2. Acoustic structure of the five perceptual dimensions of timbre in orchestral instrument tones Elliot, Taffeta Marie; Theunissen, Frédéric E.; Hamilton, Liberty S. 2013 Articles Music
3. Across a Divide: Mediations of Popular Music in Contemporary Morocco and Spain Karl, Brian 2012 Theses EthnologyEthnomusicologyMusicPopular music--Social aspects
4. A Cross–Cultural Grammar for Temporal Harmony in Afro–Latin Musics: Clave, Partido– Alto and Other Timelines Vurkac, Mehmet 2012 Articles Music
5. A Discriminative Model for Polyphonic Piano Transcription Poliner, Graham E.; Ellis, Daniel P. W. 2007 Articles Artificial intelligenceMusic
6. “A Disturbing Lack of Musical and Stylistic Continuity”? Elliott Carter, Charles Ives, and Musical Borrowing Thurmaier, David 2013 Articles MusicMusical criticismIves, Charles, 1874-1954Carter, Elliott, 1908-2012
7. Adolphe Appia, Les maîtres chanteurs de Nuremberg: An Introduction and Translation Cox, Cathy 2004 Articles MusicTheaterHistory
10. Aesthetics, Authenticities, and Appeals to Authority: The Auditor as Author Thompson, Daniel N. 1998 Reviews Music
11. A Great Desire: Autobiography in Louise Talma's Three Madrigals Leonard, Kendra Preston 2011 Articles Music
12. Aida and the Empire of Emotions (Theodor W. Adorno, Edward Said, and Alexander Kluge) Goehr, Lydia 2009 Articles MusicAdorno, Theodor W., 1903-1969Said, Edward W.Kluge, Alexander, 1932-Aïda (Verdi, Giuseppe
15. A Large-Scale Evaluation of Acoustic and Subjective Music-Similarity Measures Berenzweig, Adam; Logan, Beth; Ellis, Daniel P. W.; Whitman, Brian 2004 Articles Artificial intelligenceMusic
17. Alexander Johnson and the Tennessee Harmony Music, David W. 1984 Articles MusicMusic--Instruction and study
18. Alexander Rehding. 2009. Music and Monumentality: Commemoration and Wonderment in Nineteenth-Century Germany. Oxford and New York: Oxford University Press. Kim, Ji Young 2011 Reviews Music
19. A Materiality of Sound: Musical Practices of the Moche of Peru Scullin, Dianne Mackenzie 2015 Theses ArchaeologyMusicEthnologyMochica IndiansCulturePerforming arts
20. Ambassadors of Multiplicities: Young String Players in the Contemporary Classical Music Collective Called “Face the Music” Weatherly, Ieong Cheng Katy 2019 Theses Music--Instruction and studyMusicMusiciansStringed instrument music
22. American Opera, Jazz, and Historical Consciousness, 1924-1994 Gutkin, David 2015 Theses MusicOperaJazzCritical theoryMusic and raceEllington, Duke, 1899-1974Wagner, Richard, 1813-1883
23. A Message for Peace or a Tool for Oppression? Israeli Jewish-Arab duo Achinoam Nini and Mira Awad's Representation of Israel at Eurovision 2009 Belkind, Nili 2010 Articles Music
24. A Multiphonic Reappraisal and the Alto Saxophone Concerto Radial Moore, Keith 2014 Theses MusicMultiphonicsSaxophone--Multiphonics
25. A Musical Education: Lee Morgan and the Philadelphia Jazz Scene of the 1950's McMillan, Jeffrey S. 2002 Articles MusicBiography
26. An Account of Emotional Specificity in Classic-Romantic Music Swinkin, Jeffrey 2012 Articles Music
27. Analysis, Performance, and Images of Musical Sound: Surfaces, Cyclical Relationships and the Musical Work Latartara, John; Gardiner, Michael 2007 Articles Music
28. An American Precursor of Non-tonal Theory: Ernst Bacon (1898-1990) Neff, Severine 1991 Articles Music
30. Andrew F. Jones. Yellow Music: Media Culture and Colonial Modernity in the Chinese Jazz Age. Durham, N.C.: Duke University Press, 2001. xi, 213 pp. Wilson, Dale 2002 Reviews MusicAsians
32. An Empirical Approach to Studying Intonation Tendencies in Polyphonic Vocal Performances Devaney, Johanna; Ellis, Daniel P. W. 2008 Articles Electrical engineeringMusic
34. Anna Maria Busse Berger. Mensuration and Proportion Signs: Origins and Evolution. Clarendon Press, 1993. xiii, 271 pp. Stone, Anne J. 1994 Reviews Music
35. An Unpublished Cadenza By Gounod For Mozart's Piano Concerto KV 491 Mueter, John A. 1982 Reviews Music
37. A Paper Trail: Missa Jouyssance vous donneray, Uncertain Identity, and the National Institutes of Health's "Bathtub Collection" Robertson, Emily 2009 Articles MusicArtHistory
38. A Performing Rights Organization Perspective: The Challenges of Enforcement in the Digital Environment McGivern, Joan M. 2011 Articles Intellectual propertyCopyright clearinghousesLicensesMusicTechnologyCopyright--Performing rightsAmerican Society of Composers, Authors and PublishersDigital Millennium Copyright Act (United States)
39. A Picture is Worth a Thousand Words: Road Maps as Analytical Tools Alegant, Brian 2013 Articles MusicRoad mapsMusical analysis
40. Approaches to handwritten conductor annotation extraction in musical scores Bell, Eamonn Patrick; Pugin, Laurent 2016 Articles Archival materials--DigitizationAnnotating, BookConductors (Music)Music
41. A Psychological Approach to Musical Form: The Habituation–Fluency Theory of Repetition Huron, David 2013 Articles MusicPsychology
43. Arnold Schering, "Die Eroica, eine Homer-Symphonie Beethovens?": Translated with an Introduction and Commentary Stanley, Glenn 2000 Articles MusicGerman literature
44. Arnold Schoenberg. The Musical Idea and the Logic, Technique, and Art of Its Presentation. Edited, translated, and with a commentary by Patricia Carpenter and Severine Neff Dineen, Murray 2001 Reviews Music
45. Aspects of Trope in the Earliest Motets for the Assumption of the Virgin Baltzer, Rebecca A. 1990 Articles Music
46. A Time for Everything, for chorus: Analysis of a Musical Meditation Bryan, Courtney 2014 Theses MusicReligionSpirituality in musicChoral music
47. A Timely Musical Discourse, or a Music Treatise from Lost Times, Part I Bonus, Alexander 2013 Articles Music
48. Atmospheres: Chorale #1 for Solo Chorus, from “The Ambient Chorales” Elia, Anthony J. 2014 Music Music