All Alone

Anghelaki-Rooke, Katerina; Van Dyck, Karen

When Katerina Anghelaki-Rooke (1939–2020) was one year old, the celebrated writer and critic Nikos Kazantzakis stood as godfather at her baptism. When she was seventeen, he published her poem “All Alone” in an Athenian magazine with a note saying that it was the most beautiful poem he had ever read. By her early twenties she was already an established poet. During the dictatorship (1967–74), she and a group of younger poets spearheaded a new kind of poetry that grappled with the confusion and censorship of the times. Meeting regularly with the translator Kimon Friar, they produced an anthology of six young poets, one of the first books to break the self-imposed silence initiated by the Nobel laureate poet George Seferis in response to the colonels’ press laws. Linking the women poets of the previous postwar generation (Eleni Vakalo, Kiki Dimoula) to those of the generation of the 1970s (Rhea Galanaki, Maria Laina, Jenny Mastoraki), Anghelaki-Rooke stands out for the lyrical accessibility of her work. Hers is a poetry of flesh, indiscretion, and the divine all rolled into one. For Anghelaki-Rooke, the body is a passageway anchoring the abstract metaphysics of myth in the rituals of everyday life. It is through the body that everything makes sense. As she once said in an interview: “I do not distinguish the soul from the body and from all the mystery of existence. . . . Everything I transform into poetry must first come through the body. My question is always, How will the body react? To the weather, to aging, to sickness, to a storm, to love? The highest ideas, the loftiest concepts, depend on the morning cough . . .”


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February 14, 2024