2. Aesthetics, Authenticities, and Appeals to Authority: The Auditor as Author
3. Alain Frogley, ed. Vaughan Williams Studies.
4. Alexander Rehding. 2009. Music and Monumentality: Commemoration and Wonderment in Nineteenth-Century Germany. Oxford and New York: Oxford University Press.
5. Andrew Mead. An Introduction to the Music of Milton Babbitt
6. Anna Maria Busse Berger. Mensuration and Proportion Signs: Origins and Evolution. Clarendon Press, 1993. xiii, 271 pp.
7. An Unpublished Cadenza By Gounod For Mozart's Piano Concerto KV 491
8. Arnold Schoenberg. The Musical Idea and the Logic, Technique, and Art of Its Presentation. Edited, translated, and with a commentary by Patricia Carpenter and Severine Neff
9. A Welsh Collection of Mendelssohniana: Letters at Aberystwyth
10. Beyond Duality: Stasis, Silence, and Vertical Listening
11. Carol Vernallis. 2013. Unruly Media: YouTube, Music Video, and the New Digital Cinema. New York: Oxford University Press. Reviewed
12. Critical Perception and the Woman Composer: The Early Reception of Piano Concertos by Clara Wieck Schumann and Amy Beach
Curtis Roads, ed. The Computer Music Tutorial. MIT
Press, 1996. 1,234 pp
Joel Chadabe. Electric Sound: The Past and Promise of
Electronic Music. Prentice Hall, 1997.370 pp
14. David Novak. 2013. Japanoise: Music at the Edge of Circulation. Durham, NC: Duke University Press.
15. Does Music Theory Need Musicology?
16. Elliott Antokoletz. The Music of Béla Bartók: A Study of Tonality and Progression in Twentieth-Century Music.
17. Explorations in Music, The Am, and Ideas: Essays in Honor of Leonard B. Meyer. Edited by Eugene N annour and Ruth A. Solie. Stuyvesant: Pendragon Press, 1988. xiii, 473 pages.
18. Far Out: Intentionality and Image Schema in the Reception of Early Works by Ornette Coleman
19. Gregory Butler. Bach's Clavier-Ubung III: The Making of a Print. With a Companion Study of the Canonic Variations on "Vom Himmel Hoch," BWV 769.
20. Hearing, Remembering, Cold Storage, Purism, Evidence, and Attitude Adjustment
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