1. Coelho, Victor and Keith Polk. 2016. Instrumentalists and Renaissance Culture, 1420-1600: Players of Function and Fantasy. Cambridge: Cambridge University Press. Ligrani, Jonathan 2019 Reviews MusicologyRenaissanceInstrumentalistsCourts and courtiersComposition (Music)
2. Iverson, Jennifer. 2018. Electronic Inspirations: Technologies of the Cold-War Musical Avant Garde. New York: Oxford University Press. Gordon, Ted 2019 Reviews MusicologyElectronic musicCold War (1945-1989)Sound studiosGermans--Music
3. Chávez, Alex E. 2017. Sounds of Crossing: Music, Migration, and the Aural Poetics of Huapango Arribeño. Durham, NC: Duke University Press Banerjee-Datta, Nandini Rupa 2018 Reviews EthnomusicologyAnthropologyMexican Americans--MusicEmigration and immigration--Songs and musicVoice--Social aspects
4. David Brackett. 2016. Categorizing Sound: Genre and Twentieth-Century Popular Music. Berkeley: University of California Press Johnson, Thomas 2018 Reviews MusicologyPopular music genresMusic--HistoriographyTwentieth centuryMusic trade
5. Fink, Robert, Melinda Latour, and Zachary Wallmark (eds). 2018. The Relentless Pursuit of Tone. New York: Oxford University Press. Lavengood, Megan L. 2018 Reviews MusicologyTone color (Music)Music--Social aspectsSound recordings--Production and directionMusic and race
6. Kreuzer, Gundula. 2018. Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera. Oakland, CA: University of California Press. Rothe, Alexander Karl 2018 Reviews MusicologyOperaMass media--Study and teachingTheater--Production and directionTechnology and the artsWagner, Richard, 1813-1883
7. Mary I. Ingraham, Joseph K. So, and Roy Moodley, eds. 2016. Opera in a Multicultural World: Coloniality, Culture, Performance. New York: Routledge Forner, Jane 2018 Reviews MusicologyOpera--Social aspectsMusic--Effect of multiculturalism onMusic and raceOperas--Performances
8. Steingo, Gavin. 2016. Kwaito’s Promise: Music and the Aesthetics of Freedom in South Africa. Chicago: University of Chicago Press Clark, Emily Hansell 2018 Reviews EthnomusicologyKwaito (Music)Popular music--Political aspectsInterdisciplinary approach to knowledgeMusic--Philosophy and aestheticsRancière, Jacques
9. Yasar, Kerim. 2018. Electrified Voices: How the Telephone, Phonograph, and Radio Shaped Modern Japan, 1868–1945. New York: Columbia University Press. Cressy, Thomas A. 2018 Reviews MusicologyNation-buildingTechnology and the artsMusic--Social aspectsHistory, ModernSound--Study and teaching
10. Andrey Smirnov. 2013. Sound in Z: Experiments in Sound and Electronic Music in Early 20th-Century Russia Patteson, Thomas 2017 Reviews Twentieth centuryMusique concrèteElectronic musicAvant-garde (Music)Social evolution
11. Eidsheim, Nina Sun. 2015. Sensing Sound: Singing and Listening as Vibrational Practice Vágnerová, Lucie 2017 Reviews MusicologySenses and sensationListening--Study and teachingMusical textsSinging
12. Kajikawa, Loren. 2015. Sounding Race in Rap Songs. Oakland: University of California Press. Tracy McMullen 2017 Reviews Rap (Music)Sound recordings--Production and directionMusic--HistoriographyMusicologyMusic and race
13. Marie Sumner Lott. 2015. The Social Worlds of Nineteenth-Century Chamber Music Ivanova, Velia 2017 Reviews Nineteenth centuryChamber musicLeisure--Social aspectsMiddle class--Social life and customsMusic--Social aspects
14. Pierrepont, Alexandre. 2015. La Nuée. L’AACM: Un Jeu de Société Musicale. Marseille: Éditions Parenthèses. Citton, Yves 2017 Reviews Musical analysisPhilosophy, FrenchAfrican Americans--MusicMusicologyMusic--Social aspectsAssociation for the Advancement of Creative Musicians
15. Sarah Hibbert and Richard Wrigley, eds. 2014. Art, Theatre, and Opera in Paris, 1750-1850: Exchanges and Tensions Doe, Julia 2017 Reviews Art, FrenchArt genresArt--AestheticsFrench RevolutionOperaTheater
16. Tia DeNora. 2013. Music Asylums: Wellbeing Through Music in Everyday Life Still, Jonathan 2017 Reviews Music, Influence ofWell-beingMusic--Social aspectsMusic therapy
17. Carol Vernallis. 2013. Unruly Media: YouTube, Music Video, and the New Digital Cinema. New York: Oxford University Press. Reviewed Harper, Paula Clare 2014 Reviews TechnologyMusic videosDigital mediaMusic
18. Daniel Albright. 2014. Panaesthetics: On the Unity and Diversity of the Arts. New Haven and London: Yale University Press. Ricketts, Matthew Jonathan 2014 Reviews Comparative artsAesthetics, ComparativeArt--AestheticsPan (Greek deity)
19. David Novak. 2013. Japanoise: Music at the Edge of Circulation. Durham, NC: Duke University Press. Molina, Andres Jacobo Garcia 2014 Reviews Music--Japanese influencesArt genresNoiseMusic
20. Davies, J.Q. 2014. Romantic Anatomies of Performance. Berkeley: University Of California Press. Pierce, J. Mackenzie 2014 Reviews Music--PerformanceMusicologyHuman body in music
21. Helbig, Adriana. 2014. Hip Hop Ukraine: Music, Race, and African Migration. Bloomington, IN: Indiana University Press. Holt, Kevin C. 2014 Reviews Hip-hopAfricans--MigrationsMusic and race
22. Morgan, Robert P. 2014. Becoming Heinrich Schenker: Music Theory and Ideology. New York: Cambridge University Press. Parkhurst, Bryan 2014 Reviews Music theorySchenkerian analysisIdeologyMorgan, Robert P.Schenker, Heinrich, 1868-1935
23. Sarah Kay. 2013. Parrots and Nightingales: Troubadour Quotation and the Development of European Poetry. Philadelphia: University of Pennsylvania Press. Levitsky, Anne Adele 2014 Reviews Literature, MedievalQuotationsOccitan poetryMusic
24. Timothy D. Taylor. 2012. The Sounds of Capitalism: Advertising, Music, and the Conquest of Culture. Chicago: University of Chicago Press. Whyte, Ralph Richard 2014 Reviews AdvertisingMusic in advertisingCapitalismMusic
27. Eva Rieger. 2011. Richard Wagner’s Women. Translated by Chris Walton. Laurence Dreyfus. 2010. Wagner and the Erotic Impulse Coleman, Jeremy 2013 Reviews Music
28. Heather Wiebe. 2012. Britten’s Unquiet Pasts: Sound and Memory in Postwar Reconstruction Penner, Nina 2013 Reviews Music
29. Judging Performance, Performing Judgments: Race and Performance in Weimar Germany Fay, Brendan 2013 Reviews Music
30. Review of Barbara Lorenzkowski. 2010. Sounds of Ethnicity. Listening to German North America 1850–1914. Winnipeg:University of Manitoba Press Feiereisen, Florence 2012 Reviews Music
31. Review of Evan Jones, ed., Intimate Voices: The Twentieth CenturyString Quartet (Rochester University Press, 2009) Kozak, Mariusz S. 2012 Reviews Music
32. Review of Hillel Schwartz. 2011. Making Noise: From Babel to the Big Bang and Beyond. Brooklyn: Zone Books Mattern, Shannon 2012 Reviews Music
33. Review of Theodore Gracyk and Andrew Kania, eds. 2011. The Routledge Companion to Philosophy and Music. Abingdon, UK, and New York, NY: Routledge. Gleason, Scott 2012 Reviews Music
34. Alexander Rehding. 2009. Music and Monumentality: Commemoration and Wonderment in Nineteenth-Century Germany. Oxford and New York: Oxford University Press. Kim, Ji Young 2011 Reviews Music
35. Hilary Poriss. 2009. Changing the Score: Arias, Prima Donnas, and the Authority of Performance. Oxford: Oxford University Press. Cairns, Elliott S. 2011 Reviews Music
36. Metal in Three Modes of Enmity: Political, Musical, Cosmic Forshaw, Juliet Eleanor 2011 Reviews Music
37. Review of "Apocalypse Jukebox: The End of the World in American Popular Music" by David Janssen and Edward Whitelock Gutkin, David Jonas 2011 Reviews Music
38. Review of "Experimentalism Otherwise: The New York Avant-Garde and Its Limits" by Benjamin Piekut Fogg, Thomas 2011 Reviews JazzAvant-garde (Music)EthnomusicologyMusic
39. Review of "In the Process of Becoming: Analytic and Philosophical Perspectives on Form in Early Nineteenth-Century Music" by Janet Schmalfeldt Hansberry, Benjamin Konrad 2011 Reviews Music
40. Review of "Natural Acts: Gender, Race, and Rusticity in Country Music" by Pamela Fox Heidemann, Kate Ellen 2011 Reviews MusicAmericans
41. Review of "Oye Como Va!: Hybridity and Identity in Latino Popular Music" by Deborah Pacini-Hernandez Calle, Simón 2011 Reviews MusicLatin Americans
42. Review of "Rush, Rock Music and the Middle Class: Dreaming in Middletown" by Chris McDonald Sroka, Bradley 2011 Reviews Music
43. Review of "She's So Fine: Reflections on Whiteness, Femininity, Adolescence and Class in 1960s Music" by Laurie Stras Yamagata, Sayo 2011 Reviews Music
44. Review of "Where the Dark and Light Folks Meet: Race and the Mythology, Politics, and Business of Jazz" by Randall Sandke Johnson, Aaron Joseph 2011 Reviews Music
45. Review of "Where the Dark and Light Folks Meet: Race and the Mythology, Politics and Business of Jazz" by Randall Sandke Gridley, Mark C. 2011 Reviews Music
46. Karin Bijsterveld and Jose van Dijck, eds. 2009. Sound Souvenirs: Audio Technologies, Memory and Cultural Practices. Amsterdam: Amsterdam University Press. Dayal, Geeta 2010 Reviews Music
47. Raymond Monelle. 2006. The Musical Topic: Hunt, Military, and Pastoral. Bloomington and Indianapolis: Indiana University Press. Haringer, Andrew 2010 Reviews Music
48. Review of Alejandro L. Madrid. 2008. Nor-tec Rifal: Electronic Dance Music from Tijuana to the World. Oxford: Oxford University Press. Mueller, Gavin 2010 Reviews MusicDance
49. Review of Brandon LaBelle. 2010. Acoustic Territories: Sound Culture and Everyday Life. New York and London: Continuum Fischbeck, Luke 2010 Reviews Music
50. Review of Eileen M. Hayes. 2010. Songs in Black and Lavender: Race, Sexual Politics, and Women's Music. Urbana and Chicago: University of Illinois Press. Burrell, Jalylah 2010 Reviews MusicWomen's studiesAfrican Americans
51. Review of How to Wreck a Nice Beach by Dave Tompkins and Sonic Warfare by Steve Goodman Marshall, Wayne 2010 Reviews Music
52. Review of Ignacio Corona and Alejandro Madrid, eds. 2008. Postnational Musical Identities: Cultural Production, Distribution, and Consumption in a Globalized Scenario. Lanham: Lexington Books. Garland, Shannon 2010 Reviews Music
53. Review of Listening Through the Noise: The Aesthetics of Experimental Electronic Music by Joanna Demers and The Cambridge Companion to Electronic Music by Nick Collins and Julio d'Escriván Polymeropoulou, Marilou 2010 Reviews MusicDance
54. Review of Susan Thomas. 2009. Cuban Zarzuela: Performing Race and Gender on Havana's Lyric Stage. Urbana and Chicago: University of Illinois. Newland, Marti 2010 Reviews Music
55. Review of Tricia Rose. 2008. The Hip Hop Wars: What We Talk About When We Talk About Hip Hop-And Why It Matters. New York: Basic/Civitas Books. Bothwell, Beau 2010 Reviews MusicAfrican Americans
56. Tara Rodgers. 2010. Pink Noises: Women on Electronic Music and Sound. Durham and London: Duke University Press. Keenan, Elizabeth K. 2010 Reviews Music
57. David Levin. 2007. Unsettling Opera: Staging Mozart, Verdi, Wagner, and Zemlinsky. Chicago and London: University of Chicago Press. Casadei, Delia 2009 Reviews MusicPerforming artsArts
58. Giuseppe Gerbino. 2009. Music and the Myth of Arcadia in Renaissance Italy. New Perspectives in Music History and Criticism. Cambridge and New York: Cambridge University Press. Bryant, Brooke 2009 Reviews Music
59. Jann Pasler. 2009. Composing the Citizen: Music as Public Utility in Third Republic France. Berkeley and Los Angeles: University of California Press. Seto, Mark 2009 Reviews Music
60. Ralph Locke. 2009. Musical Exoticism: Images and Reflections. Cambridge and New York: Cambridge University Press. Riggs, Kristy 2009 Reviews MusicAesthetics
61. Review of Bennet Zon. 2007. Representing Non-Western Music in Nineteenth-Century Britain. Rochester, NY: University of Rochester Press Revuluri, Sindhumathi 2009 Reviews Music
62. Review of Christina Bashford. 2007. The Pursuit of High Culture: John Ella and Chamber Music in Victorian London. Woodbridge, UK: Boydell Solie, Ruth A. 2009 Reviews Music
63. Review of Matthew Gelbart. 2007. The Invention of "Folk Music" and "Art Music": Emerging Categories from Ossian to Wagner. Cambridge and New York: Cambridge University Press. Oderdonk, Julian 2009 Reviews Music
64. Review of Nicholas Cook. 2007. the Schenker Project: Culture, Race and Music Theory in Fine-de-siecle Vienna. Oxford and New York: Oxford University Press. Tunbridge, Laura 2009 Reviews Music
65. Review of Tess Knighton and Álvaro Torrente, eds. 2007. Devotional Music in the Iberian World, 1450-1800: The Villancico and Related Genres Le Guin, Elisabeth 2009 Reviews Music
66. Roger Freitas. 2009. Portrait of a Castrato: Politics, Patronage, and Music in the Life of Atto Melani. New Perspectives in Music History and Criticism. Wilbourne, Emily 2009 Reviews MusicHistoryBiography
67. Review of Amy C. Beal. 2006. New Music, New allies: American Experimental Music in West German from the Zero Hour of Reunification. Berkeley and Lost Angeles: University of California Press. Silverberg, Laura 2008 Reviews Music
68. Review of Andy Hamilton. 2007. Aesthetics and Music. London and New York: Continuum. Kane, Brian 2008 Reviews Music
69. Review of Caroline Bithell. 2007. Transported by Song: Corsican Voices from Oral Tradition to World Stage, Europea: Ethnomusicologies and Modernities, no. 5. Rosenberg, Ruth Emily 2008 Reviews Music
70. Review of Fabian Holt. 2007. Genre in Popular Music. Chicago and London: University of Chicago Press. Keenan, Elizabeth K. 2008 Reviews Music
71. Review of Fosler-Lussier. 2007. Music Divided: Bartók's Legacy in Cold War Culture. Berkeley and Los Angeles: University of California Press. Walden, Joshua S. 2008 Reviews Music
72. Review of George Lipsitz. 2007. Footsteps in the Dark: The Hidden Histories of Popular Music. Minneapolis: University of Minnesota Press. Burford, Mark 2008 Reviews Music
73. Review of Heath Lees. 2007 Mallarmé and Wagner: Music and Poetic Language. Aldershot, UK, and Burlington, VT: Ashgate Publishing Code, David J. 2008 Reviews Music
74. Review of Jean-Luc Nancy. 2007. Listening, translated by Charlotte Mandell. New York: Fordham University Press. Gallope, Michael 2008 Reviews Music
75. Review of Martha Feldman. 2007. Opera and Sovereignty: Transforming Myths in Eighteenth-Century Italy. Chicago and London: University of Chicago Press. Burgess, Geoffrey 2008 Reviews Music
76. Review of Michael Cherlin. 2007. Schoenberg's Musical Imagination. Cambridge and New York: Cambridge University Press Root, Gordon 2008 Reviews Music
77. Review of Peter Szendy. 2008. Listen: A history of Out Ears. Translated by Charlotte Mandell. New York: Fordham University Press. Kane, Brian 2008 Reviews Music
78. Review of Susan Boynton and Roe-Min Kok, eds. 2006. Musical Childhoods and the Cultures of Youth. Music/Culture. Middletown, CT: Wesleyan University Press. Bickford, Tyler 2008 Reviews Music
79. Review of William T. Dargan. 2006. Lining Out the Word: Dr. Watts Hymn Singing in the Music of Black Americans. Berkeley and Los Angeles: University of California Press Miller, Kiri 2008 Reviews Music
80. Review of John Gennari. 2006. Blowin' Hot and Cool: Jazz and Its Critics. Chicago and London: University of Chicago Press. Steinbeck, Paul 2007 Reviews Music
81. Review of Mary Ann Smart. 2004. Mimomania: Music and Gesture in Nineteenth-Century Opera. Berkeley and Los Angeles: University of California Press. Cruz, Gabriela 2007 Reviews Music
82. Review of Neil Lerner and Joseph N. Straus, eds. 2006. Sounding Off: Theorizing Disability in Music. London and New York: Routledge Schmalenberger, Sarah 2007 Reviews Music
83. Review of O'Neill, Mary. 2006. Courtly Love Songs of Medieval France: Transmission and Style in the Trouvère Repertoire. Oxford and New York: Oxford University Press. Boynton, Susan Leslie 2007 Reviews Music
84. Review of Philip Brett. 2006. Music and Sexuality in Britten: Selected Essays, edited by George E. Haggerty. Berkeley and Los Angeles: University of California Press Adams, Byron 2007 Reviews Music
85. Review of Powrie, Phil and Robynn Stilwell, eds. 2006. Changing Tunes: The Use of Pre-existing Music in Film. Ashgate Popular and Folk Music Series. Biancorosso, Giorgio 2007 Reviews Music
86. Review of Timothy D. Taylor. 2007. Beyond Exoticism: Western Music and the World. Durham, NC, and London: Duke University Press Zuberi, Nabeel 2007 Reviews Music
88. Review of Brooks, Tim. 2004. Lost Sounds: Blacks and the Birth of the Recording Industry, 1890-1919. Urbana and Chicago: University of Illinois Press. Graham, Sandra Jean 2006 Reviews Music
89. Review of DeNora, Tia. 2003. After Adorno: Rethinking Music Sociology. Cambridge and New York: Cambridge University Press. Roy, William G. 2006 Reviews Music
90. Review of Fink, Robert. 2005. Repeating Ourselves: American Minimal Music as Cultural Practice. Berkeley and Los Angeles: University of California Press. Haskins, Rob 2006 Reviews Music
91. Review of Goldmark, Daniel. 2005. Tunes for 'Toons: Music and the Hollywood Cartoon. Berkeley and Los Angeles: University of California Press. McQuiston, Kate 2006 Reviews Music
92. Review of Harness, Kelley. 2006. Echoes of Women's Voices: Music, Art, and Female Patronage in Early Modern Florence. Chicago and London: University of Chicago Press. Marshall, Melanie L. 2006 Reviews Music
93. Review of Monod, David. 2005. Settling Scores: German Music, Denazification, and the Americans, 1945-1953. Chapel Hill: University of North Carolina Press. Tompkins, David 2006 Reviews Music
94. Review of Peraino, Judith. 2006. Listening to the Sirens: Musical Technologies of Queer Identity from Homer to Hedwig. Berkeley and Los Angeles: University of California Press. Raykoff, Ivan 2006 Reviews Music
95. Review of Pisani, Michael V. 2005. Imagining Native America in Music. New Haven, eT, and London: Yale University Press. Harrison, Klisala 2006 Reviews MusicIndians of North AmericaIndians of North America--Songs and musicMusic--Historiography
96. Review of Clarke, Eric and Nicholas Cook, eds. 2004. Empirical Musicology: Methods, Aims, Prospects. Oxford and New York: Oxford University Press. Devaney, Johanna 2005 Reviews Music
97. Review of Frisch, Walter. 2005. German Modernism: Music and the Arts. Berkeley and Los Angeles: University of California Press Painter, Karen 2005 Reviews Music
98. Review of Dell'Antonio, Andrew, ed. 2004. Beyond Structural Listening? Postmodern Modes of Hearing. Berkeley and Los Angeles: University of California Press. Horton, Julian 2004 Reviews Music
99. Review of Heffley, Mike. 2005. Northern Sun, Southern Moon: Europe's Reinvention of Jazz. New Haven: Yale University Press. Lewis, George E. 2004 Reviews Music
100. Review of Leech-Wilkinson, Daniel. 2002. The Modern Invention of Medieval Music: Scholarship, Ideology, Performance. Cambridge: Cambridge University Press. Irvine, Thomas 2004 Reviews Music