentary and Translation Churgin, Bathia 1980 Reviews Music
3. An Unpublished Cadenza By Gounod For Mozart's Piano Concerto KV 491 Mueter, John A. 1982 Reviews Music
4. Keith W. Daniel. Francis Poulenc: His Artistic Development and Musical Style (Ann Arbor: UMI Research Press, 1982), 390 pp. Meltzer, Howard 1983 Reviews Music
5. The Sources of the Christmas Interpolations in J. S. Bach's Magnificat in E-flat Major (BWV 243a) Cammarota, Robert M. 1983 Reviews Music
6. Leoš Janáček. Kritische Gesamtausgabe, Reihe C, Band 1: Männerchöre I. Herausgaben von Leoš Faltus, Petr Oliva. Prague: Supraphon, and Kassel: Bärenreiter, 1983 Beckerman, Michael 1984 Reviews Music
7. Thomas Emmerig. Joseph Riepel (1709-1782): Hofkapellmeister des Fürsten von Thurn und Taxis Knouse, Nola Reed 1984 Reviews MusicBiography
8. Elliott Antokoletz. The Music of Béla Bartók: A Study of Tonality and Progression in Twentieth-Century Music. Morris, Mitchell 1986 Reviews Music
9. James Kippen. The Tabla of Lucknow: A cultural analysis of a musical tradition. Cambridge: Cambridge University Press, 1988. Manuel, Peter 1991 Reviews Music
11. Explorations in Music, The Am, and Ideas: Essays in Honor of Leonard B. Meyer. Edited by Eugene N annour and Ruth A. Solie. Stuyvesant: Pendragon Press, 1988. xiii, 473 pages. Marvin, Elizabeth West 1992 Reviews Music
12. Friederich Erhardt Niedt. The Musical Guide: Parts 1 (1700/10), 2 (1721), and 3 (1717).;Susan P. Snook-Luther. The Musical Dilettante: A Treatise on Composition by J. F. Daube. Christensen, Thomas 1992 Reviews Music
13. Leonard Meyer. Style and Music: Theory, History and Ideology. Philadelphia: University of Pennsylvania Press, 1989. xi, 376 pages. Studies in the Criticism and Theory of Music. Kivy, Peter 1992 Reviews Music
15. Nicholas Cook. Music, lmagination, and Culture. Oxford: Oxford University Press / Clarendon Press, 1990.265 pp. Kramer, Lawrence 1992 Reviews Music
16. Stephen Banfield. Sensibility and the English Song: Critical Studies of the Early 20th Century. Cambridge: Cambridge University Press, 1988. xvii, 619 pages. Adams, Byron 1992 Reviews Music
18. Critical Perception and the Woman Composer: The Early Reception of Piano Concertos by Clara Wieck Schumann and Amy Beach Macdonald, Claudia 1993 Reviews Music
19. Anna Maria Busse Berger. Mensuration and Proportion Signs: Origins and Evolution. Clarendon Press, 1993. xiii, 271 pp. Stone, Anne J. 1994 Reviews Music
20. Gregory Butler. Bach's Clavier-Ubung III: The Making of a Print. With a Companion Study of the Canonic Variations on "Vom Himmel Hoch," BWV 769. Stauffer, George B. 1994 Reviews Music
21. James Pritchett. The Music of John Cage. Cambridge: Cambridge University Press, 1993. 223pp. Lochhead, Judy 1995 Reviews Music
22. Margot Fassler. Gothic Song: Victorine Sequences and Augustinian Reform in Twelfth-Century Paris. Fuller, Sarah 1995 Reviews Music
23. Margot Fassler. Gothic Song: Victorine Sequences and Augustinian Reform in Twelfth-Century Paris.Cambridge: Cambridge University Press, 1993. xxi, 487 pp. Fuller, Sarah 1995 Reviews Music
24. Review: Friederich Erhardt Niedt. The Musical Guide: Parts 1 (1700/10), 2 (1721), and 3 (1717) and The Musical Dilettante: A Treatise on Composition by J. F. Daube. Christensen, Thomas 1995 Reviews Music
25. Stephen Walsh. Stravinsky: Oedipus Rex. Cambridge: Cambridge University Press, 1993. 118pp. van den Toorn, Pieter C. 1995 Reviews Music
26. William Weber, The Rise of Musical Classics in Eighteenth- Century England: A Study in Canon, Ritual and Ideology. Oxford; Clarendon Press, 1992. 174 pp. Charlton, David 1995 Reviews Music
27. Hearing, Remembering, Cold Storage, Purism, Evidence, and Attitude Adjustment Dubiel, Joseph 1996 Reviews Music
28. Mark DeBellis. Music and Conceptualization"Hearing is Believing?" London, Justin 1996 Reviews Music
29. Robert Samuels. Mahler's Sixth Symphony: A Study in Musical SemioticsSemiotics and Mahler's Sixth Symphony: The Suicide of Music Analysis? Buhler, James 1996 Reviews Music
30. Robert S. Hatten. Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation Agawu, Kofi 1996 Reviews Music
35. James M. Baker, David W. Beach, and Jonathan Bernard, eds. Music Theory in Concept and Practice. University of Rochester Press, 1997.529 pp Nonken, Marilyn 1997 Reviews Music
36. Martha Bayles. Hole in Our Soul: The Loss of Beauty and Meaning in American Popular Music Thompson, Daniel N. 1997 Reviews Music
37. Paul Theberge. Any Sound You Can Imagine: Making Music/Consuming Technology. Hanover: Wesleyan University Press, 1997. xx, 293 pp. Fikentscher, Kai 1997 Reviews Music
38. Thomas Owens. Bebop: The Music and the Players. NewYork: Oxford University Press, 1995. xvi, 323 pp. Rawlins, Robert 1997 Reviews Music
39. Aesthetics, Authenticities, and Appeals to Authority: The Auditor as Author Thompson, Daniel N. 1998 Reviews Music
40. A Welsh Collection of Mendelssohniana: Letters at Aberystwyth Evans, David R. A.; Todd, R. Larry; Olson, Judith E. 1998 Reviews Music
41. Levon Hakobian. Music of the Soviet Age.; Allan B. Ho and Dmitry Feofanov, eds. Shostakovich Reconsidered.; David Haas. Leningrad's Modernists: Studies in Composition and Musical Thought. Blum, Stephen 1998 Reviews Music
42. Timothy McGee, editor, with A. G. Rigg and David N. Klausner. Singing Early Music: The Pronunciation of European Languages in the Late Middle Ages and Renaissance Rice, Eric 1998 Reviews Music
43. Beyond Duality: Stasis, Silence, and Vertical Listening Thompson, Daniel N. 1999 Reviews MusicLiterature
44. Bryan R. Simms. The Atonal Music of Arnold Schoenberg,1908-1923. Oxford University Press, 2000. ix, 265 pp. Haimo, Ethan 2000 Reviews Music
45. Derek B. Scott, ed. Music, Culture, and Society: A Reader. Oxford University Press, 2000. x, 238 pp. Taylor, Timothy D. 2000 Reviews Music
46. Far Out: Intentionality and Image Schema in the Reception of Early Works by Ornette Coleman Saslaw, Janna K. 2000 Reviews Music
47. James Buhler, Caryl Flinn, and David Neumeyer, eds. Music and Cinema. Wesleyan University Press, 2000. vi, 397 pp. McQuiston, Katherine 2000 Reviews Music
48. Mary Hunter. The Culture of Opera Buffa in Mozart's Vienna: A Poetics of Entertainment. Monson, Dale E. 2000 Reviews Music
49. Peter Wade. Music, Race, and Nation: Musica Tropicalin Colombia Sturman, Janet L. 2000 Reviews MusicLatin Americans
50. Review of Eric Chafe. Analyzing Bach Cantatas. Oxford University Press, 2000. xvii, 286 pp. Ito, John 2000 Reviews Music
51. Review of Georgina Born and David Hesmondhalgh, eds. Western Music and Its Others: Difference, Representation, and Appropriation in Music. University of California Press, 2000. xi, 360 pp. Fox, Aaron Andrew 2000 Reviews Music
52. Review of Jonathan Cross. Harrison Birtwistle: Man, Mind, Music. Cornell University Press, 2000. and Robert Adlington. The Music of Harrison Birtwistle. Cambridge University Press, 2000. Walsh, Stephan 2000 Reviews Music
53. Review of Thomas Turino. Nationalists, Cosmopolitans, and Popular Music in Zimbabwe. University of Chicago Press, 2000. x, 401 pp. Emoff, Ron 2000 Reviews Music
54. Arnold Schoenberg. The Musical Idea and the Logic, Technique, and Art of Its Presentation. Edited, translated, and with a commentary by Patricia Carpenter and Severine Neff Dineen, Murray 2001 Reviews Music
55. Curtis Roads, ed. The Computer Music Tutorial. MITPress, 1996. 1,234 pp Joel Chadabe. Electric Sound: The Past and Promise ofElectronic Music. Prentice Hall, 1997.370 pp Geers, Douglas 2001 Reviews Music
56. When the Music of Psychoanalysis Becomes the Psychoanalysis of MusicDavid Schwarz. Listening Subjects: Music, Psychoanalysis, Culture. Scherzinger, Martin 2001 Reviews Music
57. Andrew F. Jones. Yellow Music: Media Culture and Colonial Modernity in the Chinese Jazz Age. Durham, N.C.: Duke University Press, 2001. xi, 213 pp. Wilson, Dale 2002 Reviews MusicAsians
59. Other Planes of There: Critical Notice of Graham Lock's Blutopia Anderson, Paul Allen 2002 Reviews Music
60. Phil Pastras. Dead Man Blues: Jelly Roll Morton Way Out West. Berkeley: University of California Press, 2001. xx, 246 pp. Ogren, Kathy J. 2002 Reviews MusicBiography
61. Review of Alyn Shipton. A New History of Jazz. London and New York: Continuum, 2001. x, 965 pp. Tirro, Frank 2002 Reviews Music
62. Review of David Charlton. French Opera 1730-1830: Meaning and Media. Aldershot, Hampshire (U.K.), and Brookfield, Vt.: Ashgate, 2000. xii, 374 pp. Rushton, Julian 2002 Reviews Music
63. Review of David Ferris. Schumann's Eichendorff"Liederkreis" and the Genre of the Romantic Cycle. Oxford and New York: Oxford University Press, 2000. vii, 270 pp. Kramer, Richard 2002 Reviews Music
64. Review of Eric Porter. What Is This Thing Called Jazz?: African American Musicians as Artists, Critics, and Activists. Berkeley: University of California Press, 2002. XXI, 404 pp. Gabbard, Krin 2002 Reviews Music
65. Review of E. Taylor Atkins. Blue Nippon: Authenticating Jazz in Japan. Durham, N.C.: Duke University Press, 2001. xiv, 366 pp. Condry, Ian 2002 Reviews Music
66. Review of Hervé Lacombe. The Keys to French Opera in the Nineteenth Century. Translated by Edward Schneider. Berkeley: University of California Press, 2001. xv, 415 pp. Speare, Mary Jean 2002 Reviews Music
67. Review of John S. Powell. Music and Theatre in France, 1600-1680.Oxford: Oxford University Press, 2000. xvil , 582 pp. Heyer, John Hajdu 2002 Reviews Music
68. Review of Marian Smith. Ballet and Opera in the Age of "Giselle". Princeton: Princeton University Press, 20001. xx, 306 pp. Hibberd, Sarah 2002 Reviews Music
69. Review of Peter Kivy. New Essays on Musical Understanding. Oxford University Press, 2001. and Lawrence Kramer. Musical Meaning: Toward a Critical History. University of California Press, 2002. Goehr, Lydia 2002 Reviews Music
70. Review of Philip Rupprecht. Britten's Musical Language. Cambridge: Cambridge University Press, 2001. x, 358 pp. Whitesell, Lloyd 2002 Reviews Music
71. Review of Rob van der Bliek, ed. The Thelonious Monk Reader. New York: Oxford University Press, 2001. xvii, 286 pp. Priestley, Brian 2002 Reviews Music
72. Review of Simon P. Keefe. Mozart's Piano Concertos: Dramatic Dialogue in the Age of Enlightenment. Woodbridge, Suffolk (U.K): The Boydell Press, 2001. x, 205 pp. Will, Richard 2002 Reviews Music
73. Review of Timothy D. Taylor. Strange Sounds: Music, Technology, and Culture. New York: Routledge, 2001. x, 278 pp. Zak III, Albin J. 2002 Reviews Music
74. Review of Uta G. Poiger.Jazz, Rock, and Rebels: Cold War Politics and American Culture in a Divided Germany. Berkeley: University of California Press, 2000. xiii, 333 pp. Jackson, Jeffrey H. 2002 Reviews Music
76. Meintjes, Louise. 2003. Sound of Africa!: Making Music Zulu in a South African Studio. Pyper, Brett 2003 Reviews MusicZulu (African people)--MusicZulu (African people)--Ethnic identityApartheid
77. Review of Alexander Rehding, Hugo Riemann and the Birth of Modern Musical Thought. New York and Cambridge: CambrIdge University Press, 2003. Kim, Youn 2003 Reviews Music
78. Review of Sean Gallagher, James Haar, John Nadas, and Timothy Striplin, eds. Western Plainchant in the First Millennium: Studies in the Medieval Liturgy. Burlington, VT: Ashgate, 2004. Dohoney, Ryan W. 2003 Reviews Music
79. Review of Thomas Goldsmith, ed. The Bluegrass Reader. Urbana: University of Illinois Press, 2004. King, Jonathan T. 2003 Reviews Music
80. Review of Dell'Antonio, Andrew, ed. 2004. Beyond Structural Listening? Postmodern Modes of Hearing. Berkeley and Los Angeles: University of California Press. Horton, Julian 2004 Reviews Music
81. Review of Heffley, Mike. 2005. Northern Sun, Southern Moon: Europe's Reinvention of Jazz. New Haven: Yale University Press. Lewis, George E. 2004 Reviews Music
82. Review of Leech-Wilkinson, Daniel. 2002. The Modern Invention of Medieval Music: Scholarship, Ideology, Performance. Cambridge: Cambridge University Press. Irvine, Thomas 2004 Reviews Music
83. Review of Riley, Matthew. 2004. Musical Listening in the German Enlightenment: Attention, Wonder and Astonishment. Aldershot, UK and Burlington, VT: Ashgate Publishing. Head, Matthew 2004 Reviews Music
84. Review of Spitzer, John and Neal Zaslaw. 2004. The Birth of the Orchestra: History of an Institution, 1650-1815. New York and Oxford: Oxford University Press. Rice, John A. 2004 Reviews Music
85. Uptown Conversations: The New Jazz Studies and The Other Side of Nowhere: Jazz, Improvisation, and Communities in Dialogue. Higgins, Niko 2004 Reviews Music
86. Review of Clarke, Eric and Nicholas Cook, eds. 2004. Empirical Musicology: Methods, Aims, Prospects. Oxford and New York: Oxford University Press. Devaney, Johanna 2005 Reviews Music
87. Review of Frisch, Walter. 2005. German Modernism: Music and the Arts. Berkeley and Los Angeles: University of California Press Painter, Karen 2005 Reviews Music
89. Review of Brooks, Tim. 2004. Lost Sounds: Blacks and the Birth of the Recording Industry, 1890-1919. Urbana and Chicago: University of Illinois Press. Graham, Sandra Jean 2006 Reviews Music
90. Review of DeNora, Tia. 2003. After Adorno: Rethinking Music Sociology. Cambridge and New York: Cambridge University Press. Roy, William G. 2006 Reviews Music
91. Review of Fink, Robert. 2005. Repeating Ourselves: American Minimal Music as Cultural Practice. Berkeley and Los Angeles: University of California Press. Haskins, Rob 2006 Reviews Music
92. Review of Goldmark, Daniel. 2005. Tunes for 'Toons: Music and the Hollywood Cartoon. Berkeley and Los Angeles: University of California Press. McQuiston, Kate 2006 Reviews Music
93. Review of Harness, Kelley. 2006. Echoes of Women's Voices: Music, Art, and Female Patronage in Early Modern Florence. Chicago and London: University of Chicago Press. Marshall, Melanie L. 2006 Reviews Music
94. Review of Monod, David. 2005. Settling Scores: German Music, Denazification, and the Americans, 1945-1953. Chapel Hill: University of North Carolina Press. Tompkins, David 2006 Reviews Music
95. Review of Peraino, Judith. 2006. Listening to the Sirens: Musical Technologies of Queer Identity from Homer to Hedwig. Berkeley and Los Angeles: University of California Press. Raykoff, Ivan 2006 Reviews Music
96. Review of Pisani, Michael V. 2005. Imagining Native America in Music. New Haven, eT, and London: Yale University Press. Harrison, Klisala 2006 Reviews MusicIndians of North AmericaIndians of North America--Songs and musicMusic--Historiography
97. Review of John Gennari. 2006. Blowin' Hot and Cool: Jazz and Its Critics. Chicago and London: University of Chicago Press. Steinbeck, Paul 2007 Reviews Music
98. Review of Mary Ann Smart. 2004. Mimomania: Music and Gesture in Nineteenth-Century Opera. Berkeley and Los Angeles: University of California Press. Cruz, Gabriela 2007 Reviews Music
99. Review of Neil Lerner and Joseph N. Straus, eds. 2006. Sounding Off: Theorizing Disability in Music. London and New York: Routledge Schmalenberger, Sarah 2007 Reviews Music
100. Review of O'Neill, Mary. 2006. Courtly Love Songs of Medieval France: Transmission and Style in the Trouvère Repertoire. Oxford and New York: Oxford University Press. Boynton, Susan Leslie 2007 Reviews Music