Related to your search
Current Musicology
See all journal content
Current Musicology is a leading journal for scholarly research on music. We publish articles and book reviews in the fields of historical musicology, ethnomusicology, music theory, and philosophy of music. The journal was founded in 1965 by graduate students at Columbia University as a semiannual review. This archive contains articles published in the journal starting in 1980. https://currentmusicology.columbia.edu/
Search Results
2. Acoustic structure of the five perceptual dimensions of timbre in orchestral instrument tones
3. A Cross–Cultural Grammar for Temporal Harmony in Afro–Latin Musics: Clave, Partido– Alto and Other Timelines
4. A Discriminative Model for Polyphonic Piano Transcription
5. “A Disturbing Lack of Musical and Stylistic Continuity”? Elliott Carter, Charles Ives, and Musical Borrowing
6. Adolphe Appia, Les maîtres chanteurs de Nuremberg: An Introduction and Translation
7. A Great Desire: Autobiography in Louise Talma's Three Madrigals
8. Aida and the Empire of Emotions (Theodor W. Adorno, Edward Said, and Alexander Kluge)
9. A Knife All Blade: Deciding the Side Not to Take
10. A Large-Scale Evaluation of Acoustic and Subjective Music-Similarity Measures
11. Alexander Johnson and the Tennessee Harmony
12. Ambient Drone and Apocalypse
13. A Message for Peace or a Tool for Oppression? Israeli Jewish-Arab duo Achinoam Nini and Mira Awad's Representation of Israel at Eurovision 2009
14. A Musical Education: Lee Morgan and the Philadelphia Jazz Scene of the 1950's
15. An Account of Emotional Specificity in Classic-Romantic Music
16. Analysis, Performance, and Images of Musical Sound: Surfaces, Cyclical Relationships and the Musical Work
17. An American Precursor of Non-tonal Theory: Ernst Bacon (1898-1990)
18. An Empirical Approach to Studying Intonation Tendencies in Polyphonic Vocal Performances
19. A Nuyorican Son
20. A Paper Trail: Missa Jouyssance vous donneray, Uncertain Identity, and the National Institutes of Health's "Bathtub Collection"
21. A Performing Rights Organization Perspective: The Challenges of Enforcement in the Digital Environment
22. A Picture is Worth a Thousand Words: Road Maps as Analytical Tools
23. Approaches to handwritten conductor annotation extraction in musical scores
24. A Psychological Approach to Musical Form: The Habituation–Fluency Theory of Repetition
25. Arnold Schering, "Die Eroica, eine Homer-Symphonie Beethovens?": Translated with an Introduction and Commentary
26. Aspects of Trope in the Earliest Motets for the Assumption of the Virgin
27. A Timely Musical Discourse, or a Music Treatise from Lost Times, Part I
28. Autoregressive Modeling of Temporal Envelopes
29. A View From Death: Ariadne auf Naxos as Failed Totality
30. A Voice Like Thunder: Corsican Women's Lament as Cultural Work
31. Bach: Luther's Musical Prophet?
32. Beat Tracking by Dynamic Programming
33. Becoming Bach, Blaspheming Bach: Kinesthetic Knowledge and Embodied Music Theory in Ysaÿe's "Obsession" for Solo Violin
34. Bethany Klein. As Heard on TV: Popular Music in Advertising
35. Better the Puppet?*
36. Beyond Sonata Deformation: Liszt's Symphonic Poem Tasso and the Concept of Two-Dimensional Sonata Form
37. Beyond the Beethoven Model: Sentence Types and Limits
38. Bollymizwid and Bollyraï: Digital Mash-ups of Hindi, Tunisian, and Algerian Popular Music
39. Brahms and Schubring: Musical Criticism and Politics at Mid-Century
40. Brahms, Developing Variation, and the Schoenberg Critical Tradition
41. Breathtails: a Song Cycle in 13 Breaths Written for Anne LeBaron
42. Bring Back the Noise: How Cariou v. Prince Will Revitalize Sampling
43. Cantilena and Antiphon: Music for Marian Services in Late Medieval England
44. Centers; Dissenters (Music, Religion, and Politics)
45. Cinderella; or Music and the Human Sciences. Unfootnoted Musings from the Margins
46. Come Out to Show the Split Subject: Steve Reich, Whiteness, and the Avant-Garde
47. Competition in the Sundanese Performing Arts of West Java, Indonesia
48. Composing Breathtails (a Song Cycle in 21 Breaths)
49. Composing Notes
50. Concerning the Liturgical Usage of Dufay's Fragmentary Masses
51. Contextualizing Hip Hop Sonic Cool Pose in Late Twentieth– and Twenty–first–century Rap Music
52. Correspondences
53. Cover To Cover
54. C.P.E. Bach's Instrumental "Recompositions": Revisions or Alternatives?
55. Curious Intersections, Uncommon Magic: Steve Reich's It's Gonna Rain
56. Datable "Notre Dame" Conductus: New Historical Observations on Style and Technique
57. Debussy as Storyteller: Narrative Expansion in the Trois Chansons de Bilitis
58. Der Tod und die Forelle: New Thoughts on Schubert's Quintet
59. Disciplinary Movements, the Civil Rights Movement, and Charles Keil's Urban Blues
60. Discontinuity in the Music of Django Reinhardt
61. Disruptive Spatiality and the Experience of Recordings of Bach's Solo Cello Suites
62. Do as Some Said, or as Most Did?-A Foucauldian Experiment with Nineteenth-Century HIP
63. Dvořak's Armida and the Czech Oriental "Self"
64. Earl Hines and "Rosetta"
65. Editor’s Note
66. Editor's Note
67. Editor's Note
68. Editor’s Note to Gesprochene Musik, 1. “O–a” and 2. “Ta–tam”
69. Eisler's Notes on Hollywood and the Film Music Project, 1935-42
70. Elements of a Style
71. Eleven Theses on Sound and Transcendence
72. Ethnography, Sound Studies and the Black Atlantic
73. Ethnomusicology as Interdisciplinary Musicology: A Case Study
74. Evolution and Structure in Flamenco Harmony
75. Excerpted from The Days and Nights of the Lotus Trio
76. Experiencing Alba Tressina’s Anima mea liquefacta est through Bodily Humors and the Sacred Erotic
77. Experiencing Structure in Penderecki’s Threnody: Analysis, Ear-Training, and Musical Understanding
78. Experimental Music in Black and White: The AACM in New York, 1970-1985
79. Felix Mendelssohn's Influence on Fanny Mendelssohn Hensel as a Professional Composer
80. Focal Task-specific Dystonia among Professional Musicians in Latin America
81. Froberger in Rome: From Frescobaldi's Craftsmanship to Kircher's Compositional Secrets
82. From Errata 5uite
83. from From a Broken Bottle Traces of Perfume Still Emanate, Volume Five
84. From the Center in the Middle: Working Tambura Bands and the Construction of the In Between in Croatia and its Intimates
85. From the Singer's Point of View: A Case Study in Hexachordal Solmization as a Guide to Musica Recta and Musica Ficta in Fifteenth-Century Vocal Music
86. Fruits and Vegetables
87. Gender and the Field of Musicology
88. George Antheil and the Dance
89. Harriet Jacobs Gets a Hearing
90. Hearing Emerson, Lake, and Palmer Anew: Progressive Rock as "Music of Attractions"
91. Hearing Glenn Gould's Body: Corporeal Liveness in Recorded Music
92. Here be Dogs: Documenting the Visual Culture of the Czech Indie Scene
93. Heuristic and supervised approaches to handwritten annotation extraction for musical score images
94. Horses For Discourses?: The Transition from Oral to Broadside Narrative in “Skewball”
95. I Am/Was the Walrus
96. Igor’s Goriest Tune and selected text pieces
97. Images of Time and Timelessness: A Musical Reading of Death in Venice
98. Improvising Compose Yourself
99. In Defense of Close Reading and Close Listening
100. In Memory, Theory: Concluding Unscientific Postludes
- « Previous
- Next »
- 1
- 2
- 3