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Essays

Helena Smith Dayton

Douglass, Jason Cody

Equipped with nothing more than copious amounts of clay, nimble fingers, a sharpened match, a hairpin, and “an incorrigible sense of humour,” Helena began crafting hundreds of eight- to twelve-inch tall statuettes inspired by “modern city life” (“Cartoons in Clay by a Woman” B7). Lining the many bookshelves of her brownstone residence at 313 East 18th Street in New York City, these water-colored clay figures would ultimately play starring roles in some of the earliest known works of stop-motion clay animation.

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More About This Work

Academic Units
Film
Libraries
Series
Women Film Pioneers Project
Published Here
October 15, 2019