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Columbia Journal of Law & the Arts
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The Columbia Journal of Law & the Arts is a quarterly, student-edited publication dedicated to up-to-date and in-depth coverage of legal issues involving the art, entertainment, sports, intellectual property, and communications industries. Founded in 1975, the journal is one of the most-cited periodicals devoted to arts law issues and features contributions by scholars, judges, practitioners, and students. https://lawandarts.org/
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2. Archives in the Digital Age
3. Copyright Issues and Section 108 Reform
4. Front Matter
5. If Only We Could Reach the Shoals: Barriers to Archives Digitization
6. International Issues: Which Country's Law Applies When Works are Made Available Over the Internet?
7. Orphan Works, Extended Collective Licensing and Other Current Issues
8. Questions and Answers
9. Roundtable: Copyright Issues and Issues Beyond Copyright
10. Welcome and Introductory Remarks
11. A Digital Public Library of America? Collective Management's Implications for Privacy, Private Use and Fair Use
12. Alternatives to Collective Management: DRMs and Other Business/Technology Options
13. A Performing Rights Organization Perspective: The Challenges of Enforcement in the Digital Environment
14. A Theory of IP's Negative Space
15. Competition and the Collective Management of Copyright
16. Copyright Law v. Trade Policy: Understanding the Golan Battle Within the Tenth Circuit
17. Cross-Border Issues in Collective Management
18. If It Ain't Broke . . . Copyright's Fixation Requirement and Cultural Citizenship
19. If Mass Digitization Is the Problem, Is Legislation the Solution? Some Practical Considerations Related to Copyright
20. Keynote: The Landscape of Collective Management Schemes
21. Legislative Alternatives to the Google Book Settlement
22. New Licensing Models for Online Music Services in the European Union: From Collective to Customized Management
23. Peer-to-Peer File Sharing and Copyright: What Could Be the Role of Collective Management?
24. Photographers and Collective Licensing: A Short History with No Ending
25. Sports Leagues' New Social Media Policies: Enforcement under Copyright Law and State Law
26. The Book Rights Registry in the Google Book Settlement
27. The European "Extended Collective Licensing" Model
28. The (Im)possibility of "Standard Technical Measures" for UGC Websites
29. The Practical Difficulties of Implementing Collective Management Schemes
30. To Waive and Waive Not: Property and Flexibility in the Digital Era: 23rd Annual Horace S. Manges Lecture, April 6, 2010
31. Welcome and Introductory Remarks
32. Audiovisual Works and the Work for Hire Doctrine in the Internet Age
33. Copyright in the Digital Environment: Restoring the Balance: 24th Annual Horace S. Manges Lecture, April 6, 2011
34. Copyright, Moral Rights and the First Amendment: The Problem of Integrity and Compulsory Speech
35. Digitize, Democratize: Libraries and the Future of Books
36. Physical World Assumptions and Software World Realities (And Why There Are More P2P Software Providers Than Ever Before)
37. Preservation and Protection in Dance Licensing: How Choreographers Use Contract to Fill in the Gaps of Copyright and Custom
38. The Death of Slander
39. The Historical Origins of the Conflict between Copyright and the First Amendment
40. You Can’t Go Home Again: The Righthaven Cases and Copyright Trolling on the Internet
41. Blocking Copyrights Revisited
42. Downstream Alteration of Copyrighted Works in a World of Licensed, Digital Distribution
43. Evaluating Graduated Response
44. Fair Trade Copyright
45. Fragmented Literal Similarity in the Ninth Circuit: Dealing with Fragmented Takings of Jazz and Experimental Music
46. Master Copies, Unique Copies and Volitional Conduct: Cartoon Network’s Implications for the Liability of Cyber Lockers
47. Session 1: The Legal Landscape
48. Session 2: Section 108 Issues Other Than Mass Digitization
49. Session 3: To What Extent Should Libraries Be Permitted to Engage in Mass Digitization of Published Works, and for What Purposes?
50. Session 4: What Should Be the Conditions on Libraries Digitizing, Maintaining and Making Available Copyrighted Works?
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