41. One Line, Many Views: Perspectives on Music Theory, Composition, and Improvisation through the Work of Muhal Richard Abrams Hannaford, Marc Edward 2019 Theses MusicImprovisation (Music)Abrams, Muhal Richard, 1930-2017
42. Unmute This: Circulation, Sociality, and Sound in Viral Media Harper, Paula Clare 2019 Theses MusicInternet videosMass media
43. Back of the Orchestra: High School Students' Experiences With Alternative Seating Practices Yi, Tammy Sue 2018 Theses Music--Instruction and studyMusicEducationOrchestral musicHigh school students
44. Doing Sound: An Ethnography of Fidelity, Temporality, and Labor Among Live Sound Engineers Slaten, Whitney Jesse 2018 Theses MusicAcoustical engineeringSound engineersEthnology
45. Expériences sonores: Music in Postwar Paris and the Changing Sense of Sound Fogg, Thomas 2018 Theses MusicSound recordingsSenses and sensationMusicology
46. Get Crunk! The Performative Resistance of Atlanta Hip-Hop Party Music Holt, Kevin C. 2018 Theses MusicAfrican AmericansCrunk (Music)African Americans--MusicEthnologyPerformative (Philosophy)Rap (Music)--Political aspects
47. High School Instrumental Students Compose for Band and Orchestra Hakoda, Kensuke 2018 Theses Music--Instruction and studyInstrumental musicMusicComposition (Music)Music students
48. Invisible Terrains: Experiences of Nomadic Music Teaching Artists Kresek, Katharine Charlotte 2018 Theses Music--Instruction and studyMusicMusic teachersNomadsMusicians
49. Itaataatawi: Hopi Song, Intellectual Property, and Sonic Sovereignty in an Era of Settler-Colonialism Reed, Trevor George 2018 Theses MusicSongs, HopiIndians of North America--MusicIntellectual propertyHopi IndiansSovereignty
50. N400 evidence for musical facilitation of word boundary identification in second language exposure Moya Sepulveda, Dayna Andrea 2018 Theses NeurosciencesEducationMusicSecond language acquisition--ResearchPhoneticsLexicology