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Figuras, mosaicos y queros … otras ‘artes de la pintura’ en los reinos

Russo, Alessandra

Considerable historical and critical enquiry in art during the twentieth century has been concerned with the search for a space of a specific relationship between pre-Hispanic artistic worlds and Western pictorial languages. These approaches range from the most pessimistic tendencies by which only a passive relationship could be perceived of the “vanquished,” forced to produce goods for the colonial world and to respect its expectations, or of a simple juxtaposition of figurative traditions, to reiterated attempts to define the formal, historical, and existential horizon of such diverse forms of production with new nomenclature as Tequitqui art, Indo-Christian art, Nepantlism, in between, or mestizo mind. This quest continues, fortunately, to be a lively field of debate.

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Also Published In

Title
Pintura de los reinos: Identidades compartidas; Territorios del mundo hispánico, siglos XVI–XVIII
Publisher
Fomento Cultural Banamex

More About This Work

Academic Units
Latin American and Iberian Cultures
Published Here
October 31, 2024

Notes

In Pintura de los reinos: Identidades compartidas; Territorios del mundo hispánico, siglos XVI–XVIII, edited by Juana Gutiérrez, with an introduction by Jonathan Brown, 3:775–819. Mexico City: Fomento Cultural BANAMEX, 2009.