2. Aesthetics, Authenticities, and Appeals to Authority: The Auditor as Author Thompson, Daniel N. 1998 Reviews Music
4. Alexander Rehding. 2009. Music and Monumentality: Commemoration and Wonderment in Nineteenth-Century Germany. Oxford and New York: Oxford University Press. Kim, Ji Young 2011 Reviews Music
5. Andrew F. Jones. Yellow Music: Media Culture and Colonial Modernity in the Chinese Jazz Age. Durham, N.C.: Duke University Press, 2001. xi, 213 pp. Wilson, Dale 2002 Reviews MusicAsians
7. Anna Maria Busse Berger. Mensuration and Proportion Signs: Origins and Evolution. Clarendon Press, 1993. xiii, 271 pp. Stone, Anne J. 1994 Reviews Music
8. An Unpublished Cadenza By Gounod For Mozart's Piano Concerto KV 491 Mueter, John A. 1982 Reviews Music
9. Arnold Schoenberg. The Musical Idea and the Logic, Technique, and Art of Its Presentation. Edited, translated, and with a commentary by Patricia Carpenter and Severine Neff Dineen, Murray 2001 Reviews Music
10. A Welsh Collection of Mendelssohniana: Letters at Aberystwyth Evans, David R. A.; Todd, R. Larry; Olson, Judith E. 1998 Reviews Music
12. Beyond Duality: Stasis, Silence, and Vertical Listening Thompson, Daniel N. 1999 Reviews MusicLiterature
13. Bryan R. Simms. The Atonal Music of Arnold Schoenberg,1908-1923. Oxford University Press, 2000. ix, 265 pp. Haimo, Ethan 2000 Reviews Music
14. Carol Vernallis. 2013. Unruly Media: YouTube, Music Video, and the New Digital Cinema. New York: Oxford University Press. Reviewed Harper, Paula Clare 2014 Reviews TechnologyMusic videosDigital mediaMusic
16. Critical Perception and the Woman Composer: The Early Reception of Piano Concertos by Clara Wieck Schumann and Amy Beach Macdonald, Claudia 1993 Reviews Music
17. Curtis Roads, ed. The Computer Music Tutorial. MITPress, 1996. 1,234 pp Joel Chadabe. Electric Sound: The Past and Promise ofElectronic Music. Prentice Hall, 1997.370 pp Geers, Douglas 2001 Reviews Music
18. David Levin. 2007. Unsettling Opera: Staging Mozart, Verdi, Wagner, and Zemlinsky. Chicago and London: University of Chicago Press. Casadei, Delia 2009 Reviews MusicPerforming artsArts
19. David Novak. 2013. Japanoise: Music at the Edge of Circulation. Durham, NC: Duke University Press. Molina, Andres Jacobo Garcia 2014 Reviews Music--Japanese influencesArt genresNoiseMusic
20. Derek B. Scott, ed. Music, Culture, and Society: A Reader. Oxford University Press, 2000. x, 238 pp. Taylor, Timothy D. 2000 Reviews Music
23. Elliott Antokoletz. The Music of Béla Bartók: A Study of Tonality and Progression in Twentieth-Century Music. Morris, Mitchell 1986 Reviews Music
24. Eva Rieger. 2011. Richard Wagner’s Women. Translated by Chris Walton. Laurence Dreyfus. 2010. Wagner and the Erotic Impulse Coleman, Jeremy 2013 Reviews Music
25. Explorations in Music, The Am, and Ideas: Essays in Honor of Leonard B. Meyer. Edited by Eugene N annour and Ruth A. Solie. Stuyvesant: Pendragon Press, 1988. xiii, 473 pages. Marvin, Elizabeth West 1992 Reviews Music
26. Far Out: Intentionality and Image Schema in the Reception of Early Works by Ornette Coleman Saslaw, Janna K. 2000 Reviews Music
27. Friederich Erhardt Niedt. The Musical Guide: Parts 1 (1700/10), 2 (1721), and 3 (1717).;Susan P. Snook-Luther. The Musical Dilettante: A Treatise on Composition by J. F. Daube. Christensen, Thomas 1992 Reviews Music
28. Giuseppe Gerbino. 2009. Music and the Myth of Arcadia in Renaissance Italy. New Perspectives in Music History and Criticism. Cambridge and New York: Cambridge University Press. Bryant, Brooke 2009 Reviews Music
29. Gregory Butler. Bach's Clavier-Ubung III: The Making of a Print. With a Companion Study of the Canonic Variations on "Vom Himmel Hoch," BWV 769. Stauffer, George B. 1994 Reviews Music
30. Hearing, Remembering, Cold Storage, Purism, Evidence, and Attitude Adjustment Dubiel, Joseph 1996 Reviews Music
31. Heather Wiebe. 2012. Britten’s Unquiet Pasts: Sound and Memory in Postwar Reconstruction Penner, Nina 2013 Reviews Music
32. Hilary Poriss. 2009. Changing the Score: Arias, Prima Donnas, and the Authority of Performance. Oxford: Oxford University Press. Cairns, Elliott S. 2011 Reviews Music
33. James Buhler, Caryl Flinn, and David Neumeyer, eds. Music and Cinema. Wesleyan University Press, 2000. vi, 397 pp. McQuiston, Katherine 2000 Reviews Music
34. James Kippen. The Tabla of Lucknow: A cultural analysis of a musical tradition. Cambridge: Cambridge University Press, 1988. Manuel, Peter 1991 Reviews Music
35. James M. Baker, David W. Beach, and Jonathan Bernard, eds. Music Theory in Concept and Practice. University of Rochester Press, 1997.529 pp Nonken, Marilyn 1997 Reviews Music
36. James Pritchett. The Music of John Cage. Cambridge: Cambridge University Press, 1993. 223pp. Lochhead, Judy 1995 Reviews Music
37. Jann Pasler. 2009. Composing the Citizen: Music as Public Utility in Third Republic France. Berkeley and Los Angeles: University of California Press. Seto, Mark 2009 Reviews Music
38. Judging Performance, Performing Judgments: Race and Performance in Weimar Germany Fay, Brendan 2013 Reviews Music
39. Karin Bijsterveld and Jose van Dijck, eds. 2009. Sound Souvenirs: Audio Technologies, Memory and Cultural Practices. Amsterdam: Amsterdam University Press. Dayal, Geeta 2010 Reviews Music
40. Keith W. Daniel. Francis Poulenc: His Artistic Development and Musical Style (Ann Arbor: UMI Research Press, 1982), 390 pp. Meltzer, Howard 1983 Reviews Music
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42. Leonard Meyer. Style and Music: Theory, History and Ideology. Philadelphia: University of Pennsylvania Press, 1989. xi, 376 pages. Studies in the Criticism and Theory of Music. Kivy, Peter 1992 Reviews Music
43. Levon Hakobian. Music of the Soviet Age.; Allan B. Ho and Dmitry Feofanov, eds. Shostakovich Reconsidered.; David Haas. Leningrad's Modernists: Studies in Composition and Musical Thought. Blum, Stephen 1998 Reviews Music
45. Margot Fassler. Gothic Song: Victorine Sequences and Augustinian Reform in Twelfth-Century Paris. Fuller, Sarah 1995 Reviews Music
46. Margot Fassler. Gothic Song: Victorine Sequences and Augustinian Reform in Twelfth-Century Paris.Cambridge: Cambridge University Press, 1993. xxi, 487 pp. Fuller, Sarah 1995 Reviews Music
47. Mark DeBellis. Music and Conceptualization"Hearing is Believing?" London, Justin 1996 Reviews Music
48. Martha Bayles. Hole in Our Soul: The Loss of Beauty and Meaning in American Popular Music Thompson, Daniel N. 1997 Reviews Music
49. Mary Hunter. The Culture of Opera Buffa in Mozart's Vienna: A Poetics of Entertainment. Monson, Dale E. 2000 Reviews Music
50. Meintjes, Louise. 2003. Sound of Africa!: Making Music Zulu in a South African Studio. Pyper, Brett 2003 Reviews MusicZulu (African people)--MusicZulu (African people)--Ethnic identityApartheid
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52. Nicholas Cook. Music, lmagination, and Culture. Oxford: Oxford University Press / Clarendon Press, 1990.265 pp. Kramer, Lawrence 1992 Reviews Music
53. Other Planes of There: Critical Notice of Graham Lock's Blutopia Anderson, Paul Allen 2002 Reviews Music
54. Paul Theberge. Any Sound You Can Imagine: Making Music/Consuming Technology. Hanover: Wesleyan University Press, 1997. xx, 293 pp. Fikentscher, Kai 1997 Reviews Music
55. Peter Wade. Music, Race, and Nation: Musica Tropicalin Colombia Sturman, Janet L. 2000 Reviews MusicLatin Americans
56. Phil Pastras. Dead Man Blues: Jelly Roll Morton Way Out West. Berkeley: University of California Press, 2001. xx, 246 pp. Ogren, Kathy J. 2002 Reviews MusicBiography
57. Ralph Locke. 2009. Musical Exoticism: Images and Reflections. Cambridge and New York: Cambridge University Press. Riggs, Kristy 2009 Reviews MusicAesthetics
58. Raymond Monelle. 2006. The Musical Topic: Hunt, Military, and Pastoral. Bloomington and Indianapolis: Indiana University Press. Haringer, Andrew 2010 Reviews Music
59. Review Essay: Blake Wilson, Singing Poetry in Renaissance Florence: The Cantasi Come Tradition (1375-1550) with CD-ROM Cavallo, Jo Ann 2009 Reviews LiteratureMusic
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62. Review of Alejandro L. Madrid. 2008. Nor-tec Rifal: Electronic Dance Music from Tijuana to the World. Oxford: Oxford University Press. Mueller, Gavin 2010 Reviews MusicDance
63. Review of Alexander Rehding, Hugo Riemann and the Birth of Modern Musical Thought. New York and Cambridge: CambrIdge University Press, 2003. Kim, Youn 2003 Reviews Music
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65. Review of Amy C. Beal. 2006. New Music, New allies: American Experimental Music in West German from the Zero Hour of Reunification. Berkeley and Lost Angeles: University of California Press. Silverberg, Laura 2008 Reviews Music
66. Review of Andy Hamilton. 2007. Aesthetics and Music. London and New York: Continuum. Kane, Brian 2008 Reviews Music
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78. Review of DeNora, Tia. 2003. After Adorno: Rethinking Music Sociology. Cambridge and New York: Cambridge University Press. Roy, William G. 2006 Reviews Music
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80. Review of Eric Chafe. Analyzing Bach Cantatas. Oxford University Press, 2000. xvii, 286 pp. Ito, John 2000 Reviews Music
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86. Review of Fink, Robert. 2005. Repeating Ourselves: American Minimal Music as Cultural Practice. Berkeley and Los Angeles: University of California Press. Haskins, Rob 2006 Reviews Music
87. Review of Fosler-Lussier. 2007. Music Divided: Bartók's Legacy in Cold War Culture. Berkeley and Los Angeles: University of California Press. Walden, Joshua S. 2008 Reviews Music
88. Review of Frisch, Walter. 2005. German Modernism: Music and the Arts. Berkeley and Los Angeles: University of California Press Painter, Karen 2005 Reviews Music
89. Review of George Lipsitz. 2007. Footsteps in the Dark: The Hidden Histories of Popular Music. Minneapolis: University of Minnesota Press. Burford, Mark 2008 Reviews Music
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94. Review of Heffley, Mike. 2005. Northern Sun, Southern Moon: Europe's Reinvention of Jazz. New Haven: Yale University Press. Lewis, George E. 2004 Reviews Music
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100. Review of Jean-Luc Nancy. 2007. Listening, translated by Charlotte Mandell. New York: Fordham University Press. Gallope, Michael 2008 Reviews Music