61. Margot Fassler. Gothic Song: Victorine Sequences and Augustinian Reform in Twelfth-Century Paris. Fuller, Sarah 1995 Reviews Music
63. Melodrama as a Compositional Resource in Early Hollywood Sound Cinema Neumeyer, David 1995 Articles Music
70. Review: Friederich Erhardt Niedt. The Musical Guide: Parts 1 (1700/10), 2 (1721), and 3 (1717) and The Musical Dilettante: A Treatise on Composition by J. F. Daube. Christensen, Thomas 1995 Reviews Music
71. Stephen Walsh. Stravinsky: Oedipus Rex. Cambridge: Cambridge University Press, 1993. 118pp. van den Toorn, Pieter C. 1995 Reviews Music
73. William Weber, The Rise of Musical Classics in Eighteenth- Century England: A Study in Canon, Ritual and Ideology. Oxford; Clarendon Press, 1992. 174 pp. Charlton, David 1995 Reviews Music
74. Hearing, Remembering, Cold Storage, Purism, Evidence, and Attitude Adjustment Dubiel, Joseph 1996 Reviews Music
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76. Plot and Tonal Design as Compositional Constraintsin Il trovatore Balthazar, Scott L. 1996 Articles Music
77. Robert Samuels. Mahler's Sixth Symphony: A Study in Musical SemioticsSemiotics and Mahler's Sixth Symphony: The Suicide of Music Analysis? Buhler, James 1996 Reviews Music
78. Robert S. Hatten. Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation Agawu, Kofi 1996 Reviews Music
80. Tia DeNora, Beethoven and the Construction of Genius: Musical Politics in Vienna, 1792-1803 Broyles, Michael 1996 Articles Music