Academic Unit: Music / Date Published: 2002 / Subject: Music | Search Results

1. Tradition and Creation

: Yi, Chen
: 2002
: Articles
: MusicAsiansMusic--Instruction and study

2. Things I Think about, and Don't Think about, When I Compose

: Temperley, David
: 2002
: Articles
: Music

3. The Role of Adele T. Katz in the Early Expansion of the New York "Schenker School"

: Berry, David Carson
: 2002
: Articles
: MusicMusic--Instruction and studyBiography

4. Struggling with Jazz

: DeVeaux, Scott
: 2002
: Reviews
: Music

5. Scat Singing: A Timbral and Phonemic Analysis

: Bauer, William R.
: 2002
: Articles
: Music

6. Review of Uta G. Poiger.Jazz, Rock, and Rebels: Cold War Politics and American Culture in a Divided Germany. Berkeley: University of California Press, 2000. xiii, 333 pp.

: Jackson, Jeffrey H.
: 2002
: Reviews
: Music

7. Review of Timothy D. Taylor. Strange Sounds: Music, Technology, and Culture. New York: Routledge, 2001. x, 278 pp.

: Zak III, Albin J.
: 2002
: Reviews
: Music

8. Review of Simon P. Keefe. Mozart's Piano Concertos: Dramatic Dialogue in the Age of Enlightenment. Woodbridge, Suffolk (U.K): The Boydell Press, 2001. x, 205 pp.

: Will, Richard
: 2002
: Reviews
: Music

9. Review of Rob van der Bliek, ed. The Thelonious Monk Reader. New York: Oxford University Press, 2001. xvii, 286 pp.

: Priestley, Brian
: 2002
: Reviews
: Music

10. Review of Philip Rupprecht. Britten's Musical Language. Cambridge: Cambridge University Press, 2001. x, 358 pp.

: Whitesell, Lloyd
: 2002
: Reviews
: Music

11. Review of Peter Kivy. New Essays on Musical Understanding. Oxford University Press, 2001. and Lawrence Kramer. Musical Meaning: Toward a Critical History. University of California Press, 2002.

: Goehr, Lydia
: 2002
: Reviews
: Music

12. Review of Marian Smith. Ballet and Opera in the Age of "Giselle". Princeton: Princeton University Press, 20001. xx, 306 pp.

: Hibberd, Sarah
: 2002
: Reviews
: Music

13. Review of John S. Powell. Music and Theatre in France, 1600-1680.
Oxford: Oxford University Press, 2000. xvil , 582 pp.

: Heyer, John Hajdu
: 2002
: Reviews
: Music

14. Review of Hervé Lacombe. The Keys to French Opera in the Nineteenth Century. Translated by Edward Schneider. Berkeley: University of California Press, 2001. xv, 415 pp.

: Speare, Mary Jean
: 2002
: Reviews
: Music

15. Review of E. Taylor Atkins. Blue Nippon: Authenticating Jazz in Japan. Durham, N.C.: Duke University Press, 2001. xiv, 366 pp.

: Condry, Ian
: 2002
: Reviews
: Music

16. Review of Eric Porter. What Is This Thing Called Jazz?: African American Musicians as Artists, Critics, and Activists. Berkeley: University of California Press, 2002. XXI, 404 pp.

: Gabbard, Krin
: 2002
: Reviews
: Music

17. Review of David Ferris. Schumann's Eichendorff"Liederkreis" and the Genre of the Romantic Cycle. Oxford and New York: Oxford University Press, 2000. vii, 270 pp.

: Kramer, Richard
: 2002
: Reviews
: Music

18. Review of David Charlton. French Opera 1730-1830: Meaning and Media. Aldershot, Hampshire (U.K.), and Brookfield, Vt.: Ashgate, 2000. xii, 374 pp.

: Rushton, Julian
: 2002
: Reviews
: Music

19. Review of Alyn Shipton. A New History of Jazz. London and New York: Continuum, 2001. x, 965 pp.

: Tirro, Frank
: 2002
: Reviews
: Music

20. Porgy and Miles

: Tucker, Mark
: 2002
: Articles
: Music

Refine your search

Author

Academic Unit

Subject

Type

Date Published

Journal

Language

1. Tradition and Creation

2. Things I Think about, and Don't Think about, When I Compose

3. The Role of Adele T. Katz in the Early Expansion of the New York "Schenker School"

4. Struggling with Jazz

5. Scat Singing: A Timbral and Phonemic Analysis

6. Review of Uta G. Poiger.Jazz, Rock, and Rebels: Cold War Politics and American Culture in a Divided Germany. Berkeley: University of California Press, 2000. xiii, 333 pp.

7. Review of Timothy D. Taylor. Strange Sounds: Music, Technology, and Culture. New York: Routledge, 2001. x, 278 pp.

8. Review of Simon P. Keefe. Mozart's Piano Concertos: Dramatic Dialogue in the Age of Enlightenment. Woodbridge, Suffolk (U.K): The Boydell Press, 2001. x, 205 pp.

9. Review of Rob van der Bliek, ed. The Thelonious Monk Reader. New York: Oxford University Press, 2001. xvii, 286 pp.

10. Review of Philip Rupprecht. Britten's Musical Language. Cambridge: Cambridge University Press, 2001. x, 358 pp.

11. Review of Peter Kivy. New Essays on Musical Understanding. Oxford University Press, 2001. and Lawrence Kramer. Musical Meaning: Toward a Critical History. University of California Press, 2002.

12. Review of Marian Smith. Ballet and Opera in the Age of "Giselle". Princeton: Princeton University Press, 20001. xx, 306 pp.

13. Review of John S. Powell. Music and Theatre in France, 1600-1680.
Oxford: Oxford University Press, 2000. xvil , 582 pp.

14. Review of Hervé Lacombe. The Keys to French Opera in the Nineteenth Century. Translated by Edward Schneider. Berkeley: University of California Press, 2001. xv, 415 pp.

15. Review of E. Taylor Atkins. Blue Nippon: Authenticating Jazz in Japan. Durham, N.C.: Duke University Press, 2001. xiv, 366 pp.

16. Review of Eric Porter. What Is This Thing Called Jazz?: African American Musicians as Artists, Critics, and Activists. Berkeley: University of California Press, 2002. XXI, 404 pp.

17. Review of David Ferris. Schumann's Eichendorff"Liederkreis" and the Genre of the Romantic Cycle. Oxford and New York: Oxford University Press, 2000. vii, 270 pp.

18. Review of David Charlton. French Opera 1730-1830: Meaning and Media. Aldershot, Hampshire (U.K.), and Brookfield, Vt.: Ashgate, 2000. xii, 374 pp.

19. Review of Alyn Shipton. A New History of Jazz. London and New York: Continuum, 2001. x, 965 pp.

20. Porgy and Miles

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Search Results

1. Tradition and Creation

2. Things I Think about, and Don't Think about, When I Compose

3. The Role of Adele T. Katz in the Early Expansion of the New York "Schenker School"

4. Struggling with Jazz

5. Scat Singing: A Timbral and Phonemic Analysis

6. Review of Uta G. Poiger.Jazz, Rock, and Rebels: Cold War Politics and American Culture in a Divided Germany. Berkeley: University of California Press, 2000. xiii, 333 pp.

7. Review of Timothy D. Taylor. Strange Sounds: Music, Technology, and Culture. New York: Routledge, 2001. x, 278 pp.

8. Review of Simon P. Keefe. Mozart's Piano Concertos: Dramatic Dialogue in the Age of Enlightenment. Woodbridge, Suffolk (U.K): The Boydell Press, 2001. x, 205 pp.

9. Review of Rob van der Bliek, ed. The Thelonious Monk Reader. New York: Oxford University Press, 2001. xvii, 286 pp.

10. Review of Philip Rupprecht. Britten's Musical Language. Cambridge: Cambridge University Press, 2001. x, 358 pp.

11. Review of Peter Kivy. New Essays on Musical Understanding. Oxford University Press, 2001. and Lawrence Kramer. Musical Meaning: Toward a Critical History. University of California Press, 2002.

12. Review of Marian Smith. Ballet and Opera in the Age of "Giselle". Princeton: Princeton University Press, 20001. xx, 306 pp.

13. Review of John S. Powell. Music and Theatre in France, 1600-1680.Oxford: Oxford University Press, 2000. xvil , 582 pp.

14. Review of Hervé Lacombe. The Keys to French Opera in the Nineteenth Century. Translated by Edward Schneider. Berkeley: University of California Press, 2001. xv, 415 pp.

15. Review of E. Taylor Atkins. Blue Nippon: Authenticating Jazz in Japan. Durham, N.C.: Duke University Press, 2001. xiv, 366 pp.

16. Review of Eric Porter. What Is This Thing Called Jazz?: African American Musicians as Artists, Critics, and Activists. Berkeley: University of California Press, 2002. XXI, 404 pp.

17. Review of David Ferris. Schumann's Eichendorff"Liederkreis" and the Genre of the Romantic Cycle. Oxford and New York: Oxford University Press, 2000. vii, 270 pp.

18. Review of David Charlton. French Opera 1730-1830: Meaning and Media. Aldershot, Hampshire (U.K.), and Brookfield, Vt.: Ashgate, 2000. xii, 374 pp.

19. Review of Alyn Shipton. A New History of Jazz. London and New York: Continuum, 2001. x, 965 pp.

20. Porgy and Miles

13. Review of John S. Powell. Music and Theatre in France, 1600-1680.
Oxford: Oxford University Press, 2000. xvil , 582 pp.