91. Glissando as a Metaphor in Beat Furrer's FAMA Khumalo, Andile 2014 Theses MusicComposition (Music)GlissandoFurrer, Beat, 1954-
92. Get Crunk! The Performative Resistance of Atlanta Hip-Hop Party Music Holt, Kevin C. 2018 Theses MusicAfrican AmericansCrunk (Music)African Americans--MusicEthnologyPerformative (Philosophy)Rap (Music)--Political aspects
93. Generative processes in Stockhausen's Lichter - Wasser Bianchi, Oscar 2013 Theses MusicComposition (Music)Music theoryStockhausen, Karlheinz, 1928-2007
94. “Freedom Ain’t Free:” Race and Representation(s) in Extreme Heavy Metal Dawes, Laina 2022 Theses MusicAfrican AmericansMusicians, BlackEthnologyHeavy metal (Music)Music and race
95. Flutes, Pianos, and Machines: Compositions for Instruments and Electronic Sounds Jacobs, Bryan Charles 2015 Theses Composition (Music)MIDI (Standard)Human-computer interactionComputer musicMusicRobotics
96. Flowing Waters and the Flow of Time: Guan Pinghu's Interpretation of Flowing Waters Wang, Lu 2012 Theses MusicMusic theoryComposition (Music)
97. Expériences sonores: Music in Postwar Paris and the Changing Sense of Sound Fogg, Thomas 2018 Theses MusicSound recordingsSenses and sensationMusicology
98. European Echoes: Jazz Experimentalism in Germany, 1950-1975 Kisiedu, Harald 2014 Theses Improvisation (Music)JazzMusic
99. Ears Taut to Hear: Sound Recording and Twentieth-Century American Literature Teague, Jessica Elaine 2013 Theses Sound recordings in literatureSound recordingsSound in literatureAmerican literatureMusic
100. Doing Sound: An Ethnography of Fidelity, Temporality, and Labor Among Live Sound Engineers Slaten, Whitney Jesse 2018 Theses MusicAcoustical engineeringSound engineersEthnology