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2. Virtual Works – Actual Things
3. Touch and Modernity in French Keyboard Pedagogy, 1715–1915
4. The Déploration as Musical Idea
5. The Concept of Ausweichung in Music Theory, ca. 1770-1832
6. Studies in the History of the Cadence
7. Repetition, Reception, Response: Minimal Music and the Use of Affect in Analysis
8. Princeton Theory's Problematics
9. Phenomenon and Abstraction: Coordinating Concepts in Music Theory and Analysis
10. Partial Displacement: En/decoding Spectral Thinking in Tristan Murail’s Mémoire/Érosion, and Two Compositions for String Quartet
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