Search Results
2. Writing Under the Influence?: Salieri and Schubert's Early Opinion of Beethoven
3. “Words for Music, Perhaps”? Texts, 1975-2013
4. William Weber, The Rise of Musical Classics in Eighteenth- Century England: A Study in Canon, Ritual and Ideology. Oxford; Clarendon Press, 1992. 174 pp.
5. William Kinderman. Beethoven
6. Wild Music: Ideologies of Exoticism in Two Ukrainian Borderlands
7.
When the Music of Psychoanalysis Becomes the Psychoanalysis of Music
David Schwarz. Listening Subjects: Music, Psychoanalysis, Culture.
8. Whence We Come, Whither We Go: Return and Renewal in Lineage for Large Orchestra
9. ...whence freedom
10. Voices of New Music on National Public Radio: Radio Net, RadioVisions, and Maritime Rites
11. Voices from the Killing Jar: for Voice and Sextet
12. Voices from the Killing Jar
13. Voice Function, Sonority, and Contrapuntal Procedure in Late Medieval Polyphony
14. Voice as Action: Towards a Model for Analyzing the Dynamic Construction of Racialized Voice
15. Voice and Instrument at the Origins of Music
16. Variations V: "Escaping Stagnation" Through Movement of Signification
17. Varese in vitro: On Attention, Aurality, and the Laboratory
18. Unmute This: Circulation, Sociality, and Sound in Viral Media
19. Ulysses Kay Archive: Columbia University Rare Book and Manuscript Library
20. Troubadour Song as Performance: A Context for Guiraut Riquier’s “Pus sabers no’m val ni sens”
21. Transformational Analysis: An Essay Toward an Analytic Model
22. Tradition and Creation
23. Toward a Revised Understanding of Young Children's Musical Activities: Reflections from the "Day in the Life" Project
24. To Astonish the Roses: 7 e–mails to Walter Branchi
25. Timothy McGee, editor, with A. G. Rigg and David N. Klausner. Singing Early Music: The Pronunciation of European Languages in the Late Middle Ages and Renaissance
26. Timothy D. Taylor. 2012. The Sounds of Capitalism: Advertising, Music, and the Conquest of Culture. Chicago: University of Chicago Press.
27. Tia DeNora, Beethoven and the Construction of Genius: Musical Politics in Vienna, 1792-1803
28.
Thomas Owens. Bebop: The Music and the Players. New
York: Oxford University Press, 1995. xvi, 323 pp.
29. Thomas Emmerig. Joseph Riepel (1709-1782): Hofkapellmeister des Fürsten von Thurn und Taxis
30. Thirty-three Dialectics on a Theme: Hegelian Philosophy Vis-à-vis Beethoven's "Diabelli" Variations, Op. 120
31. Things I Think about, and Don't Think about, When I Compose
32. The Turn from the Aesthetic
33. The Symphony as Described by J. A. P. Schulz (1774): A Commentary and Translation
34. The Sources of the Christmas Interpolations in J. S. Bach's Magnificat in E-flat Major (BWV 243a)
35. The Song Sketches of Hugo Wolf
36. The Song from the Singer: Personification, Embodiment, and Anthropomorphization in Troubadour Lyric
37. The Snake Bites Its Tail: Cyclic Processes in Brahms's Third String Quartet, op. 67
38. The Selection of Clausula Sources for Thirteenth- Century Motets: Some Practical Considerations and Aesthetic Implications
39. The Role of Adele T. Katz in the Early Expansion of the New York "Schenker School"
40. The Rhythm of Text and Music in Ottocento Melody: An Empirical Reassessment in Light of Contemporary Treatises
41. The Question of Purpose in Music Theory: Description, Suggestion, and Explanation
42. The Prelude from Bach's Suite No.4 for Violoncello Solo: The Submerged Urlinie
43. The Pastoral After Environmentalism: Nature and Culture in Stephen Albert's Symphony: RiverRun
44. Theorizing Pianistic Experience: Tradition, Instrument, Performer
45. The Origins of the Orchestra Machine
46. The Musical Work Reconsidered, In Hindsight
47. The Meyer Manuscript: An 18th-Century American Tunebook
48. Thematic Form and the Genesis of Schoenberg’s D-Minor Quartet, Op. 7
49. The Lost Movements of Ernst Toch’s Gesprochene Musik
50. The Idea of Transfiguration in the Early German Reception of Mozart's Requiem
51. The Historical Soundscape of Monophonic Hi–Fidelity
52. The German Musical Exile and the Course of American Musicology
53. The Foundations of Mozart Scholarship
54. The Filth and the Fury: An Essay on Punk Rock Heavy Metal Karaoke
55. The Déploration as Musical Idea
56. The Disc Jockey as Composer, or How I Became a Composing DJ
57. The Dancer from the Music: Choreomusicalities in Twentieth-Century American Modern Dance
58. The Cyberpolitics of Music in Ukraine's 2004 Orange Revolution
59. The Concept of Ausweichung in Music Theory, ca. 1770-1832
60. The Composer as Pole Seeker: Reading Vaughan Williams's Sinfonia antartica
61. The Comedies of Opera Seria: Handel's Post-Academy Operas, 1738-1744
62. The Comedies of Opera Seria: Handel’s Post-academy Operas, 1738-1744
63. The "Arabian Influence" Thesis Revisited
64. The Aesthetics of Textural Ambiguity: Brahms and the Changing Piano
65. The 1990s "Kutaisi Wave": Music and Youth Movement in a Postindustrial Periphery
66. Texts—Textures—Intertexts: The Orchestral Worlds of Brian Cherney
67. "Telling a Story": Louis Armstrong and Coherence in Early Jazz
68. Symphonic Culture in Paris, 1880-1900: The Bande à Franck and Beyond
69. Suspicious Silence: Walking Out on John Cage
70. Subtiliter alternare: The Yoxford Motet o amicus / Precursaris
71. Studies in the History of the Cadence
72. Student Citizens: Whiteness, Inequality, and Social Reproduction in Marketized Music Education
73. Stephen Walsh. Stravinsky: Oedipus Rex. Cambridge: Cambridge University Press, 1993. 118pp.
74. Stephen Banfield. Sensibility and the English Song: Critical Studies of the Early 20th Century. Cambridge: Cambridge University Press, 1988. xvii, 619 pages.
75. Staging the Past: Richard Wagner's Ring Cycle in Divided Germany during the 1970s and 1980s
76. Staging the Operas of Francesco Cavalli: Dramaturgy in Performance, 1651-1652
77. Spooning Good Singing Gum: Meaning, Association, and Interpretation in Rock Music
78. Specters of Maelo: An Ethnographic Biography of Ismael 'Maelo' Rivera
79. Speaking and Sighing: Bellini's canto declamato and the Poetics of Restraint
80. Spatial and Psychoacoustic Factors in Atonal Prolongation
81. Sounds that Fall Through the Cracks, and Other Silences and Acts of Love: Decoloniality and Anticolonialism in Puerto Rican Nueva Canción and Chanson Québécoise
82. Sound in the Construction of Race: From Blackface to Blacksound in Nineteenth-Century America
83. Sounding "Black": An Ethnography of Racialized Vocality at Fisk University
84. Sound and Surveillance: The Making of the Neoliberal Ear
85. Song, State, Sawa: Music and Political Radio between the US and Syria
86. Songs of Action, Songs of Calm: Rabindranath Tagore and the Aural Fabric of Bengali Life in America
87. Some Observations on the "Germanic" Plainchant Tradition
88. Solving Elgar's Enigma
89. Sirens/Cyborgs: Sound Technologies and the Musical Body
90. Signification, Objectification, and the Mimetic Uncanny in Claude Debussy's "Golliwog's Cakewalk"
91. Sex and Laughter in Women's Music, 1970-77
92. Schubert's Mythological Mayrhofer-Lieder: Historical, Philosophical, and Psychological Contexts
93. Scat Singing: A Timbral and Phonemic Analysis
94. Sarah Kay. 2013. Parrots and Nightingales: Troubadour Quotation and the Development of European Poetry. Philadelphia: University of Pennsylvania Press.
95. Salience and Musical Form: On the Composition of 'Objets À Réaction Poétique' for Large Chamber Ensemble
96. Ruth Smith, Handel's Oratorios and Eighteenth-Century Thought
97. Robert S. Hatten. Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation
98. Robert Schumann and “the Artist’s Highest Goal”: Religion, Romanticism, and Nation in the Late Choral Works
99.
Robert Samuels. Mahler's Sixth Symphony: A Study in Musical Semiotics
Semiotics and Mahler's Sixth Symphony: The Suicide of Music Analysis?
100. Review of Wayne D. Bowman and Ana Lucía Frega, eds. 2012. The Oxford Handbook of Philosophy in Music Education. London and New York: Oxford University Press.
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