Essays

Visualizing the Urban Crowd: Political Spectatorship in the Age of Cinema

Mukherjee, Debashree

Drawing on the Nursey album of Civil Disobedience–era mobilizations in 1930s Bombay city, this essay introduces spectatorship as a key, under-theorized mode of political presence. By placing still photographs of urban crowds in dialogue with contemporaneous histories of cinemagoing, the essay argues that cinema functioned as a mass perceptual apparatus that trained urban populations in new ways of seeing. It traces the spatial and sensorial continuities between cinema halls and city streets, reframing visual, collective spectatorship as a form of political action.

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Also Published In

Title
Photographing Civil Disobedience: Bombay 1930-1931
Publisher
Mapin Publishing
URL
https://www.mapinpub.com/products/photographing-civil-disobedience?variant=47321199018198

More About This Work

Academic Units
Middle Eastern, South Asian, and African Studies
Published Here
May 5, 2026