Eugenie Magnus Ingleton
Very few women were involved in the early itinerant cinema business and Marie de Kerstrat was certainly one of the most singular figures in the field, having dropped from the social standing of a French countess to become the manager of a traveling show in eastern Canada and the United States. Her profile opens interesting questions to historians of cinema, as well as historians of the women’s life; for the Montreal based historian Chantal Savoie, women of this era had to constantly negotiate and compromise as a means of acceptance within the field they wanted to develop (2003, 196). Marie de Kerstrat was a good example of this situation, as well as another early Montreal woman film pioneer Emma Gendron.
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