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Current Musicology
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Current Musicology is a leading journal for scholarly research on music. We publish articles and book reviews in the fields of historical musicology, ethnomusicology, music theory, and philosophy of music. The journal was founded in 1965 by graduate students at Columbia University as a semiannual review. This archive contains articles published in the journal starting in 1980. https://currentmusicology.columbia.edu/
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152. Spatial and Psychoacoustic Factors in Atonal Prolongation
153. "Telling a Story": Louis Armstrong and Coherence in Early Jazz
154.
Plot and Tonal Design as Compositional Constraints
in Il trovatore
155. Tia DeNora, Beethoven and the Construction of Genius: Musical Politics in Vienna, 1792-1803
156. C.P.E. Bach's Instrumental "Recompositions": Revisions or Alternatives?
157. Lieder, Listeners, and Ideology: Schubert's "Alinde" and Opus 81
158. Margot Fassler. Gothic Song: Victorine Sequences and Augustinian Reform in Twelfth-Century Paris.
159. Melodrama as a Compositional Resource in Early Hollywood Sound Cinema
160. Perspectives on Bruckner
161. Review: Friederich Erhardt Niedt. The Musical Guide: Parts 1 (1700/10), 2 (1721), and 3 (1717) and The Musical Dilettante: A Treatise on Composition by J. F. Daube.
162. The Turn from the Aesthetic
163. Centers; Dissenters (Music, Religion, and Politics)
164. Performance and Social Meaning in the Lied: Schubert's Erster Verlust
165. Reading and Misreading: Schumann's Accompaniments to Bach's Sonatas and Partitas for Solo Violin
166. The Prelude from Bach's Suite No.4 for Violoncello Solo: The Submerged Urlinie
167. Cinderella; or Music and the Human Sciences. Unfootnoted Musings from the Margins
168. Froberger in Rome: From Frescobaldi's Craftsmanship to Kircher's Compositional Secrets
169. Gender and the Field of Musicology
170. Musical and Intellectual Values: Interpreting the History of Tonal Theory
171. Musical Pasts and Postmodern Musicologies: A Response to Lawrence Kramer
172. Voice as Action: Towards a Model for Analyzing the Dynamic Construction of Racialized Voice
173. In Defense of Close Reading and Close Listening
174.
Martin Ruhnke, ed. Georg Philipp Telemann: Thematisch-Systematisches Verzeichnis seiner Werke:
Telemann-Werkverzeichnis: Instrumental Werke 2.
175. The Rhythm of Text and Music in Ottocento Melody: An Empirical Reassessment in Light of Contemporary Treatises
176. An American Precursor of Non-tonal Theory: Ernst Bacon (1898-1990)
177. Aspects of Trope in the Earliest Motets for the Assumption of the Virgin
178. Cantilena and Antiphon: Music for Marian Services in Late Medieval England
179. Some Observations on the "Germanic" Plainchant Tradition
180. Subtiliter alternare: The Yoxford Motet o amicus / Precursaris
181. The "Arabian Influence" Thesis Revisited
182. The Song Sketches of Hugo Wolf
183. From the Singer's Point of View: A Case Study in Hexachordal Solmization as a Guide to Musica Recta and Musica Ficta in Fifteenth-Century Vocal Music
184. Evolution and Structure in Flamenco Harmony
185. Otto Luening (1900-) and the Theories of Bernhard Ziehn (1845-1912)
186. Alexander Johnson and the Tennessee Harmony
187. Concerning the Liturgical Usage of Dufay's Fragmentary Masses
188. Felix Mendelssohn's Influence on Fanny Mendelssohn Hensel as a Professional Composer
189. Transformational Analysis: An Essay Toward an Analytic Model
190. On the Identity of Some Musicians At The Brescian Court of Pandolfo III Malatesta
191. A Comparison of the Five Monochords of Guido of Arezzo
192. Key Structure and Tonal Allegory in the Passions of J. S. Bach: An Introduction
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