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2. Partial Displacement: En/decoding Spectral Thinking in Tristan Murail’s Mémoire/Érosion, and Two Compositions for String Quartet
3. Post-Ironic Sounds: Wallacian New Sincerity in “Unavoidably Sentimental” for Large Ensemble
4. Synergy of Orchestration, Rhythm, and Form in Three Microtonal Compositions
5. Convergence Lines: A Musical Distillation of Thomas Pynchon’s V.
6. Perle Noire: Meditations for Josephine - Aesthetics, Discussion, and Reception
7. Recalling the Traces of Ancient Fires: Memory and Composed Reinterpretation in Vestigia Flammae for sinfonietta and Agnosco Veteris for orchestra
8. Salience and Musical Form: On the Composition of 'Objets À Réaction Poétique' for Large Chamber Ensemble
9. Composition in Relative Intonation Sadhana (2015) and k. tracing (2015)
10. Noise, sound and objecthood: the politics of representation in avant-garde music
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