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1. Carol Vernallis. 2013. Unruly Media: YouTube, Music Video, and the New Digital Cinema. New York: Oxford University Press. Reviewed

Harper, Paula Clare
2014
Reviews
TechnologyMusic videosDigital mediaMusic

2. David Novak. 2013. Japanoise: Music at the Edge of Circulation. Durham, NC: Duke University Press.

Molina, Andres Jacobo Garcia
2014
Reviews
Music--Japanese influencesArt genresNoiseMusic

3. Sarah Kay. 2013. Parrots and Nightingales: Troubadour Quotation and the Development of European Poetry. Philadelphia: University of Pennsylvania Press.

Levitsky, Anne Adele
2014
Reviews
Literature, MedievalQuotationsOccitan poetryMusic

4. Timothy D. Taylor. 2012. The Sounds of Capitalism: Advertising, Music, and the Conquest of Culture. Chicago: University of Chicago Press.

Whyte, Ralph Richard
2014
Reviews
AdvertisingMusic in advertisingCapitalismMusic

5. Charles M. Joseph. 2011. Stravinsky’s Ballets

Sterbenz, Maeve
2013
Reviews
Music

6. Editor's Note

Fogg, Thomas
2013
Reviews
Music

7. Eva Rieger. 2011. Richard Wagner’s Women. Translated by Chris Walton. Laurence Dreyfus. 2010. Wagner and the Erotic Impulse

Coleman, Jeremy
2013
Reviews
Music

8. Heather Wiebe. 2012. Britten’s Unquiet Pasts: Sound and Memory in Postwar Reconstruction

Penner, Nina
2013
Reviews
Music

9. Judging Performance, Performing Judgments: Race and Performance in Weimar Germany

Fay, Brendan
2013
Reviews
Music

10. Review of Barbara Lorenzkowski. 2010. Sounds of Ethnicity. Listening to German North America 1850–1914. Winnipeg:University of Manitoba Press

Feiereisen, Florence
2012
Reviews
Music

11. Review of Evan Jones, ed., Intimate Voices: The Twentieth CenturyString Quartet (Rochester University Press, 2009)

Kozak, Mariusz S.
2012
Reviews
Music

12. Review of Hillel Schwartz. 2011. Making Noise: From Babel to the Big Bang and Beyond. Brooklyn: Zone Books

Mattern, Shannon
2012
Reviews
Music

13. Review of Theodore Gracyk and Andrew Kania, eds. 2011. The Routledge Companion to Philosophy and Music. Abingdon, UK, and New York, NY: Routledge.

Gleason, Scott
2012
Reviews
Music

14. Alexander Rehding. 2009. Music and Monumentality: Commemoration and Wonderment in Nineteenth-Century Germany. Oxford and New York: Oxford University Press.

Kim, Ji Young
2011
Reviews
Music

15. Hilary Poriss. 2009. Changing the Score: Arias, Prima Donnas, and the Authority of Performance. Oxford: Oxford University Press.

Cairns, Elliott S.
2011
Reviews
Music

16. Metal in Three Modes of Enmity: Political, Musical, Cosmic

Forshaw, Juliet Eleanor
2011
Reviews
Music

17. Review of "Apocalypse Jukebox: The End of the World in American Popular Music" by David Janssen and Edward Whitelock

Gutkin, David Jonas
2011
Reviews
Music

18. Review of "Experimentalism Otherwise: The New York Avant-Garde and Its Limits" by Benjamin Piekut

Fogg, Thomas
2011
Reviews
JazzAvant-garde (Music)EthnomusicologyMusic

19. Review of "In the Process of Becoming: Analytic and Philosophical Perspectives on Form in Early Nineteenth-Century Music" by Janet Schmalfeldt

Hansberry, Benjamin Konrad
2011
Reviews
Music

20. Review of "Natural Acts: Gender, Race, and Rusticity in Country Music" by Pamela Fox

Heidemann, Kate Ellen
2011
Reviews
MusicAmericans

21. Review of "Oye Como Va!: Hybridity and Identity in Latino Popular Music" by Deborah Pacini-Hernandez

Calle, Simón
2011
Reviews
MusicLatin Americans

22. Review of "Rush, Rock Music and the Middle Class: Dreaming in Middletown" by Chris McDonald

Sroka, Bradley
2011
Reviews
Music

23. Review of "She's So Fine: Reflections on Whiteness, Femininity, Adolescence and Class in 1960s Music" by Laurie Stras

Yamagata, Sayo
2011
Reviews
Music

24. Review of "Where the Dark and Light Folks Meet: Race and the Mythology, Politics, and Business of Jazz" by Randall Sandke

Johnson, Aaron Joseph
2011
Reviews
Music

25. Review of "Where the Dark and Light Folks Meet: Race and the Mythology, Politics and Business of Jazz" by Randall Sandke

Gridley, Mark C.
2011
Reviews
Music

26. Karin Bijsterveld and Jose van Dijck, eds. 2009. Sound Souvenirs: Audio Technologies, Memory and Cultural Practices. Amsterdam: Amsterdam University Press.

Dayal, Geeta
2010
Reviews
Music

27. Raymond Monelle. 2006. The Musical Topic: Hunt, Military, and Pastoral. Bloomington and Indianapolis: Indiana University Press.

Haringer, Andrew
2010
Reviews
Music

28. Review of Alejandro L. Madrid. 2008. Nor-tec Rifal: Electronic Dance Music from Tijuana to the World. Oxford: Oxford University Press.

Mueller, Gavin
2010
Reviews
MusicDance

29. Review of Brandon LaBelle. 2010. Acoustic Territories: Sound Culture and Everyday Life. New York and London: Continuum

Fischbeck, Luke
2010
Reviews
Music

30. Review of Eileen M. Hayes. 2010. Songs in Black and Lavender: Race, Sexual Politics, and Women's Music. Urbana and Chicago: University of Illinois Press.

Burrell, Jalylah
2010
Reviews
MusicWomen's studiesAfrican Americans

31. Review of How to Wreck a Nice Beach by Dave Tompkins and Sonic Warfare by Steve Goodman

Marshall, Wayne
2010
Reviews
Music

32. Review of Ignacio Corona and Alejandro Madrid, eds. 2008. Postnational Musical Identities: Cultural Production, Distribution, and Consumption in a Globalized Scenario. Lanham: Lexington Books.

Garland, Shannon
2010
Reviews
Music

33. Review of Listening Through the Noise: The Aesthetics of Experimental Electronic Music by Joanna Demers and The Cambridge Companion to Electronic Music by Nick Collins and Julio d'Escriván

Polymeropoulou, Marilou
2010
Reviews
MusicDance

34. Review of Susan Thomas. 2009. Cuban Zarzuela: Performing Race and Gender on Havana's Lyric Stage. Urbana and Chicago: University of Illinois.

Newland, Marti
2010
Reviews
Music

35. Review of Tricia Rose. 2008. The Hip Hop Wars: What We Talk About When We Talk About Hip Hop-And Why It Matters. New York: Basic/Civitas Books.

Bothwell, Beau
2010
Reviews
MusicAfrican Americans

36. Tara Rodgers. 2010. Pink Noises: Women on Electronic Music and Sound. Durham and London: Duke University Press.

Keenan, Elizabeth K.
2010
Reviews
Music

37. David Levin. 2007. Unsettling Opera: Staging Mozart, Verdi, Wagner, and Zemlinsky. Chicago and London: University of Chicago Press.

Casadei, Delia
2009
Reviews
MusicPerforming artsArts

38. Giuseppe Gerbino. 2009. Music and the Myth of Arcadia in Renaissance Italy. New Perspectives in Music History and Criticism. Cambridge and New York: Cambridge University Press.

Bryant, Brooke
2009
Reviews
Music

39. Jann Pasler. 2009. Composing the Citizen: Music as Public Utility in Third Republic France. Berkeley and Los Angeles: University of California Press.

Seto, Mark
2009
Reviews
Music

40. Ralph Locke. 2009. Musical Exoticism: Images and Reflections. Cambridge and New York: Cambridge University Press.

Riggs, Kristy
2009
Reviews
MusicAesthetics

41. Review Essay: Blake Wilson, Singing Poetry in Renaissance Florence: The Cantasi Come Tradition (1375-1550) with CD-ROM

Cavallo, Jo Ann
2009
Reviews
LiteratureMusic

42. Review of Bennet Zon. 2007. Representing Non-Western Music in Nineteenth-Century Britain. Rochester, NY: University of Rochester Press

Revuluri, Sindhumathi
2009
Reviews
Music

43. Review of Christina Bashford. 2007. The Pursuit of High Culture: John Ella and Chamber Music in Victorian London. Woodbridge, UK: Boydell

Solie, Ruth A.
2009
Reviews
Music

44. Review of Matthew Gelbart. 2007. The Invention of "Folk Music" and "Art Music": Emerging Categories from Ossian to Wagner. Cambridge and New York: Cambridge University Press.

Oderdonk, Julian
2009
Reviews
Music

45. Review of Nicholas Cook. 2007. the Schenker Project: Culture, Race and Music Theory in Fine-de-siecle Vienna. Oxford and New York: Oxford University Press.

Tunbridge, Laura
2009
Reviews
Music

46. Review of Tess Knighton and Álvaro Torrente, eds. 2007. Devotional Music in the Iberian World, 1450-1800: The Villancico and Related Genres

Le Guin, Elisabeth
2009
Reviews
Music

47. Roger Freitas. 2009. Portrait of a Castrato: Politics, Patronage, and Music in the Life of Atto Melani. New Perspectives in Music History and Criticism.

Wilbourne, Emily
2009
Reviews
MusicHistoryBiography

48. Review of Amy C. Beal. 2006. New Music, New allies: American Experimental Music in West German from the Zero Hour of Reunification. Berkeley and Lost Angeles: University of California Press.

Silverberg, Laura
2008
Reviews
Music

49. Review of Andy Hamilton. 2007. Aesthetics and Music. London and New York: Continuum.

Kane, Brian
2008
Reviews
Music

50. Review of Caroline Bithell. 2007. Transported by Song: Corsican Voices from Oral Tradition to World Stage, Europea: Ethnomusicologies and Modernities, no. 5.

Rosenberg, Ruth Emily
2008
Reviews
Music

51. Review of Fabian Holt. 2007. Genre in Popular Music. Chicago and London: University of Chicago Press.

Keenan, Elizabeth K.
2008
Reviews
Music

52. Review of Fosler-Lussier. 2007. Music Divided: Bartók's Legacy in Cold War Culture. Berkeley and Los Angeles: University of California Press.

Walden, Joshua S.
2008
Reviews
Music

53. Review of George Lipsitz. 2007. Footsteps in the Dark: The Hidden Histories of Popular Music. Minneapolis: University of Minnesota Press.

Burford, Mark
2008
Reviews
Music

54. Review of Heath Lees. 2007 Mallarmé and Wagner: Music and Poetic Language. Aldershot, UK, and Burlington, VT: Ashgate Publishing

Code, David J.
2008
Reviews
Music

55. Review of Jean-Luc Nancy. 2007. Listening, translated by Charlotte Mandell. New York: Fordham University Press.

Gallope, Michael
2008
Reviews
Music

56. Review of Martha Feldman. 2007. Opera and Sovereignty: Transforming Myths in Eighteenth-Century Italy. Chicago and London: University of Chicago Press.

Burgess, Geoffrey
2008
Reviews
Music

57. Review of Michael Cherlin. 2007. Schoenberg's Musical Imagination. Cambridge and New York: Cambridge University Press

Root, Gordon
2008
Reviews
Music

58. Review of Peter Szendy. 2008. Listen: A history of Out Ears. Translated by Charlotte Mandell. New York: Fordham University Press.

Kane, Brian
2008
Reviews
Music

59. Review of Susan Boynton and Roe-Min Kok, eds. 2006. Musical Childhoods and the Cultures of Youth. Music/Culture. Middletown, CT: Wesleyan University Press.

Bickford, Tyler
2008
Reviews
Music

60. Review of William T. Dargan. 2006. Lining Out the Word: Dr. Watts Hymn Singing in the Music of Black Americans. Berkeley and Los Angeles: University of California Press

Miller, Kiri
2008
Reviews
Music

61. Review of John Gennari. 2006. Blowin' Hot and Cool: Jazz and Its Critics. Chicago and London: University of Chicago Press.

Steinbeck, Paul
2007
Reviews
Music

62. Review of Mary Ann Smart. 2004. Mimomania: Music and Gesture in Nineteenth-Century Opera. Berkeley and Los Angeles: University of California Press.

Cruz, Gabriela
2007
Reviews
Music

63. Review of Neil Lerner and Joseph N. Straus, eds. 2006. Sounding Off: Theorizing Disability in Music. London and New York: Routledge

Schmalenberger, Sarah
2007
Reviews
Music

64. Review of O'Neill, Mary. 2006. Courtly Love Songs of Medieval France: Transmission and Style in the Trouvère Repertoire. Oxford and New York: Oxford University Press.

Boynton, Susan Leslie
2007
Reviews
Music

65. Review of Philip Brett. 2006. Music and Sexuality in Britten: Selected Essays, edited by George E. Haggerty. Berkeley and Los Angeles: University of California Press

Adams, Byron
2007
Reviews
Music

66. Review of Powrie, Phil and Robynn Stilwell, eds. 2006. Changing Tunes: The Use of Pre-existing Music in Film. Ashgate Popular and Folk Music Series.

Biancorosso, Giorgio
2007
Reviews
Music

67. Review of Timothy D. Taylor. 2007. Beyond Exoticism: Western Music and the World. Durham, NC, and London: Duke University Press

Zuberi, Nabeel
2007
Reviews
Music

68. Review Essay: Lullaby for Broadway?

Frisch, Walter M.
2006
Reviews
Music

69. Review of Brooks, Tim. 2004. Lost Sounds: Blacks and the Birth of the Recording Industry, 1890-1919. Urbana and Chicago: University of Illinois Press.

Graham, Sandra Jean
2006
Reviews
Music

70. Review of DeNora, Tia. 2003. After Adorno: Rethinking Music Sociology. Cambridge and New York: Cambridge University Press.

Roy, William G.
2006
Reviews
Music

71. Review of Fink, Robert. 2005. Repeating Ourselves: American Minimal Music as Cultural Practice. Berkeley and Los Angeles: University of California Press.

Haskins, Rob
2006
Reviews
Music

72. Review of Goldmark, Daniel. 2005. Tunes for 'Toons: Music and the Hollywood Cartoon. Berkeley and Los Angeles: University of California Press.

McQuiston, Kate
2006
Reviews
Music

73. Review of Harness, Kelley. 2006. Echoes of Women's Voices: Music, Art, and Female Patronage in Early Modern Florence. Chicago and London: University of Chicago Press.

Marshall, Melanie L.
2006
Reviews
Music

74. Review of Monod, David. 2005. Settling Scores: German Music, Denazification, and the Americans, 1945-1953. Chapel Hill: University of North Carolina Press.

Tompkins, David
2006
Reviews
Music

75. Review of Peraino, Judith. 2006. Listening to the Sirens: Musical Technologies of Queer Identity from Homer to Hedwig. Berkeley and Los Angeles: University of California Press.

Raykoff, Ivan
2006
Reviews
Music

76. Review of Pisani, Michael V. 2005. Imagining Native America in Music. New Haven, eT, and London: Yale University Press.

Harrison, Klisala
2006
Reviews
MusicIndians of North AmericaIndians of North America--Songs and musicMusic--Historiography

77. Review of Clarke, Eric and Nicholas Cook, eds. 2004. Empirical Musicology: Methods, Aims, Prospects. Oxford and New York: Oxford University Press.

Devaney, Johanna
2005
Reviews
Music

78. Review of Frisch, Walter. 2005. German Modernism: Music and the Arts. Berkeley and Los Angeles: University of California Press

Painter, Karen
2005
Reviews
Music

79. Review of Dell'Antonio, Andrew, ed. 2004. Beyond Structural Listening? Postmodern Modes of Hearing. Berkeley and Los Angeles: University of California Press.

Horton, Julian
2004
Reviews
Music

80. Review of Heffley, Mike. 2005. Northern Sun, Southern Moon: Europe's Reinvention of Jazz. New Haven: Yale University Press.

Lewis, George E.
2004
Reviews
Music

81. Review of Leech-Wilkinson, Daniel. 2002. The Modern Invention of Medieval Music: Scholarship, Ideology, Performance. Cambridge: Cambridge University Press.

Irvine, Thomas
2004
Reviews
Music

82. Review of Riley, Matthew. 2004. Musical Listening in the German Enlightenment: Attention, Wonder and Astonishment. Aldershot, UK and Burlington, VT: Ashgate Publishing.

Head, Matthew
2004
Reviews
Music

83. Review of Spitzer, John and Neal Zaslaw. 2004. The Birth of the Orchestra: History of an Institution, 1650-1815. New York and Oxford: Oxford University Press.

Rice, John A.
2004
Reviews
Music

84. Uptown Conversations: The New Jazz Studies and The Other Side of Nowhere: Jazz, Improvisation, and Communities in Dialogue.

Higgins, Niko
2004
Reviews
Music

85. Meintjes, Louise. 2003. Sound of Africa!: Making Music Zulu in a South African Studio.

Pyper, Brett
2003
Reviews
MusicZulu (African people)--MusicZulu (African people)--Ethnic identityApartheid

86. Review of Alexander Rehding, Hugo Riemann and the Birth of Modern Musical Thought. New York and Cambridge: CambrIdge University Press, 2003.

Kim, Youn
2003
Reviews
Music

87. Review of Sean Gallagher, James Haar, John Nadas, and Timothy Striplin, eds. Western Plainchant in the First Millennium: Studies in the Medieval Liturgy. Burlington, VT: Ashgate, 2004.

Dohoney, Ryan W.
2003
Reviews
Music

88. Review of Thomas Goldsmith, ed. The Bluegrass Reader. Urbana: University of Illinois Press, 2004.

King, Jonathan T.
2003
Reviews
Music

89. Andrew F. Jones. Yellow Music: Media Culture and Colonial Modernity in the Chinese Jazz Age. Durham, N.C.: Duke University Press, 2001. xi, 213 pp.

Wilson, Dale
2002
Reviews
MusicAsians

90. Being Home: Jazz Authority and the Politics of Place

Iyer, Vijay
2002
Reviews
Music

91. Other Planes of There: Critical Notice of Graham Lock's Blutopia

Anderson, Paul Allen
2002
Reviews
Music

92. Phil Pastras. Dead Man Blues: Jelly Roll Morton Way Out West. Berkeley: University of California Press, 2001. xx, 246 pp.

Ogren, Kathy J.
2002
Reviews
MusicBiography

93. Review of Alyn Shipton. A New History of Jazz. London and New York: Continuum, 2001. x, 965 pp.

Tirro, Frank
2002
Reviews
Music

94. Review of David Charlton. French Opera 1730-1830: Meaning and Media. Aldershot, Hampshire (U.K.), and Brookfield, Vt.: Ashgate, 2000. xii, 374 pp.

Rushton, Julian
2002
Reviews
Music

95. Review of David Ferris. Schumann's Eichendorff"Liederkreis" and the Genre of the Romantic Cycle. Oxford and New York: Oxford University Press, 2000. vii, 270 pp.

Kramer, Richard
2002
Reviews
Music

96. Review of Eric Porter. What Is This Thing Called Jazz?: African American Musicians as Artists, Critics, and Activists. Berkeley: University of California Press, 2002. XXI, 404 pp.

Gabbard, Krin
2002
Reviews
Music

97. Review of E. Taylor Atkins. Blue Nippon: Authenticating Jazz in Japan. Durham, N.C.: Duke University Press, 2001. xiv, 366 pp.

Condry, Ian
2002
Reviews
Music

98. Review of Hervé Lacombe. The Keys to French Opera in the Nineteenth Century. Translated by Edward Schneider. Berkeley: University of California Press, 2001. xv, 415 pp.

Speare, Mary Jean
2002
Reviews
Music

99. Review of John S. Powell. Music and Theatre in France, 1600-1680.
Oxford: Oxford University Press, 2000. xvil , 582 pp.

Heyer, John Hajdu
2002
Reviews
Music

100. Review of Marian Smith. Ballet and Opera in the Age of "Giselle". Princeton: Princeton University Press, 20001. xx, 306 pp.

Hibberd, Sarah
2002
Reviews
Music