Search Results
302. The "Arabian Influence" Thesis Revisited
303. The Comedies of Opera Seria: Handel's Post-Academy Operas, 1738-1744
304. The Comedies of Opera Seria: Handel’s Post-academy Operas, 1738-1744
305. The Composer as Pole Seeker: Reading Vaughan Williams's Sinfonia antartica
306. The Concept of Ausweichung in Music Theory, ca. 1770-1832
307. The Cyberpolitics of Music in Ukraine's 2004 Orange Revolution
308. The Dancer from the Music: Choreomusicalities in Twentieth-Century American Modern Dance
309. The Disc Jockey as Composer, or How I Became a Composing DJ
310. The Déploration as Musical Idea
311. The Filth and the Fury: An Essay on Punk Rock Heavy Metal Karaoke
312. The Foundations of Mozart Scholarship
313. The German Musical Exile and the Course of American Musicology
314. The Historical Soundscape of Monophonic Hi–Fidelity
315. The Idea of Transfiguration in the Early German Reception of Mozart's Requiem
316. The Lost Movements of Ernst Toch’s Gesprochene Musik
317. Thematic Form and the Genesis of Schoenberg’s D-Minor Quartet, Op. 7
318. The Meyer Manuscript: An 18th-Century American Tunebook
319. The Musical Work Reconsidered, In Hindsight
320. The Origins of the Orchestra Machine
321. Theorizing Pianistic Experience: Tradition, Instrument, Performer
322. The Pastoral After Environmentalism: Nature and Culture in Stephen Albert's Symphony: RiverRun
323. The Prelude from Bach's Suite No.4 for Violoncello Solo: The Submerged Urlinie
324. The Question of Purpose in Music Theory: Description, Suggestion, and Explanation
325. The Rhythm of Text and Music in Ottocento Melody: An Empirical Reassessment in Light of Contemporary Treatises
326. The Role of Adele T. Katz in the Early Expansion of the New York "Schenker School"
327. The Selection of Clausula Sources for Thirteenth- Century Motets: Some Practical Considerations and Aesthetic Implications
328. The Snake Bites Its Tail: Cyclic Processes in Brahms's Third String Quartet, op. 67
329. The Song from the Singer: Personification, Embodiment, and Anthropomorphization in Troubadour Lyric
330. The Song Sketches of Hugo Wolf
331. The Sources of the Christmas Interpolations in J. S. Bach's Magnificat in E-flat Major (BWV 243a)
332. The Symphony as Described by J. A. P. Schulz (1774): A Commentary and Translation
333. The Turn from the Aesthetic
334. Things I Think about, and Don't Think about, When I Compose
335. Thirty-three Dialectics on a Theme: Hegelian Philosophy Vis-à-vis Beethoven's "Diabelli" Variations, Op. 120
336. Thomas Emmerig. Joseph Riepel (1709-1782): Hofkapellmeister des Fürsten von Thurn und Taxis
337.
Thomas Owens. Bebop: The Music and the Players. New
York: Oxford University Press, 1995. xvi, 323 pp.
338. Tia DeNora, Beethoven and the Construction of Genius: Musical Politics in Vienna, 1792-1803
339. Timothy D. Taylor. 2012. The Sounds of Capitalism: Advertising, Music, and the Conquest of Culture. Chicago: University of Chicago Press.
340. Timothy McGee, editor, with A. G. Rigg and David N. Klausner. Singing Early Music: The Pronunciation of European Languages in the Late Middle Ages and Renaissance
341. To Astonish the Roses: 7 e–mails to Walter Branchi
342. Toward a Revised Understanding of Young Children's Musical Activities: Reflections from the "Day in the Life" Project
343. Tradition and Creation
344. Transformational Analysis: An Essay Toward an Analytic Model
345. Trombone Shout: Instrumental Voices in the United House of Prayer for All People
346. Troubadour Song as Performance: A Context for Guiraut Riquier’s “Pus sabers no’m val ni sens”
347. Ulysses Kay Archive: Columbia University Rare Book and Manuscript Library
348. Unmute This: Circulation, Sociality, and Sound in Viral Media
349. Varese in vitro: On Attention, Aurality, and the Laboratory
350. Variations V: "Escaping Stagnation" Through Movement of Signification
351. Voice and Instrument at the Origins of Music
352. Voice as Action: Towards a Model for Analyzing the Dynamic Construction of Racialized Voice
353. Voice Function, Sonority, and Contrapuntal Procedure in Late Medieval Polyphony
354. Voices from the Killing Jar
355. Voices from the Killing Jar: for Voice and Sextet
356. Voices of New Music on National Public Radio: Radio Net, RadioVisions, and Maritime Rites
357. ...whence freedom
358. Whence We Come, Whither We Go: Return and Renewal in Lineage for Large Orchestra
359.
When the Music of Psychoanalysis Becomes the Psychoanalysis of Music
David Schwarz. Listening Subjects: Music, Psychoanalysis, Culture.
360. Wild Music: Ideologies of Exoticism in Two Ukrainian Borderlands
361. William Kinderman. Beethoven
362. William Weber, The Rise of Musical Classics in Eighteenth- Century England: A Study in Canon, Ritual and Ideology. Oxford; Clarendon Press, 1992. 174 pp.
363. “Words for Music, Perhaps”? Texts, 1975-2013
364. Writing Under the Influence?: Salieri and Schubert's Early Opinion of Beethoven
365. Zou Qilai!: Musical Subjectivity, Mobility, and Sonic Infrastructures in Postsocialist China
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