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Current Musicology
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Current Musicology is a leading journal for scholarly research on music. We publish articles and book reviews in the fields of historical musicology, ethnomusicology, music theory, and philosophy of music. The journal was founded in 1965 by graduate students at Columbia University as a semiannual review. This archive contains articles published in the journal starting in 1980. https://currentmusicology.columbia.edu/
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102. Curious Intersections, Uncommon Magic: Steve Reich's It's Gonna Rain
103. Der Tod und die Forelle: New Thoughts on Schubert's Quintet
104. Disciplinary Movements, the Civil Rights Movement, and Charles Keil's Urban Blues
105. Hearing Emerson, Lake, and Palmer Anew: Progressive Rock as "Music of Attractions"
106. Opera at Columbia: A Shining Legacy
107. The German Musical Exile and the Course of American Musicology
108. Disruptive Spatiality and the Experience of Recordings of Bach's Solo Cello Suites
109. The Aesthetics of Textural Ambiguity: Brahms and the Changing Piano
110. The Cyberpolitics of Music in Ukraine's 2004 Orange Revolution
111. The Foundations of Mozart Scholarship
112. The Idea of Transfiguration in the Early German Reception of Mozart's Requiem
113. Analysis, Performance, and Images of Musical Sound: Surfaces, Cyclical Relationships and the Musical Work
114. Bach: Luther's Musical Prophet?
115. Dvořak's Armida and the Czech Oriental "Self"
116. Musical Meaning for the Few: Instances of Private Reception in the Music of Brahms
117. Music of the Gods: Solo Song and effetti meravigliosi in the Interludes for La pellegrina
118. The Pastoral After Environmentalism: Nature and Culture in Stephen Albert's Symphony: RiverRun
119. Toward a Revised Understanding of Young Children's Musical Activities: Reflections from the "Day in the Life" Project
120. Becoming Bach, Blaspheming Bach: Kinesthetic Knowledge and Embodied Music Theory in Ysaÿe's "Obsession" for Solo Violin
121. Beyond Sonata Deformation: Liszt's Symphonic Poem Tasso and the Concept of Two-Dimensional Sonata Form
122. Debussy as Storyteller: Narrative Expansion in the Trois Chansons de Bilitis
123. Eisler's Notes on Hollywood and the Film Music Project, 1935-42
124. Medievalism and Exoticism in the Music of Dead Can Dance
125. Periods in Progressive Rock and the Problem of Authenticity
126. Producing Producers: Women and Electronic/Dance Music
127. The Filth and the Fury: An Essay on Punk Rock Heavy Metal Karaoke
128. Aida and the Empire of Emotions (Theodor W. Adorno, Edward Said, and Alexander Kluge)
129. A Paper Trail: Missa Jouyssance vous donneray, Uncertain Identity, and the National Institutes of Health's "Bathtub Collection"
130. Hearing Glenn Gould's Body: Corporeal Liveness in Recorded Music
131. Kundry and the Jewish Voice: Anti-antisemitism and Musical Transcendence in Wagner's Parsifal
132. Rebel Girls and Singing Boys: Performing Music and Gender in the Teen Movie
133. Speaking and Sighing: Bellini's canto declamato and the Poetics of Restraint
134. A Message for Peace or a Tool for Oppression? Israeli Jewish-Arab duo Achinoam Nini and Mira Awad's Representation of Israel at Eurovision 2009
135. Editor's Note
136. Music Smashed to Pieces: The Destructive Logic of Berlioz's Romeo au tombeau
137. Sex and Laughter in Women's Music, 1970-77
138. Signification, Objectification, and the Mimetic Uncanny in Claude Debussy's "Golliwog's Cakewalk"
139. Solving Elgar's Enigma
140. Variations V: "Escaping Stagnation" Through Movement of Signification
141. A Great Desire: Autobiography in Louise Talma's Three Madrigals
142. Bethany Klein. As Heard on TV: Popular Music in Advertising
143. Do as Some Said, or as Most Did?-A Foucauldian Experiment with Nineteenth-Century HIP
144. From the Center in the Middle: Working Tambura Bands and the Construction of the In Between in Croatia and its Intimates
145. Here be Dogs: Documenting the Visual Culture of the Czech Indie Scene
146. Music for the Last Supper: The Dramatic Significance of Mozart's Musical Quotations in the Tafelmusik of Don Giovanni
147. "On stage, everyone loves a Black": Afro-Ukrainian Folk Fusion, Migration, and Racial Identity in Ukraine
148. Review of Jennifer Milioto Matsue. 2009. Making Music in Japan’s Underground: The Tokyo Hardcore Scene. New York and London: Routledge
149. The 1990s "Kutaisi Wave": Music and Youth Movement in a Postindustrial Periphery
150. A Cross–Cultural Grammar for Temporal Harmony in Afro–Latin Musics: Clave, Partido– Alto and Other Timelines
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