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Current Musicology
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Current Musicology is a leading journal for scholarly research on music. We publish articles and book reviews in the fields of historical musicology, ethnomusicology, music theory, and philosophy of music. The journal was founded in 1965 by graduate students at Columbia University as a semiannual review. This archive contains articles published in the journal starting in 1980. https://currentmusicology.columbia.edu/
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152. Spatial and Psychoacoustic Factors in Atonal Prolongation
153. "Telling a Story": Louis Armstrong and Coherence in Early Jazz
154.
Plot and Tonal Design as Compositional Constraints
in Il trovatore
155. Tia DeNora, Beethoven and the Construction of Genius: Musical Politics in Vienna, 1792-1803
156. C.P.E. Bach's Instrumental "Recompositions": Revisions or Alternatives?
157. Lieder, Listeners, and Ideology: Schubert's "Alinde" and Opus 81
158. Melodrama as a Compositional Resource in Early Hollywood Sound Cinema
159. Perspectives on Bruckner
160. The Turn from the Aesthetic
161. Centers; Dissenters (Music, Religion, and Politics)
162. Performance and Social Meaning in the Lied: Schubert's Erster Verlust
163. Reading and Misreading: Schumann's Accompaniments to Bach's Sonatas and Partitas for Solo Violin
164. The Prelude from Bach's Suite No.4 for Violoncello Solo: The Submerged Urlinie
165. Cinderella; or Music and the Human Sciences. Unfootnoted Musings from the Margins
166. Froberger in Rome: From Frescobaldi's Craftsmanship to Kircher's Compositional Secrets
167. Gender and the Field of Musicology
168. Musical and Intellectual Values: Interpreting the History of Tonal Theory
169. Musical Pasts and Postmodern Musicologies: A Response to Lawrence Kramer
170. Voice as Action: Towards a Model for Analyzing the Dynamic Construction of Racialized Voice
171. In Defense of Close Reading and Close Listening
172.
Martin Ruhnke, ed. Georg Philipp Telemann: Thematisch-Systematisches Verzeichnis seiner Werke:
Telemann-Werkverzeichnis: Instrumental Werke 2.
173. The Rhythm of Text and Music in Ottocento Melody: An Empirical Reassessment in Light of Contemporary Treatises
174. An American Precursor of Non-tonal Theory: Ernst Bacon (1898-1990)
175. Aspects of Trope in the Earliest Motets for the Assumption of the Virgin
176. Cantilena and Antiphon: Music for Marian Services in Late Medieval England
177. Some Observations on the "Germanic" Plainchant Tradition
178. Subtiliter alternare: The Yoxford Motet o amicus / Precursaris
179. The "Arabian Influence" Thesis Revisited
180. The Song Sketches of Hugo Wolf
181. From the Singer's Point of View: A Case Study in Hexachordal Solmization as a Guide to Musica Recta and Musica Ficta in Fifteenth-Century Vocal Music
182. Evolution and Structure in Flamenco Harmony
183. Otto Luening (1900-) and the Theories of Bernhard Ziehn (1845-1912)
184. Alexander Johnson and the Tennessee Harmony
185. Concerning the Liturgical Usage of Dufay's Fragmentary Masses
186. Felix Mendelssohn's Influence on Fanny Mendelssohn Hensel as a Professional Composer
187. Transformational Analysis: An Essay Toward an Analytic Model
188. On the Identity of Some Musicians At The Brescian Court of Pandolfo III Malatesta
189. A Comparison of the Five Monochords of Guido of Arezzo
190. Key Structure and Tonal Allegory in the Passions of J. S. Bach: An Introduction
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