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Columbia Journal of Law & the Arts
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The Columbia Journal of Law & the Arts is a quarterly, student-edited publication dedicated to up-to-date and in-depth coverage of legal issues involving the art, entertainment, sports, intellectual property, and communications industries. Founded in 1975, the journal is one of the most-cited periodicals devoted to arts law issues and features contributions by scholars, judges, practitioners, and students. https://lawandarts.org/
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2. Abandoning the Use of Abstract Formulations in Interpreting RLUIPA’s Substantial Burden Provision in Religious Land Use Cases
3. A Digital Public Library of America? Collective Management's Implications for Privacy, Private Use and Fair Use
4. Adjusting The Dress Code: Implementing Trade Dress Reform to Burgeon User Experience (UX) Protections
5. A Lay Perspective on the Copyright Wars: A Report from the Trenches of the Section 108 Study Group
6. Alternatives to Collective Management: DRMs and Other Business/Technology Options
7. A Mask that Eats into the Face: Images and the Right of Publicity
8. Among the Digital Luddites
9. An Approach to Why Typography Should be Copyrightable
10. A New Copyright Bargain? Reclaiming Lost Culture and Getting Authors Paid
11. “Anything Goes”: Regulating the Conduct of Money-Bundling Broadway Co-Producers
12. A Performing Rights Organization Perspective: The Challenges of Enforcement in the Digital Environment
13. Applying Star Athletica’s Teachings in the Copyright Office
14. Archives in the Digital Age
15. A Response to Professor Menell: A Remix Compulsory License Is Not Justified
16. Art and the First Amendment
17. Artificial Intelligence’s Fair Use Crisis
18. A Shield Does Not Fall in Hazelwood: Privileging the Legitimate Journalism of High School Student Reporters
19. A Tale of Three Hoaxes: When Literature Offends the Law
20. A Theory of IP's Negative Space
21. Audiovisual Works and the Work for Hire Doctrine in the Internet Age
22. Author-Centered Copyright Enforcement?
23. Authorship and the Boundaries of Copyright: Ideas, Expressions, and Functions in Yoga, Choreography, and Other Works
24. Authors’ Human Rights and Copyright Policy
25. Authors, Online
26. Beyond Whack-a-Mole: Content Protection in the Age of Platform Accountability
27. Blockchains, Orphan Works, and the Public Domain
28. Blocking Copyrights Revisited
29. Bloody Foundation? Ethical and Legal Implications of (Not) Removing the Equestrian Statue of Theodore Roosevelt at the American Museum of Natural History
30. Bring Back the Noise: How Cariou v. Prince Will Revitalize Sampling
31. Burdens of the Dead: Postmortem Right of Publicity Statutes and the Dormant Commerce Clause
32. Can Stephen Colbert Bring Back Stephen Colbert? Alternate, Fictional Personas in Copyright
33. Can the New York Legislature Bring Back Authentication Boards? The Effect of Proposed Legislation on Liability for Art Authenticators
34. Capitol Records v. Vimeo: The Peculiar Case of Pre-1972 Sound Recordings and Federal Copyright Law
35. Combating Trademark Infringement Online: Secondary Liability v. Partnering Facility
36. Comment: Foreign Contracts and U.S. Copyright Termination Rights: What Law Applies?
37. Competition and the Collective Management of Copyright
38. Compulsory Licensing and Administrative Procedures in Canada
39. Constitutional Hazard: The California Resale Royalty Act and the Futility of State-Level Implementation of Droit de Suite Legislation
40. Constitutional Obstacles? Reconsidering Copyright Protection for Pre-1972 Sound Recordings
41. Control over Contemporary Photography: A Tangle of Copyright, Right of Publicity, and the First Amendment
42. Converging Standards of Protection from Secondary Liability for Trademark and Copyright Infringement Online
43. Copyrightability of Conceptual Art: An Idea Whose Time Hasn’t Come
44. Copyright Alert Enforcement: Six Strikes and Privacy Harms
45. Copyright for Blockheads: An Empirical Study of Market Incentive and Intrinsic Motivation
46. Copyright from Inside the Box: A View from the U.S. Copyright Office
47. Copyright Industry Perspectives: The Pivotal Role of TPMs in the Evolution of the Video Game Industry
48. Copyright in the Digital Environment: Restoring the Balance: 24th Annual Horace S. Manges Lecture, April 6, 2011
49. Copyright Issues and Section 108 Reform
50. Copyright Law v. Trade Policy: Understanding the Golan Battle Within the Tenth Circuit
51. Copyright, Moral Rights and the First Amendment: The Problem of Integrity and Compulsory Speech
52. Copyright Policy and the Problem of Generalizing
53. Copyright Protection for Applied Art and Works of Artistic Craftsmanship After Star Athletica
54. Copyright Reversion in The Creative Industries: Economics and Fair Remuneration
55. Copyright’s Illogical Exclusion of Conceptual Art
56. Copy Write: The Author Survival Guide
57. “Courts Have Twisted Themselves into Knots”: U.S. Copyright Protection for Applied Art
58. Cross-Border Issues in Collective Management
59. Curious Cases of Copyrightability Before the Copyright Office
60. “Defamation Live”: The Confusing Legal Landscape of Republication in Live Broadcasting and a Call for a “Breaking News Doctrine”
61. Developing a Copyright System That Works For Songwriters
62. Digital Replicas, Performers’ Livelihoods, and Sex Scenes: Likeness Rights for the 21st Century
63. Digitize, Democratize: Libraries and the Future of Books
64. Does Art Need Copyright After All?
65. Do We Need a New Conception of Authorship?
66. Downstream Alteration of Copyrighted Works in a World of Licensed, Digital Distribution
67. Dron’t Stop Me Now: Prioritizing Drone Journalism in Commercial Drone Regulation
68. Dr. Strange Geo-Blocking Love Or: How The E.U. Learned To Stop Worrying About Cultural Integration And Love The TV Trade Barrier
69. Email as Archives: You Have to Have it Before You Worry About It
70. Embedding Content or Interring Copyright: Does the Internet Need the “Server Rule”?
71. Emergent Works
72. EU Contractual Protection of Creators: Blind Spots and Shortcomings
73. Evaluating Graduated Response
74. Evidence? We Don’t Need No Stinkin’ Evidence!: How Ambiguity in Some States’ Anti-SLAPP Laws Threatens to DeFang a Popular and Powerful Weapon Against Frivolous Litigation
75. Expanding the Spectrum: Open Access and the Internet Age
76. Ex Post Modernism: How the First Amendment Framed Nonrepresentational Art
77. Extraterritorial Lockouts in Sports: How the Alberta Labour Board Erred in Declining Jurisdiction over the NHL
78. Facilitating Transactions and Lawful Availability of Works of Authorship: Online Access to the Cultural Heritage and Extended Collective Licenses
79. Facilitating Transactions and Lawful Availability of Works of Authorship: The U.S. Perspective
80. Fair Trade Copyright
81. Fair Use and the New Transformative
82. Fiction, Culture and Pedophilia: Fantasy and the First Amendment after United States v. Whorley
83. Foreign Authors’ Enforcement of U.S. Reversion Rights
84. Fragmented Literal Similarity in the Ninth Circuit: Dealing with Fragmented Takings of Jazz and Experimental Music
85. Freeing the Press from Editorial Discretion and Hegemony in Bona Fide News: Why the Revolution Must Be Televised
86. From Dumpster to Dicta: How the BALCO Investigation Created Incurable Violations of Players' Rights and How to Prevent Them
87. From Meerkat to Periscope: Does Intellectual Property Law Prohibit the Live Streaming of Commercial Sporting Events?
88. Front Matter
89. Gambling on Disability Rights
90. Gone but Not Forgotten: The End of Fractional Giving and the Search for Alternatives
91. Highway Art Policy Revisited: Rethinking Transfers of Copyright Ownership in State-Owned Transportation Artwork
92. How Conceptual Art Challenges Copyright’s Notions of Authorial Control and Creativity
93. How Much Should Being Accommodate Becoming? Copyright in Dynamic and Permeable Art
94. Iancu v. Brunetti’s Impact on First Amendment Law: Viewpoint Discrimination, Modes of Offensive Expression, Proportionality and Profanity
95. If It Ain't Broke . . . Copyright's Fixation Requirement and Cultural Citizenship
96. If It’s Broke, Fix It: Fixing Fixation
97. If Mass Digitization Is the Problem, Is Legislation the Solution? Some Practical Considerations Related to Copyright
98. If Only We Could Reach the Shoals: Barriers to Archives Digitization
99. International Choice of Law in Trademark Disputes From a Territorial Approach to a Global Approach
100. International Issues: Which Country's Law Applies When Works are Made Available Over the Internet?
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