Chapters (Layout Features)

Holocaust Literature

Roskies, David G.

Poetry played an outsized role in the Nazi ghettos and labor camps and was the first wartime genre to reach the free world. Poets also became the public — and tragic voice of the armed resistance. Beginning with the publication of The Diary of Anne Frank and Primo Levi's If This Is a Man, both in 1947, however, the heroism of the Holocaust came to be understood as the heroism of small deeds, of parental sacrifice, bonding, loyalty, and love; its tragedy, contrariwise, as the tragedy of choiceless choices, sudden reversals, silences, and betrayals. Writer-survivors, who found makeshift ways to affiliate with one another, were jointly responsible for the institutionalization of Holocaust literature, for the gradual shift from realism to allegory to metafiction, and for the subjective wartime experience of women to be considered a subject worthy of Holocaust literature.

Keywords: Wartime writing. Poetry. Testimony. Writer-survivors. Women in the Holocaust. The institutionalization of Holocaust literature.

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Also Published In

Title
The Cambridge History Of The Holocaust, Volume IV: Aftermath, Outcomes, Repercussions
Publisher
Cambridge University Press
DOI
https://doi.org/10.1017/9781108990172

More About This Work

Academic Units
Jewish Theological Seminary
Published Here
February 4, 2026