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Current Musicology
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Current Musicology is a leading journal for scholarly research on music. We publish articles and book reviews in the fields of historical musicology, ethnomusicology, music theory, and philosophy of music. The journal was founded in 1965 by graduate students at Columbia University as a semiannual review. This archive contains articles published in the journal starting in 1980. https://currentmusicology.columbia.edu/
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2. Writing the City: The Cosmopolitan Realism of Offenbach’s La Vie parisienne
3. “Words for Music, Perhaps”? Texts, 1975-2013
4. ...whence freedom
5. Wagnerian Singing and the Limits of Vocal Pedagogy
6. Voice Function, Sonority, and Contrapuntal Procedure in Late Medieval Polyphony
7. Voice as Action: Towards a Model for Analyzing the Dynamic Construction of Racialized Voice
8. Voice and Instrument at the Origins of Music
9. Variations V: "Escaping Stagnation" Through Movement of Signification
10. Varese in vitro: On Attention, Aurality, and the Laboratory
11. Ulysses Kay Archive: Columbia University Rare Book and Manuscript Library
12. Troubadour Song as Performance: A Context for Guiraut Riquier’s “Pus sabers no’m val ni sens”
13. Transformational Analysis: An Essay Toward an Analytic Model
14. Tradition and Creation
15. Toward A Rupture in the Sensus Communis: On Sound Studies and the Politics of Knowledge Production
16. Toward a Revised Understanding of Young Children's Musical Activities: Reflections from the "Day in the Life" Project
17. To Astonish the Roses: 7 e–mails to Walter Branchi
18. Tia DeNora, Beethoven and the Construction of Genius: Musical Politics in Vienna, 1792-1803
19. Through the Fabric of My Own: Louise Alenius and Embodied Interrelationality
20. Things I Think about, and Don't Think about, When I Compose
21. The Wonder of Delays
22. The Turn from the Aesthetic
23. The Song Sketches of Hugo Wolf
24. The Snake Bites Its Tail: Cyclic Processes in Brahms's Third String Quartet, op. 67
25. The Selection of Clausula Sources for Thirteenth- Century Motets: Some Practical Considerations and Aesthetic Implications
26. The Role of Adele T. Katz in the Early Expansion of the New York "Schenker School"
27. The Rhythm of Text and Music in Ottocento Melody: An Empirical Reassessment in Light of Contemporary Treatises
28. The Question of Purpose in Music Theory: Description, Suggestion, and Explanation
29. The Prelude from Bach's Suite No.4 for Violoncello Solo: The Submerged Urlinie
30. The Politics of Music: Women’s Music Education in the United States in the late 18th Century
31. The Pastoral After Environmentalism: Nature and Culture in Stephen Albert's Symphony: RiverRun
32. The Origins of the Orchestra Machine
33. The Musical Work Reconsidered, In Hindsight
34. Thematic Form and the Genesis of Schoenberg’s D-Minor Quartet, Op. 7
35. The Lost Movements of Ernst Toch’s Gesprochene Musik
36. The Idea of Transfiguration in the Early German Reception of Mozart's Requiem
37. The Historical Soundscape of Monophonic Hi–Fidelity
38. The German Musical Exile and the Course of American Musicology
39. The Foundations of Mozart Scholarship
40. The Filth and the Fury: An Essay on Punk Rock Heavy Metal Karaoke
41. The Disc Jockey as Composer, or How I Became a Composing DJ
42. The Cyberpolitics of Music in Ukraine's 2004 Orange Revolution
43. The Concept of Ausweichung in Music Theory, ca. 1770-1832
44. The Composer as Pole Seeker: Reading Vaughan Williams's Sinfonia antartica
45. The "Arabian Influence" Thesis Revisited
46. The Aesthetics of Textural Ambiguity: Brahms and the Changing Piano
47. The 1990s "Kutaisi Wave": Music and Youth Movement in a Postindustrial Periphery
48. Telling Tales: A Survey of Narratological Approaches to Music
49. "Telling a Story": Louis Armstrong and Coherence in Early Jazz
50. Suspicious Silence: Walking Out on John Cage
51. Subtiliter alternare: The Yoxford Motet o amicus / Precursaris
52. Spooning Good Singing Gum: Meaning, Association, and Interpretation in Rock Music
53. Speaking and Sighing: Bellini's canto declamato and the Poetics of Restraint
54. Spatial and Psychoacoustic Factors in Atonal Prolongation
55. Some Observations on the "Germanic" Plainchant Tradition
56. Solving Elgar's Enigma
57. “Sing About Me”: Social Media Memorial and Inventory Form
58. Signification, Objectification, and the Mimetic Uncanny in Claude Debussy's "Golliwog's Cakewalk"
59. Sex and Laughter in Women's Music, 1970-77
60. Seeing and Hearing the Thinking Voice
61. Scat Singing: A Timbral and Phonemic Analysis
62. Ricardo Lorenz: A Post-Colonial/Modern Latin(o) American Composer
63. Rhythms of Relation: Black Popular Music and Mobile Technologies
64. Review of Wayne D. Bowman and Ana Lucía Frega, eds. 2012. The Oxford Handbook of Philosophy in Music Education. London and New York: Oxford University Press.
65. Review of The Second Practice of Nineteenth-Century Tonality by William Kinderman and Harald Krebs
66. Review of The Great Composers: Reviews and Bombardments by Bernard Shaw, edited by Louis Crompton
67. Review of Style and Music: Theory, History, and Ideology by Leonard B. Meyer
68. Review of Jennifer Milioto Matsue. 2009. Making Music in Japan’s Underground: The Tokyo Hardcore Scene. New York and London: Routledge
69. Representing Recording Studios of the Past: A Review Essay
70. Reger's Bach and Historicist Modernism
71. Reflections on Teaching Music 17: Hip Hop
72. Recombinant Melody: Ten Things to Love About Willaert's Music
73. Recent Developments at the Columbia University Computer Music Center
74. Rebel Girls and Singing Boys: Performing Music and Gender in the Teen Movie
75. Realizing Musical Gestures with the Computer: Paradigms and Problems
76. Reading and Misreading: Schumann's Accompaniments to Bach's Sonatas and Partitas for Solo Violin
77. Queer Theory, Ethno/Musicology, and the Disorientation of the Field
78. Prognosticating Echoes: Race, Sound, and Naturalizing Technology
79. Producing Producers: Women and Electronic/Dance Music
80. Preface to Gesprochene Musik, 1. “O–a” and 2. “Ta–tam”
81. Porgy and Miles
82.
Plot and Tonal Design as Compositional Constraints
in Il trovatore
83. Perspectives on Bruckner
84. Periods in Progressive Rock and the Problem of Authenticity
85. Performance and Social Meaning in the Lied: Schubert's Erster Verlust
86. Patricia Carpenter in Commemoration
87. "Paths of Harmony" in the First Movement of Brahms's Cello Sonata in E minor, Op. 38
88. Outside Forces: "Autumn Leaves" in the 1960s
89. Otto Luening (1900-) and the Theories of Bernhard Ziehn (1845-1912)
90. “Organic and Beautiful and Imperfect”: An Interview with Queer Pop Musician Be Steadwell
91. Orality, Literacy, and the Early Notation of the Office Hymns
92. Opera at Columbia: A Shining Legacy
93. On the Identity of Some Musicians At The Brescian Court of Pandolfo III Malatesta
94. On Teaching the History of Nineteenth-Century Music
95. "On stage, everyone loves a Black": Afro-Ukrainian Folk Fusion, Migration, and Racial Identity in Ukraine
96. On Plurality
97. Oblique Strategies
98. Noticing Musical Becomings: Deleuzian and Guattarian Approaches to Ethnographic Studies of Musicking
99. Nonsense and Unmusic
100. Nigun Poems
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