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Current Musicology
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Current Musicology is a leading journal for scholarly research on music. We publish articles and book reviews in the fields of historical musicology, ethnomusicology, music theory, and philosophy of music. The journal was founded in 1965 by graduate students at Columbia University as a semiannual review. This archive contains articles published in the journal starting in 1980. https://currentmusicology.columbia.edu/
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2. Writing the City: The Cosmopolitan Realism of Offenbach’s La Vie parisienne
3. “Words for Music, Perhaps”? Texts, 1975-2013
4. ...whence freedom
5. Wagnerian Singing and the Limits of Vocal Pedagogy
6. Voice Function, Sonority, and Contrapuntal Procedure in Late Medieval Polyphony
7. Voice as Action: Towards a Model for Analyzing the Dynamic Construction of Racialized Voice
8. Variations V: "Escaping Stagnation" Through Movement of Signification
9. Varese in vitro: On Attention, Aurality, and the Laboratory
10. Ulysses Kay Archive: Columbia University Rare Book and Manuscript Library
11. Troubadour Song as Performance: A Context for Guiraut Riquier’s “Pus sabers no’m val ni sens”
12. Transformational Analysis: An Essay Toward an Analytic Model
13. Tradition and Creation
14. Toward A Rupture in the Sensus Communis: On Sound Studies and the Politics of Knowledge Production
15. Toward a Revised Understanding of Young Children's Musical Activities: Reflections from the "Day in the Life" Project
16. To Astonish the Roses: 7 e–mails to Walter Branchi
17. Tia DeNora, Beethoven and the Construction of Genius: Musical Politics in Vienna, 1792-1803
18. Through the Fabric of My Own: Louise Alenius and Embodied Interrelationality
19. Things I Think about, and Don't Think about, When I Compose
20. The Wonder of Delays
21. The Turn from the Aesthetic
22. The Song Sketches of Hugo Wolf
23. The Selection of Clausula Sources for Thirteenth- Century Motets: Some Practical Considerations and Aesthetic Implications
24. The Role of Adele T. Katz in the Early Expansion of the New York "Schenker School"
25. The Rhythm of Text and Music in Ottocento Melody: An Empirical Reassessment in Light of Contemporary Treatises
26. The Question of Purpose in Music Theory: Description, Suggestion, and Explanation
27. The Prelude from Bach's Suite No.4 for Violoncello Solo: The Submerged Urlinie
28. The Politics of Music: Women’s Music Education in the United States in the late 18th Century
29. The Pastoral After Environmentalism: Nature and Culture in Stephen Albert's Symphony: RiverRun
30. The Origins of the Orchestra Machine
31. The Musical Work Reconsidered, In Hindsight
32. The Lost Movements of Ernst Toch’s Gesprochene Musik
33. The Idea of Transfiguration in the Early German Reception of Mozart's Requiem
34. The Historical Soundscape of Monophonic Hi–Fidelity
35. The German Musical Exile and the Course of American Musicology
36. The Foundations of Mozart Scholarship
37. The Filth and the Fury: An Essay on Punk Rock Heavy Metal Karaoke
38. The Disc Jockey as Composer, or How I Became a Composing DJ
39. The Cyberpolitics of Music in Ukraine's 2004 Orange Revolution
40. The Concept of Ausweichung in Music Theory, ca. 1770-1832
41. The Composer as Pole Seeker: Reading Vaughan Williams's Sinfonia antartica
42. The "Arabian Influence" Thesis Revisited
43. The Aesthetics of Textural Ambiguity: Brahms and the Changing Piano
44. The 1990s "Kutaisi Wave": Music and Youth Movement in a Postindustrial Periphery
45. Telling Tales: A Survey of Narratological Approaches to Music
46. "Telling a Story": Louis Armstrong and Coherence in Early Jazz
47. Suspicious Silence: Walking Out on John Cage
48. Subtiliter alternare: The Yoxford Motet o amicus / Precursaris
49. Spooning Good Singing Gum: Meaning, Association, and Interpretation in Rock Music
50. Speaking and Sighing: Bellini's canto declamato and the Poetics of Restraint
51. Spatial and Psychoacoustic Factors in Atonal Prolongation
52. Some Observations on the "Germanic" Plainchant Tradition
53. Solving Elgar's Enigma
54. “Sing About Me”: Social Media Memorial and Inventory Form
55. Signification, Objectification, and the Mimetic Uncanny in Claude Debussy's "Golliwog's Cakewalk"
56. Sex and Laughter in Women's Music, 1970-77
57. Seeing and Hearing the Thinking Voice
58. Scat Singing: A Timbral and Phonemic Analysis
59. Sarah Hibbert and Richard Wrigley, eds. 2014. Art, Theatre, and Opera in Paris, 1750-1850: Exchanges and Tensions
60. Ricardo Lorenz: A Post-Colonial/Modern Latin(o) American Composer
61. Rhythms of Relation: Black Popular Music and Mobile Technologies
62. Review of Wayne D. Bowman and Ana Lucía Frega, eds. 2012. The Oxford Handbook of Philosophy in Music Education. London and New York: Oxford University Press.
63. Review of Jennifer Milioto Matsue. 2009. Making Music in Japan’s Underground: The Tokyo Hardcore Scene. New York and London: Routledge
64. Review: Friederich Erhardt Niedt. The Musical Guide: Parts 1 (1700/10), 2 (1721), and 3 (1717) and The Musical Dilettante: A Treatise on Composition by J. F. Daube.
65. Reflections on Teaching Music 17: Hip Hop
66. Recombinant Melody: Ten Things to Love About Willaert's Music
67. Recent Developments at the Columbia University Computer Music Center
68. Rebel Girls and Singing Boys: Performing Music and Gender in the Teen Movie
69. Realizing Musical Gestures with the Computer: Paradigms and Problems
70. Reading and Misreading: Schumann's Accompaniments to Bach's Sonatas and Partitas for Solo Violin
71. Queer Theory, Ethno/Musicology, and the Disorientation of the Field
72. Prognosticating Echoes: Race, Sound, and Naturalizing Technology
73. Producing Producers: Women and Electronic/Dance Music
74. Preface to Gesprochene Musik, 1. “O–a” and 2. “Ta–tam”
75. Porgy and Miles
76.
Plot and Tonal Design as Compositional Constraints
in Il trovatore
77. Perspectives on Bruckner
78. Periods in Progressive Rock and the Problem of Authenticity
79. Performance and Social Meaning in the Lied: Schubert's Erster Verlust
80. Patricia Carpenter in Commemoration
81. "Paths of Harmony" in the First Movement of Brahms's Cello Sonata in E minor, Op. 38
82. Outside Forces: "Autumn Leaves" in the 1960s
83. Otto Luening (1900-) and the Theories of Bernhard Ziehn (1845-1912)
84. “Organic and Beautiful and Imperfect”: An Interview with Queer Pop Musician Be Steadwell
85. Opera at Columbia: A Shining Legacy
86. On the Identity of Some Musicians At The Brescian Court of Pandolfo III Malatesta
87. On Teaching the History of Nineteenth-Century Music
88. "On stage, everyone loves a Black": Afro-Ukrainian Folk Fusion, Migration, and Racial Identity in Ukraine
89. On Plurality
90. Oblique Strategies
91. Noticing Musical Becomings: Deleuzian and Guattarian Approaches to Ethnographic Studies of Musicking
92. Nonsense and Unmusic
93. Nigun Poems
94. New Musicologies, Old Musicologies: Ethnomusicology and the Study of Western Music*
95. My Attitude Problem
96. Music Smashed to Pieces: The Destructive Logic of Berlioz's Romeo au tombeau
97. Music of the Gods: Solo Song and effetti meravigliosi in the Interludes for La pellegrina
98. Music for the Last Supper: The Dramatic Significance of Mozart's Musical Quotations in the Tafelmusik of Don Giovanni
99. Music and Queered Temporality in Slave Play
100. Music Analysis and the Social Life of Jazz Recordings
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