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Review of Thomas Goldsmith, ed. The Bluegrass Reader. Urbana: University of Illinois Press, 2004.

King, Jonathan T.

In a world of increasingly uncertain American identity, it is hardly surprising
that an interest in bluegrass music, so tied to notions of white America,
should be enjoying a revival. Editor Thomas Goldsmith's The Bluegrass
Reader is the latest addition to a small canon of historical literature that is
beginning to coalesce in this environment. Rather than aim for historical
definitiveness, as was the case with Tom Ewing's Bill Monroe Reader (2000),
Goldsmith widens his scope to include many forms of documentation including
promotional materials, record and CD liner notes, interviews, academic
articles, newspaper and magazine articles, program notes, speech transcripts-
even a record review parody. The result is a subjective, impressionistic
collage of material that breaks little new theoretical ground, but assembles
a great deal of essential historical information, representing many
facets of the bluegrass universe. For this effort, Goldsmith was recently
awarded the International Bluegrass Music Association's 2004 award for Print
Media Personality of the Year.

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Title
Current Musicology

More About This Work

Academic Units
Music
Publisher
Columbia University
Published Here
November 5, 2014
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