2005 Reports
Signa et res : the pictorial discourse of the imaginary in early modern Italy
The hermeneutics of the Christian Middle Ages assign the religious image and its aesthetic
function a status rich in an ambiguity and tension. The ambiguity is rooted in the question of
the identity of the image, what Gadamer calls its “mode of being”. The tension occurs on
account of the divergence between the various aspects of the image: its independent actuality
and its existence as a reproduction, its concrete irreplaceability and its suspension of its own
status.
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More About This Work
- Academic Units
- Italian Academy
- Publisher
- Italian Academy for Advanced Studies in America, Columbia University
- Series
- Italian Academy Fellows' Seminar Working Papers
- Published Here
- March 30, 2011