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Current Musicology
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Current Musicology is a leading journal for scholarly research on music. We publish articles and book reviews in the fields of historical musicology, ethnomusicology, music theory, and philosophy of music. The journal was founded in 1965 by graduate students at Columbia University as a semiannual review. This archive contains articles published in the journal starting in 1980. https://currentmusicology.columbia.edu/
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2. “Words for Music, Perhaps”? Texts, 1975-2013
3. ...whence freedom
4. Voice Function, Sonority, and Contrapuntal Procedure in Late Medieval Polyphony
5. Voice as Action: Towards a Model for Analyzing the Dynamic Construction of Racialized Voice
6. Voice and Instrument at the Origins of Music
7. Variations V: "Escaping Stagnation" Through Movement of Signification
8. Varese in vitro: On Attention, Aurality, and the Laboratory
9. Using knowledge to organize sound: The prediction-driven approach to computational auditory scene analysis and its application to speech/nonspeech mixtures
10. Ulysses Kay Archive: Columbia University Rare Book and Manuscript Library
11. Troubadour Song as Performance: A Context for Guiraut Riquier’s “Pus sabers no’m val ni sens”
12. Transformational Analysis: An Essay Toward an Analytic Model
13. Tradition and Creation
14. Toward a Revised Understanding of Young Children's Musical Activities: Reflections from the "Day in the Life" Project
15. To Astonish the Roses: 7 e–mails to Walter Branchi
16. Tia DeNora, Beethoven and the Construction of Genius: Musical Politics in Vienna, 1792-1803
17. Things I Think about, and Don't Think about, When I Compose
18. The Turn from the Aesthetic
19. The Song Sketches of Hugo Wolf
20. The Snake Bites Its Tail: Cyclic Processes in Brahms's Third String Quartet, op. 67
21. The Selection of Clausula Sources for Thirteenth- Century Motets: Some Practical Considerations and Aesthetic Implications
22. The Role of Adele T. Katz in the Early Expansion of the New York "Schenker School"
23. The Rhythm of Text and Music in Ottocento Melody: An Empirical Reassessment in Light of Contemporary Treatises
24. The Question of Purpose in Music Theory: Description, Suggestion, and Explanation
25. The Promise of Music Therapy: Understanding and Treating Individuals With Comorbid Eating Disorders and Physical Disabilities
26. The Prelude from Bach's Suite No.4 for Violoncello Solo: The Submerged Urlinie
27. The Pastoral After Environmentalism: Nature and Culture in Stephen Albert's Symphony: RiverRun
28. The Origins of the Orchestra Machine
29. The Musical Work Reconsidered, In Hindsight
30. Thematic Form and the Genesis of Schoenberg’s D-Minor Quartet, Op. 7
31. The Lost Movements of Ernst Toch’s Gesprochene Musik
32. The Literary Soundtrack: Or, F. Scott Fitzgerald's Heard and Unheard Melodies
33. The Idea of Transfiguration in the Early German Reception of Mozart's Requiem
34. The Historical Soundscape of Monophonic Hi–Fidelity
35. The German Musical Exile and the Course of American Musicology
36. The Foundations of Mozart Scholarship
37. The Filth and the Fury: An Essay on Punk Rock Heavy Metal Karaoke
38. The Disc Jockey as Composer, or How I Became a Composing DJ
39. The Cyberpolitics of Music in Ukraine's 2004 Orange Revolution
40. The Concept of Ausweichung in Music Theory, ca. 1770-1832
41. The Composer as Pole Seeker: Reading Vaughan Williams's Sinfonia antartica
42. The "Arabian Influence" Thesis Revisited
43. The Aesthetics of Textural Ambiguity: Brahms and the Changing Piano
44. The 1990s "Kutaisi Wave": Music and Youth Movement in a Postindustrial Periphery
45. "Telling a Story": Louis Armstrong and Coherence in Early Jazz
46. Suspicious Silence: Walking Out on John Cage
47. Support Vector Machine Active Learning for Music Retrieval
48. Subtiliter alternare: The Yoxford Motet o amicus / Precursaris
49. Spooning Good Singing Gum: Meaning, Association, and Interpretation in Rock Music
50. Speaking and Sighing: Bellini's canto declamato and the Poetics of Restraint
51. Spatial and Psychoacoustic Factors in Atonal Prolongation
52. Songs of the Century
53. Some Observations on the "Germanic" Plainchant Tradition
54. Solving Elgar's Enigma
55. Signification, Objectification, and the Mimetic Uncanny in Claude Debussy's "Golliwog's Cakewalk"
56. Sex and Laughter in Women's Music, 1970-77
57. Scat Singing: A Timbral and Phonemic Analysis
58. Review of Wayne D. Bowman and Ana Lucía Frega, eds. 2012. The Oxford Handbook of Philosophy in Music Education. London and New York: Oxford University Press.
59. Review of The Second Practice of Nineteenth-Century Tonality by William Kinderman and Harald Krebs
60. Review of The Great Composers: Reviews and Bombardments by Bernard Shaw, edited by Louis Crompton
61. Review of Style and Music: Theory, History, and Ideology by Leonard B. Meyer
62. Review of Jennifer Milioto Matsue. 2009. Making Music in Japan’s Underground: The Tokyo Hardcore Scene. New York and London: Routledge
63. Reger's Bach and Historicist Modernism
64. Recombinant Melody: Ten Things to Love About Willaert's Music
65. Recent Developments at the Columbia University Computer Music Center
66. Rebel Girls and Singing Boys: Performing Music and Gender in the Teen Movie
67. Reading and Misreading: Schumann's Accompaniments to Bach's Sonatas and Partitas for Solo Violin
68. Prognosticating Echoes: Race, Sound, and Naturalizing Technology
69. Producing Producers: Women and Electronic/Dance Music
70. Preface to Gesprochene Musik, 1. “O–a” and 2. “Ta–tam”
71. Porgy and Miles
72.
Plot and Tonal Design as Compositional Constraints
in Il trovatore
73. Perspectives on Bruckner
74. Periods in Progressive Rock and the Problem of Authenticity
75. Performance and Social Meaning in the Lied: Schubert's Erster Verlust
76. Patricia Carpenter in Commemoration
77. "Paths of Harmony" in the First Movement of Brahms's Cello Sonata in E minor, Op. 38
78. Outside Forces: "Autumn Leaves" in the 1960s
79. Otto Luening (1900-) and the Theories of Bernhard Ziehn (1845-1912)
80. Orality, Literacy, and the Early Notation of the Office Hymns
81. Opera at Columbia: A Shining Legacy
82. On the Identity of Some Musicians At The Brescian Court of Pandolfo III Malatesta
83. "On stage, everyone loves a Black": Afro-Ukrainian Folk Fusion, Migration, and Racial Identity in Ukraine
84. On Plurality
85. O Cant: Singing the Race Music of Jean Toomer's Cane
86. Oblique Strategies
87. Nonsense and Unmusic
88. Nigun Poems
89. New Musicologies, Old Musicologies: Ethnomusicology and the Study of Western Music*
90. New Licensing Models for Online Music Services in the European Union: From Collective to Customized Management
91. My Attitude Problem
92. Music Smashed to Pieces: The Destructive Logic of Berlioz's Romeo au tombeau
93. Music of the Gods: Solo Song and effetti meravigliosi in the Interludes for La pellegrina
94. Music for the Last Supper: The Dramatic Significance of Mozart's Musical Quotations in the Tafelmusik of Don Giovanni
95. Music and Jugendstil
96. Music Analysis and the Social Life of Jazz Recordings
97. Musical Style and Experience in a Brooklyn Pentecostal Church: An "Insider's" Perspective
98. Musical Platonism in Modern Culture
99. Musical Pasts and Postmodern Musicologies: A Response to Lawrence Kramer
100. Musical Meaning for the Few: Instances of Private Reception in the Music of Brahms
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