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Current Musicology
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Current Musicology is a leading journal for scholarly research on music. We publish articles and book reviews in the fields of historical musicology, ethnomusicology, music theory, and philosophy of music. The journal was founded in 1965 by graduate students at Columbia University as a semiannual review. This archive contains articles published in the journal starting in 1980. https://currentmusicology.columbia.edu/
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2. A Cross–Cultural Grammar for Temporal Harmony in Afro–Latin Musics: Clave, Partido– Alto and Other Timelines
3. “A Disturbing Lack of Musical and Stylistic Continuity”? Elliott Carter, Charles Ives, and Musical Borrowing
4. Adolphe Appia, Les maîtres chanteurs de Nuremberg: An Introduction and Translation
5. A Great Desire: Autobiography in Louise Talma's Three Madrigals
6. Aida and the Empire of Emotions (Theodor W. Adorno, Edward Said, and Alexander Kluge)
7. A Knife All Blade: Deciding the Side Not to Take
8. Alexander Johnson and the Tennessee Harmony
9. Ambient Drone and Apocalypse
10. A Message for Peace or a Tool for Oppression? Israeli Jewish-Arab duo Achinoam Nini and Mira Awad's Representation of Israel at Eurovision 2009
11. A Musical Education: Lee Morgan and the Philadelphia Jazz Scene of the 1950's
12. An Account of Emotional Specificity in Classic-Romantic Music
13. Analysis, Performance, and Images of Musical Sound: Surfaces, Cyclical Relationships and the Musical Work
14. An American Precursor of Non-tonal Theory: Ernst Bacon (1898-1990)
15. A Nuyorican Son
16. A Paper Trail: Missa Jouyssance vous donneray, Uncertain Identity, and the National Institutes of Health's "Bathtub Collection"
17. A Picture is Worth a Thousand Words: Road Maps as Analytical Tools
18. A Psychological Approach to Musical Form: The Habituation–Fluency Theory of Repetition
19. Arnold Schering, "Die Eroica, eine Homer-Symphonie Beethovens?": Translated with an Introduction and Commentary
20. Aspects of Trope in the Earliest Motets for the Assumption of the Virgin
21. A Timely Musical Discourse, or a Music Treatise from Lost Times, Part I
22. A View From Death: Ariadne auf Naxos as Failed Totality
23. A Voice Like Thunder: Corsican Women's Lament as Cultural Work
24. Bach: Luther's Musical Prophet?
25. Becoming Bach, Blaspheming Bach: Kinesthetic Knowledge and Embodied Music Theory in Ysaÿe's "Obsession" for Solo Violin
26. Bethany Klein. As Heard on TV: Popular Music in Advertising
27. Better the Puppet?*
28. Beyond Sonata Deformation: Liszt's Symphonic Poem Tasso and the Concept of Two-Dimensional Sonata Form
29. Beyond the Beethoven Model: Sentence Types and Limits
30. Breathtails: a Song Cycle in 13 Breaths Written for Anne LeBaron
31. Cantilena and Antiphon: Music for Marian Services in Late Medieval England
32. Centers; Dissenters (Music, Religion, and Politics)
33. Cinderella; or Music and the Human Sciences. Unfootnoted Musings from the Margins
34. Come Out to Show the Split Subject: Steve Reich, Whiteness, and the Avant-Garde
35. Competition in the Sundanese Performing Arts of West Java, Indonesia
36. Composing Breathtails (a Song Cycle in 21 Breaths)
37. Composing Notes
38. Concerning the Liturgical Usage of Dufay's Fragmentary Masses
39. Contextualizing Hip Hop Sonic Cool Pose in Late Twentieth– and Twenty–first–century Rap Music
40. Correspondences
41. Cover To Cover
42. C.P.E. Bach's Instrumental "Recompositions": Revisions or Alternatives?
43. Curious Intersections, Uncommon Magic: Steve Reich's It's Gonna Rain
44. Datable "Notre Dame" Conductus: New Historical Observations on Style and Technique
45. Debussy as Storyteller: Narrative Expansion in the Trois Chansons de Bilitis
46. Der Tod und die Forelle: New Thoughts on Schubert's Quintet
47. Disciplinary Movements, the Civil Rights Movement, and Charles Keil's Urban Blues
48. Discontinuity in the Music of Django Reinhardt
49. Disruptive Spatiality and the Experience of Recordings of Bach's Solo Cello Suites
50. Do as Some Said, or as Most Did?-A Foucauldian Experiment with Nineteenth-Century HIP
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