2022 Theses Doctoral
Contrafactual Archaeology: A Model for Inter-idiomatic Composition in Orlando Furioso
This paper will explain my current compositional work, which focuses on the thematization, deconstruction, and reconstruction of musical idioms. I give an overview of the historical and aesthetic background for my work, drawing connections between Afro-diasporic aesthetics and the 20th and 21st century phenomenological tradition. I explain how I apply literary critic Henry Louis Gates’ concept of Signifyin(g) in my music through intertextuality, anachronistic instrumentation, microtonality, and rhythmic transformation. I then give an in- depth analysis of three pieces from Orlando Furioso (2022), En Tornasol, Galliard, and Bootstrap Bernie. I show how these concepts and resources can be applied to composition in creative and productive ways.
Files
- HansenAtria_columbia_0054D_17237.pdf application/pdf 5.8 MB Download File
More About This Work
- Academic Units
- Music
- Thesis Advisors
- Lewis, George E.
- Degree
- D.M.A., Columbia University
- Published Here
- May 11, 2022