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2. “Freedom Ain’t Free:” Race and Representation(s) in Extreme Heavy Metal
3. “Jazz Steel”: An Ethnography of Race, Sound, and Technology in Spaces of Live Performance
4. Music Analysis and the Politics of Knowledge Production: Interculturality in the Music of Honjoh Hidejirō, Miyata Mayumi, and Mitski
5. Resonances of Land: Silence, Noise, and Extractivism in the Brazilian Amazon
6. Aural economies and precarious labor: Street-vendor songs in Cuba
7. Feeling Pain/Making Kin in the Brooklyn Noise Music Scene
8. Iron Gongs and Singing Birds: Paths of Migration and Acoustic Assemblages of Alterity in the Former Dutch Colonial Empire
9. Emcee Ethnographies: A Brief Sketch of U.S. Hip-Hop Ethnography
10. Doing Sound: An Ethnography of Fidelity, Temporality, and Labor Among Live Sound Engineers
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