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Current Musicology
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Current Musicology is a leading journal for scholarly research on music. We publish articles and book reviews in the fields of historical musicology, ethnomusicology, music theory, and philosophy of music. The journal was founded in 1965 by graduate students at Columbia University as a semiannual review. This archive contains articles published in the journal starting in 1980. https://currentmusicology.columbia.edu/
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2. “Words for Music, Perhaps”? Texts, 1975-2013
3. ...whence freedom
4. Voice Function, Sonority, and Contrapuntal Procedure in Late Medieval Polyphony
5. Voice as Action: Towards a Model for Analyzing the Dynamic Construction of Racialized Voice
6. Voice and Instrument at the Origins of Music
7. Variations V: "Escaping Stagnation" Through Movement of Signification
8. Varese in vitro: On Attention, Aurality, and the Laboratory
9. Ulysses Kay Archive: Columbia University Rare Book and Manuscript Library
10. Troubadour Song as Performance: A Context for Guiraut Riquier’s “Pus sabers no’m val ni sens”
11. Transformational Analysis: An Essay Toward an Analytic Model
12. Tradition and Creation
13. Toward a Revised Understanding of Young Children's Musical Activities: Reflections from the "Day in the Life" Project
14. To Astonish the Roses: 7 e–mails to Walter Branchi
15. Tia DeNora, Beethoven and the Construction of Genius: Musical Politics in Vienna, 1792-1803
16. Things I Think about, and Don't Think about, When I Compose
17. The Turn from the Aesthetic
18. The Song Sketches of Hugo Wolf
19. The Snake Bites Its Tail: Cyclic Processes in Brahms's Third String Quartet, op. 67
20. The Selection of Clausula Sources for Thirteenth- Century Motets: Some Practical Considerations and Aesthetic Implications
21. The Role of Adele T. Katz in the Early Expansion of the New York "Schenker School"
22. The Rhythm of Text and Music in Ottocento Melody: An Empirical Reassessment in Light of Contemporary Treatises
23. The Question of Purpose in Music Theory: Description, Suggestion, and Explanation
24. The Prelude from Bach's Suite No.4 for Violoncello Solo: The Submerged Urlinie
25. The Pastoral After Environmentalism: Nature and Culture in Stephen Albert's Symphony: RiverRun
26. The Origins of the Orchestra Machine
27. The Musical Work Reconsidered, In Hindsight
28. Thematic Form and the Genesis of Schoenberg’s D-Minor Quartet, Op. 7
29. The Lost Movements of Ernst Toch’s Gesprochene Musik
30. The Idea of Transfiguration in the Early German Reception of Mozart's Requiem
31. The Historical Soundscape of Monophonic Hi–Fidelity
32. The German Musical Exile and the Course of American Musicology
33. The Foundations of Mozart Scholarship
34. The Filth and the Fury: An Essay on Punk Rock Heavy Metal Karaoke
35. The Disc Jockey as Composer, or How I Became a Composing DJ
36. The Cyberpolitics of Music in Ukraine's 2004 Orange Revolution
37. The Concept of Ausweichung in Music Theory, ca. 1770-1832
38. The Composer as Pole Seeker: Reading Vaughan Williams's Sinfonia antartica
39. The "Arabian Influence" Thesis Revisited
40. The Aesthetics of Textural Ambiguity: Brahms and the Changing Piano
41. The 1990s "Kutaisi Wave": Music and Youth Movement in a Postindustrial Periphery
42. "Telling a Story": Louis Armstrong and Coherence in Early Jazz
43. Suspicious Silence: Walking Out on John Cage
44. Subtiliter alternare: The Yoxford Motet o amicus / Precursaris
45. Spooning Good Singing Gum: Meaning, Association, and Interpretation in Rock Music
46. Speaking and Sighing: Bellini's canto declamato and the Poetics of Restraint
47. Spatial and Psychoacoustic Factors in Atonal Prolongation
48. Some Observations on the "Germanic" Plainchant Tradition
49. Solving Elgar's Enigma
50. Signification, Objectification, and the Mimetic Uncanny in Claude Debussy's "Golliwog's Cakewalk"
51. Sex and Laughter in Women's Music, 1970-77
52. Scat Singing: A Timbral and Phonemic Analysis
53. Review of Wayne D. Bowman and Ana Lucía Frega, eds. 2012. The Oxford Handbook of Philosophy in Music Education. London and New York: Oxford University Press.
54. Review of The Second Practice of Nineteenth-Century Tonality by William Kinderman and Harald Krebs
55. Review of The Great Composers: Reviews and Bombardments by Bernard Shaw, edited by Louis Crompton
56. Review of Style and Music: Theory, History, and Ideology by Leonard B. Meyer
57. Review of Jennifer Milioto Matsue. 2009. Making Music in Japan’s Underground: The Tokyo Hardcore Scene. New York and London: Routledge
58. Reger's Bach and Historicist Modernism
59. Recombinant Melody: Ten Things to Love About Willaert's Music
60. Recent Developments at the Columbia University Computer Music Center
61. Rebel Girls and Singing Boys: Performing Music and Gender in the Teen Movie
62. Reading and Misreading: Schumann's Accompaniments to Bach's Sonatas and Partitas for Solo Violin
63. Prognosticating Echoes: Race, Sound, and Naturalizing Technology
64. Producing Producers: Women and Electronic/Dance Music
65. Preface to Gesprochene Musik, 1. “O–a” and 2. “Ta–tam”
66. Porgy and Miles
67.
Plot and Tonal Design as Compositional Constraints
in Il trovatore
68. Perspectives on Bruckner
69. Periods in Progressive Rock and the Problem of Authenticity
70. Performance and Social Meaning in the Lied: Schubert's Erster Verlust
71. Patricia Carpenter in Commemoration
72. "Paths of Harmony" in the First Movement of Brahms's Cello Sonata in E minor, Op. 38
73. Outside Forces: "Autumn Leaves" in the 1960s
74. Otto Luening (1900-) and the Theories of Bernhard Ziehn (1845-1912)
75. Orality, Literacy, and the Early Notation of the Office Hymns
76. Opera at Columbia: A Shining Legacy
77. On the Identity of Some Musicians At The Brescian Court of Pandolfo III Malatesta
78. "On stage, everyone loves a Black": Afro-Ukrainian Folk Fusion, Migration, and Racial Identity in Ukraine
79. On Plurality
80. Oblique Strategies
81. Nonsense and Unmusic
82. Nigun Poems
83. New Musicologies, Old Musicologies: Ethnomusicology and the Study of Western Music*
84. My Attitude Problem
85. Music Smashed to Pieces: The Destructive Logic of Berlioz's Romeo au tombeau
86. Music of the Gods: Solo Song and effetti meravigliosi in the Interludes for La pellegrina
87. Music for the Last Supper: The Dramatic Significance of Mozart's Musical Quotations in the Tafelmusik of Don Giovanni
88. Music and Jugendstil
89. Music Analysis and the Social Life of Jazz Recordings
90. Musical Style and Experience in a Brooklyn Pentecostal Church: An "Insider's" Perspective
91. Musical Platonism in Modern Culture
92. Musical Pasts and Postmodern Musicologies: A Response to Lawrence Kramer
93. Musical Meaning for the Few: Instances of Private Reception in the Music of Brahms
94. Musical Literacy and Jazz Musicians in the 1910's and 1920's
95. Musical and Intellectual Values: Interpreting the History of Tonal Theory
96. middle/ground
97. Meter and Word Setting: Revising Machaut's Monophonic Virelais
98. Memoirs of a Musical Object, Supposedly Written by Itself: It–Narrative and Eighteenth– Century Marketing
99. Melodrama as a Compositional Resource in Early Hollywood Sound Cinema
100. Medievalism and Exoticism in the Music of Dead Can Dance
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