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1. A Comparison of the Five Monochords of Guido of Arezzo

Brockett, Clyde W.
1981
Articles
Music

2. Across a Divide: Mediations of Popular Music in Contemporary Morocco and Spain

Karl, Brian
2012
Theses
EthnologyEthnomusicologyMusicPopular music--Social aspects

3. A Cross–Cultural Grammar for Temporal Harmony in Afro–Latin Musics: Clave, Partido– Alto and Other Timelines

Vurkac, Mehmet
2012
Articles
Music

4. “A Disturbing Lack of Musical and Stylistic Continuity”? Elliott Carter, Charles Ives, and Musical Borrowing

Thurmaier, David
2013
Articles
MusicMusical criticismIves, Charles, 1874-1954Carter, Elliott, 1908-2012

5. Adolphe Appia, Les maîtres chanteurs de Nuremberg: An Introduction and Translation

Cox, Cathy
2004
Articles
MusicTheaterHistory

6. Aesthetics and Ideology in the Fin-de-Siecle Mozart Revival

Botstein, Leon
1993
Reviews
Music

7. Aesthetics, Authenticities, and Appeals to Authority: The Auditor as Author

Thompson, Daniel N.
1998
Reviews
Music

8. African Afro-futurism: Allegories and Speculations

Steingo, Gavin
2017
Articles
Futurism (Art)African diasporaMusic--African American influencesHumanism in musicBlacks--MusicEshun, Kodwo

9. A Great Desire: Autobiography in Louise Talma's Three Madrigals

Leonard, Kendra Preston
2011
Articles
Music

10. Aida and the Empire of Emotions (Theodor W. Adorno, Edward Said, and Alexander Kluge)

Goehr, Lydia
2009
Articles
MusicAdorno, Theodor W., 1903-1969Said, Edward W.Kluge, Alexander, 1932-Aïda (Verdi, Giuseppe