1. The Meyer Manuscript: An 18th-Century American Tunebook Music, David W. 1980 Reviews MusicMusic--Instruction and study
2. The Symphony as Described by J. A. P. Schulz (1774): A Commentary and Translation Churgin, Bathia 1980 Reviews Music
3. An Unpublished Cadenza By Gounod For Mozart's Piano Concerto KV 491 Mueter, John A. 1982 Reviews Music
4. Keith W. Daniel. Francis Poulenc: His Artistic Development and Musical Style (Ann Arbor: UMI Research Press, 1982), 390 pp. Meltzer, Howard 1983 Reviews Music
5. The Sources of the Christmas Interpolations in J. S. Bach's Magnificat in E-flat Major (BWV 243a) Cammarota, Robert M. 1983 Reviews Music
6. Leoš Janáček. Kritische Gesamtausgabe, Reihe C, Band 1: Männerchöre I. Herausgaben von Leoš Faltus, Petr Oliva. Prague: Supraphon, and Kassel: Bärenreiter, 1983 Beckerman, Michael 1984 Reviews Music
7. Thomas Emmerig. Joseph Riepel (1709-1782): Hofkapellmeister des Fürsten von Thurn und Taxis Knouse, Nola Reed 1984 Reviews MusicBiography
8. Elliott Antokoletz. The Music of Béla Bartók: A Study of Tonality and Progression in Twentieth-Century Music. Morris, Mitchell 1986 Reviews Music
9. James Kippen. The Tabla of Lucknow: A cultural analysis of a musical tradition. Cambridge: Cambridge University Press, 1988. Manuel, Peter 1991 Reviews Music
11. Explorations in Music, The Am, and Ideas: Essays in Honor of Leonard B. Meyer. Edited by Eugene N annour and Ruth A. Solie. Stuyvesant: Pendragon Press, 1988. xiii, 473 pages. Marvin, Elizabeth West 1992 Reviews Music
12. Leonard Meyer. Style and Music: Theory, History and Ideology. Philadelphia: University of Pennsylvania Press, 1989. xi, 376 pages. Studies in the Criticism and Theory of Music. Kivy, Peter 1992 Reviews Music
14. Nicholas Cook. Music, lmagination, and Culture. Oxford: Oxford University Press / Clarendon Press, 1990.265 pp. Kramer, Lawrence 1992 Reviews Music
15. Stephen Banfield. Sensibility and the English Song: Critical Studies of the Early 20th Century. Cambridge: Cambridge University Press, 1988. xvii, 619 pages. Adams, Byron 1992 Reviews Music
17. Critical Perception and the Woman Composer: The Early Reception of Piano Concertos by Clara Wieck Schumann and Amy Beach Macdonald, Claudia 1993 Reviews Music
18. Anna Maria Busse Berger. Mensuration and Proportion Signs: Origins and Evolution. Clarendon Press, 1993. xiii, 271 pp. Stone, Anne J. 1994 Reviews Music
19. Gregory Butler. Bach's Clavier-Ubung III: The Making of a Print. With a Companion Study of the Canonic Variations on "Vom Himmel Hoch," BWV 769. Stauffer, George B. 1994 Reviews Music
20. James Pritchett. The Music of John Cage. Cambridge: Cambridge University Press, 1993. 223pp. Lochhead, Judy 1995 Reviews Music
21. Margot Fassler. Gothic Song: Victorine Sequences and Augustinian Reform in Twelfth-Century Paris. Fuller, Sarah 1995 Reviews Music
22. Review: Friederich Erhardt Niedt. The Musical Guide: Parts 1 (1700/10), 2 (1721), and 3 (1717) and The Musical Dilettante: A Treatise on Composition by J. F. Daube. Christensen, Thomas 1995 Reviews Music
23. Stephen Walsh. Stravinsky: Oedipus Rex. Cambridge: Cambridge University Press, 1993. 118pp. van den Toorn, Pieter C. 1995 Reviews Music
24. William Weber, The Rise of Musical Classics in Eighteenth- Century England: A Study in Canon, Ritual and Ideology. Oxford; Clarendon Press, 1992. 174 pp. Charlton, David 1995 Reviews Music
25. Hearing, Remembering, Cold Storage, Purism, Evidence, and Attitude Adjustment Dubiel, Joseph 1996 Reviews Music
26. Mark DeBellis. Music and Conceptualization"Hearing is Believing?" London, Justin 1996 Reviews Music
27. Robert Samuels. Mahler's Sixth Symphony: A Study in Musical SemioticsSemiotics and Mahler's Sixth Symphony: The Suicide of Music Analysis? Buhler, James 1996 Reviews Music
28. Robert S. Hatten. Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation Agawu, Kofi 1996 Reviews Music
33. James M. Baker, David W. Beach, and Jonathan Bernard, eds. Music Theory in Concept and Practice. University of Rochester Press, 1997.529 pp Nonken, Marilyn 1997 Reviews Music
34. Martha Bayles. Hole in Our Soul: The Loss of Beauty and Meaning in American Popular Music Thompson, Daniel N. 1997 Reviews Music
35. Paul Theberge. Any Sound You Can Imagine: Making Music/Consuming Technology. Hanover: Wesleyan University Press, 1997. xx, 293 pp. Fikentscher, Kai 1997 Reviews Music
36. Thomas Owens. Bebop: The Music and the Players. NewYork: Oxford University Press, 1995. xvi, 323 pp. Rawlins, Robert 1997 Reviews Music
37. Aesthetics, Authenticities, and Appeals to Authority: The Auditor as Author Thompson, Daniel N. 1998 Reviews Music
38. A Welsh Collection of Mendelssohniana: Letters at Aberystwyth Evans, David R. A.; Todd, R. Larry; Olson, Judith E. 1998 Reviews Music
39. Levon Hakobian. Music of the Soviet Age.; Allan B. Ho and Dmitry Feofanov, eds. Shostakovich Reconsidered.; David Haas. Leningrad's Modernists: Studies in Composition and Musical Thought. Blum, Stephen 1998 Reviews Music
40. Timothy McGee, editor, with A. G. Rigg and David N. Klausner. Singing Early Music: The Pronunciation of European Languages in the Late Middle Ages and Renaissance Rice, Eric 1998 Reviews Music
41. Beyond Duality: Stasis, Silence, and Vertical Listening Thompson, Daniel N. 1999 Reviews MusicLiterature
42. Far Out: Intentionality and Image Schema in the Reception of Early Works by Ornette Coleman Saslaw, Janna K. 2000 Reviews Music
43. Mary Hunter. The Culture of Opera Buffa in Mozart's Vienna: A Poetics of Entertainment. Monson, Dale E. 2000 Reviews Music
44. Peter Wade. Music, Race, and Nation: Musica Tropicalin Colombia Sturman, Janet L. 2000 Reviews MusicLatin Americans
45. Arnold Schoenberg. The Musical Idea and the Logic, Technique, and Art of Its Presentation. Edited, translated, and with a commentary by Patricia Carpenter and Severine Neff Dineen, Murray 2001 Reviews Music
46. Curtis Roads, ed. The Computer Music Tutorial. MITPress, 1996. 1,234 pp Joel Chadabe. Electric Sound: The Past and Promise ofElectronic Music. Prentice Hall, 1997.370 pp Geers, Douglas 2001 Reviews Music
47. When the Music of Psychoanalysis Becomes the Psychoanalysis of MusicDavid Schwarz. Listening Subjects: Music, Psychoanalysis, Culture. Scherzinger, Martin 2001 Reviews Music
48. Review of Brandon LaBelle. 2010. Acoustic Territories: Sound Culture and Everyday Life. New York and London: Continuum Fischbeck, Luke 2010 Reviews Music
49. Alexander Rehding. 2009. Music and Monumentality: Commemoration and Wonderment in Nineteenth-Century Germany. Oxford and New York: Oxford University Press. Kim, Ji Young 2011 Reviews Music
50. Review of Evan Jones, ed., Intimate Voices: The Twentieth CenturyString Quartet (Rochester University Press, 2009) Kozak, Mariusz S. 2012 Reviews Music
51. Carol Vernallis. 2013. Unruly Media: YouTube, Music Video, and the New Digital Cinema. New York: Oxford University Press. Reviewed Harper, Paula Clare 2014 Reviews TechnologyMusic videosDigital mediaMusic
52. David Novak. 2013. Japanoise: Music at the Edge of Circulation. Durham, NC: Duke University Press. Molina, Andres Jacobo Garcia 2014 Reviews Music--Japanese influencesArt genresNoiseMusic
53. Sarah Kay. 2013. Parrots and Nightingales: Troubadour Quotation and the Development of European Poetry. Philadelphia: University of Pennsylvania Press. Levitsky, Anne Adele 2014 Reviews Literature, MedievalQuotationsOccitan poetryMusic
54. Timothy D. Taylor. 2012. The Sounds of Capitalism: Advertising, Music, and the Conquest of Culture. Chicago: University of Chicago Press. Whyte, Ralph Richard 2014 Reviews AdvertisingMusic in advertisingCapitalismMusic
55. Sarah Hibbert and Richard Wrigley, eds. 2014. Art, Theatre, and Opera in Paris, 1750-1850: Exchanges and Tensions Doe, Julia 2017 Reviews Art, FrenchArt genresArt--AestheticsFrench RevolutionOperaTheater