2. David Novak. 2013. Japanoise: Music at the Edge of Circulation. Durham, NC: Duke University Press.
3. Sarah Kay. 2013. Parrots and Nightingales: Troubadour Quotation and the Development of European Poetry. Philadelphia: University of Pennsylvania Press.
4. Timothy D. Taylor. 2012. The Sounds of Capitalism: Advertising, Music, and the Conquest of Culture. Chicago: University of Chicago Press.
5. Charles M. Joseph. 2011. Stravinsky’s Ballets
6. Editor's Note
7. Eva Rieger. 2011. Richard Wagner’s Women. Translated by Chris Walton. Laurence Dreyfus. 2010. Wagner and the Erotic Impulse
8. Heather Wiebe. 2012. Britten’s Unquiet Pasts: Sound and Memory in Postwar Reconstruction
9. Judging Performance, Performing Judgments: Race and Performance in Weimar Germany
10. Review of Barbara Lorenzkowski. 2010. Sounds of Ethnicity. Listening to German North America 1850–1914. Winnipeg:University of Manitoba Press
11. Review of Evan Jones, ed., Intimate Voices: The Twentieth CenturyString Quartet (Rochester University Press, 2009)
12. Review of Hillel Schwartz. 2011. Making Noise: From Babel to the Big Bang and Beyond. Brooklyn: Zone Books
13. Review of Theodore Gracyk and Andrew Kania, eds. 2011. The Routledge Companion to Philosophy and Music. Abingdon, UK, and New York, NY: Routledge.
14. Alexander Rehding. 2009. Music and Monumentality: Commemoration and Wonderment in Nineteenth-Century Germany. Oxford and New York: Oxford University Press.
15. Hilary Poriss. 2009. Changing the Score: Arias, Prima Donnas, and the Authority of Performance. Oxford: Oxford University Press.
16. Metal in Three Modes of Enmity: Political, Musical, Cosmic
17. Review of "Apocalypse Jukebox: The End of the World in American Popular Music" by David Janssen and Edward Whitelock
18. Review of "Experimentalism Otherwise: The New York Avant-Garde and Its Limits" by Benjamin Piekut
19. Review of "In the Process of Becoming: Analytic and Philosophical Perspectives on Form in Early Nineteenth-Century Music" by Janet Schmalfeldt
20. Review of "Natural Acts: Gender, Race, and Rusticity in Country Music" by Pamela Fox
21. Review of "Oye Como Va!: Hybridity and Identity in Latino Popular Music" by Deborah Pacini-Hernandez
22. Review of "Rush, Rock Music and the Middle Class: Dreaming in Middletown" by Chris McDonald
23. Review of "She's So Fine: Reflections on Whiteness, Femininity, Adolescence and Class in 1960s Music" by Laurie Stras
24. Review of "Where the Dark and Light Folks Meet: Race and the Mythology, Politics, and Business of Jazz" by Randall Sandke
25. Review of "Where the Dark and Light Folks Meet: Race and the Mythology, Politics and Business of Jazz" by Randall Sandke
26. Karin Bijsterveld and Jose van Dijck, eds. 2009. Sound Souvenirs: Audio Technologies, Memory and Cultural Practices. Amsterdam: Amsterdam University Press.
27. Raymond Monelle. 2006. The Musical Topic: Hunt, Military, and Pastoral. Bloomington and Indianapolis: Indiana University Press.
28. Review of Alejandro L. Madrid. 2008. Nor-tec Rifal: Electronic Dance Music from Tijuana to the World. Oxford: Oxford University Press.
29. Review of Brandon LaBelle. 2010. Acoustic Territories: Sound Culture and Everyday Life. New York and London: Continuum
30. Review of Eileen M. Hayes. 2010. Songs in Black and Lavender: Race, Sexual Politics, and Women's Music. Urbana and Chicago: University of Illinois Press.
31. Review of How to Wreck a Nice Beach by Dave Tompkins and Sonic Warfare by Steve Goodman
32. Review of Ignacio Corona and Alejandro Madrid, eds. 2008. Postnational Musical Identities: Cultural Production, Distribution, and Consumption in a Globalized Scenario. Lanham: Lexington Books.
33. Review of Listening Through the Noise: The Aesthetics of Experimental Electronic Music by Joanna Demers and The Cambridge Companion to Electronic Music by Nick Collins and Julio d'Escriván
34. Review of Susan Thomas. 2009. Cuban Zarzuela: Performing Race and Gender on Havana's Lyric Stage. Urbana and Chicago: University of Illinois.
35. Review of Tricia Rose. 2008. The Hip Hop Wars: What We Talk About When We Talk About Hip Hop-And Why It Matters. New York: Basic/Civitas Books.
36. Tara Rodgers. 2010. Pink Noises: Women on Electronic Music and Sound. Durham and London: Duke University Press.
37. David Levin. 2007. Unsettling Opera: Staging Mozart, Verdi, Wagner, and Zemlinsky. Chicago and London: University of Chicago Press.
38. Giuseppe Gerbino. 2009. Music and the Myth of Arcadia in Renaissance Italy. New Perspectives in Music History and Criticism. Cambridge and New York: Cambridge University Press.
39. Jann Pasler. 2009. Composing the Citizen: Music as Public Utility in Third Republic France. Berkeley and Los Angeles: University of California Press.
40. Ralph Locke. 2009. Musical Exoticism: Images and Reflections. Cambridge and New York: Cambridge University Press.
41. Review of Bennet Zon. 2007. Representing Non-Western Music in Nineteenth-Century Britain. Rochester, NY: University of Rochester Press
42. Review of Christina Bashford. 2007. The Pursuit of High Culture: John Ella and Chamber Music in Victorian London. Woodbridge, UK: Boydell
43. Review of Matthew Gelbart. 2007. The Invention of "Folk Music" and "Art Music": Emerging Categories from Ossian to Wagner. Cambridge and New York: Cambridge University Press.
44. Review of Nicholas Cook. 2007. the Schenker Project: Culture, Race and Music Theory in Fine-de-siecle Vienna. Oxford and New York: Oxford University Press.
45. Review of Tess Knighton and Álvaro Torrente, eds. 2007. Devotional Music in the Iberian World, 1450-1800: The Villancico and Related Genres
46. Roger Freitas. 2009. Portrait of a Castrato: Politics, Patronage, and Music in the Life of Atto Melani. New Perspectives in Music History and Criticism.
47. Review of Amy C. Beal. 2006. New Music, New allies: American Experimental Music in West German from the Zero Hour of Reunification. Berkeley and Lost Angeles: University of California Press.
48. Review of Andy Hamilton. 2007. Aesthetics and Music. London and New York: Continuum.
49. Review of Caroline Bithell. 2007. Transported by Song: Corsican Voices from Oral Tradition to World Stage, Europea: Ethnomusicologies and Modernities, no. 5.
50. Review of Fabian Holt. 2007. Genre in Popular Music. Chicago and London: University of Chicago Press.
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