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42. Ruth Smith, Handel's Oratorios and Eighteenth-Century Thought
43. Sarah Kay. 2013. Parrots and Nightingales: Troubadour Quotation and the Development of European Poetry. Philadelphia: University of Pennsylvania Press.
44. Stephen Banfield. Sensibility and the English Song: Critical Studies of the Early 20th Century. Cambridge: Cambridge University Press, 1988. xvii, 619 pages.
45. Stephen Walsh. Stravinsky: Oedipus Rex. Cambridge: Cambridge University Press, 1993. 118pp.
46. The Meyer Manuscript: An 18th-Century American Tunebook
47. The Sources of the Christmas Interpolations in J. S. Bach's Magnificat in E-flat Major (BWV 243a)
48. The Symphony as Described by J. A. P. Schulz (1774): A Commentary and Translation
49. Thomas Emmerig. Joseph Riepel (1709-1782): Hofkapellmeister des Fürsten von Thurn und Taxis
50.
Thomas Owens. Bebop: The Music and the Players. New
York: Oxford University Press, 1995. xvi, 323 pp.
51. Timothy D. Taylor. 2012. The Sounds of Capitalism: Advertising, Music, and the Conquest of Culture. Chicago: University of Chicago Press.
52. Timothy McGee, editor, with A. G. Rigg and David N. Klausner. Singing Early Music: The Pronunciation of European Languages in the Late Middle Ages and Renaissance
53.
When the Music of Psychoanalysis Becomes the Psychoanalysis of Music
David Schwarz. Listening Subjects: Music, Psychoanalysis, Culture.
54. William Kinderman. Beethoven
55. William Weber, The Rise of Musical Classics in Eighteenth- Century England: A Study in Canon, Ritual and Ideology. Oxford; Clarendon Press, 1992. 174 pp.
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