Academic Unit: Music / Type: Reviews | Search Results

1. The Meyer Manuscript: An 18th-Century American Tunebook

: Music, David W.
: 1980
: Reviews
: MusicMusic--Instruction and study

2. The Symphony as Described by J. A. P. Schulz (1774): A Commentary and Translation

: Churgin, Bathia
: 1980
: Reviews
: Music

3. An Unpublished Cadenza By Gounod For Mozart's Piano Concerto KV 491

: Mueter, John A.
: 1982
: Reviews
: Music

4. Keith W. Daniel. Francis Poulenc: His Artistic Development and Musical Style (Ann Arbor: UMI Research Press, 1982), 390 pp.

: Meltzer, Howard
: 1983
: Reviews
: Music

5. The Sources of the Christmas Interpolations in J. S. Bach's Magnificat in E-flat Major (BWV 243a)

: Cammarota, Robert M.
: 1983
: Reviews
: Music

6. Leoš Janáček. Kritische Gesamtausgabe, Reihe C, Band 1: Männerchöre I. Herausgaben von Leoš Faltus, Petr Oliva. Prague: Supraphon, and Kassel: Bärenreiter, 1983

: Beckerman, Michael
: 1984
: Reviews
: Music

7. Thomas Emmerig. Joseph Riepel (1709-1782): Hofkapellmeister des Fürsten von Thurn und Taxis

: Knouse, Nola Reed
: 1984
: Reviews
: MusicBiography

8. Elliott Antokoletz. The Music of Béla Bartók: A Study of Tonality and Progression in Twentieth-Century Music.

: Morris, Mitchell
: 1986
: Reviews
: Music

9. James Kippen. The Tabla of Lucknow: A cultural analysis of a musical tradition. Cambridge: Cambridge University Press, 1988.

: Manuel, Peter
: 1991
: Reviews
: Music

10. Does Music Theory Need Musicology?

: Agawu, Kofi
: 1992
: Reviews
: Music

11. Explorations in Music, The Am, and Ideas: Essays in Honor of Leonard B. Meyer. Edited by Eugene N annour and Ruth A. Solie. Stuyvesant: Pendragon Press, 1988. xiii, 473 pages.

: Marvin, Elizabeth West
: 1992
: Reviews
: Music

12. Friederich Erhardt Niedt. The Musical Guide: Parts 1 (1700/10), 2 (1721), and 3 (1717).;

Susan P. Snook-Luther. The Musical Dilettante: A Treatise on Composition by J. F. Daube.

: Christensen, Thomas
: 1992
: Reviews
: Music

13. Leonard Meyer. Style and Music: Theory, History and Ideology. Philadelphia: University of Pennsylvania Press, 1989. xi, 376 pages. Studies in the Criticism and Theory of Music.

: Kivy, Peter
: 1992
: Reviews
: Music

14. Luigi Boccherini and the Court of Prussia

: Parker, Mara
: 1992
: Reviews
: Music

15. Nicholas Cook. Music, lmagination, and Culture. Oxford: Oxford University Press / Clarendon Press, 1990.265 pp.

: Kramer, Lawrence
: 1992
: Reviews
: Music

16. Stephen Banfield. Sensibility and the English Song: Critical Studies of the Early 20th Century. Cambridge: Cambridge University Press, 1988. xvii, 619 pages.

: Adams, Byron
: 1992
: Reviews
: Music

17. Aesthetics and Ideology in the Fin-de-Siecle Mozart Revival

: Botstein, Leon
: 1993
: Reviews
: Music

18. Critical Perception and the Woman Composer: The Early Reception of Piano Concertos by Clara Wieck Schumann and Amy Beach

: Macdonald, Claudia
: 1993
: Reviews
: Music

19. Anna Maria Busse Berger. Mensuration and Proportion Signs: Origins and Evolution. Clarendon Press, 1993. xiii, 271 pp.

: Stone, Anne J.
: 1994
: Reviews
: Music

20. Gregory Butler. Bach's Clavier-Ubung III: The Making of a Print. With a Companion Study of the Canonic Variations on "Vom Himmel Hoch," BWV 769.

: Stauffer, George B.
: 1994
: Reviews
: Music

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1. The Meyer Manuscript: An 18th-Century American Tunebook

2. The Symphony as Described by J. A. P. Schulz (1774): A Commentary and Translation

3. An Unpublished Cadenza By Gounod For Mozart's Piano Concerto KV 491

4. Keith W. Daniel. Francis Poulenc: His Artistic Development and Musical Style (Ann Arbor: UMI Research Press, 1982), 390 pp.

5. The Sources of the Christmas Interpolations in J. S. Bach's Magnificat in E-flat Major (BWV 243a)

6. Leoš Janáček. Kritische Gesamtausgabe, Reihe C, Band 1: Männerchöre I. Herausgaben von Leoš Faltus, Petr Oliva. Prague: Supraphon, and Kassel: Bärenreiter, 1983

7. Thomas Emmerig. Joseph Riepel (1709-1782): Hofkapellmeister des Fürsten von Thurn und Taxis

8. Elliott Antokoletz. The Music of Béla Bartók: A Study of Tonality and Progression in Twentieth-Century Music.

9. James Kippen. The Tabla of Lucknow: A cultural analysis of a musical tradition. Cambridge: Cambridge University Press, 1988.

10. Does Music Theory Need Musicology?

11. Explorations in Music, The Am, and Ideas: Essays in Honor of Leonard B. Meyer. Edited by Eugene N annour and Ruth A. Solie. Stuyvesant: Pendragon Press, 1988. xiii, 473 pages.

12. Friederich Erhardt Niedt. The Musical Guide: Parts 1 (1700/10), 2 (1721), and 3 (1717).;

Susan P. Snook-Luther. The Musical Dilettante: A Treatise on Composition by J. F. Daube.

13. Leonard Meyer. Style and Music: Theory, History and Ideology. Philadelphia: University of Pennsylvania Press, 1989. xi, 376 pages. Studies in the Criticism and Theory of Music.

14. Luigi Boccherini and the Court of Prussia

15. Nicholas Cook. Music, lmagination, and Culture. Oxford: Oxford University Press / Clarendon Press, 1990.265 pp.

16. Stephen Banfield. Sensibility and the English Song: Critical Studies of the Early 20th Century. Cambridge: Cambridge University Press, 1988. xvii, 619 pages.

17. Aesthetics and Ideology in the Fin-de-Siecle Mozart Revival

18. Critical Perception and the Woman Composer: The Early Reception of Piano Concertos by Clara Wieck Schumann and Amy Beach

19. Anna Maria Busse Berger. Mensuration and Proportion Signs: Origins and Evolution. Clarendon Press, 1993. xiii, 271 pp.

20. Gregory Butler. Bach's Clavier-Ubung III: The Making of a Print. With a Companion Study of the Canonic Variations on "Vom Himmel Hoch," BWV 769.

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1. The Meyer Manuscript: An 18th-Century American Tunebook

2. The Symphony as Described by J. A. P. Schulz (1774): A Commentary and Translation

3. An Unpublished Cadenza By Gounod For Mozart's Piano Concerto KV 491

4. Keith W. Daniel. Francis Poulenc: His Artistic Development and Musical Style (Ann Arbor: UMI Research Press, 1982), 390 pp.

5. The Sources of the Christmas Interpolations in J. S. Bach's Magnificat in E-flat Major (BWV 243a)

6. Leoš Janáček. Kritische Gesamtausgabe, Reihe C, Band 1: Männerchöre I. Herausgaben von Leoš Faltus, Petr Oliva. Prague: Supraphon, and Kassel: Bärenreiter, 1983

7. Thomas Emmerig. Joseph Riepel (1709-1782): Hofkapellmeister des Fürsten von Thurn und Taxis

8. Elliott Antokoletz. The Music of Béla Bartók: A Study of Tonality and Progression in Twentieth-Century Music.

9. James Kippen. The Tabla of Lucknow: A cultural analysis of a musical tradition. Cambridge: Cambridge University Press, 1988.

10. Does Music Theory Need Musicology?

11. Explorations in Music, The Am, and Ideas: Essays in Honor of Leonard B. Meyer. Edited by Eugene N annour and Ruth A. Solie. Stuyvesant: Pendragon Press, 1988. xiii, 473 pages.

12. Friederich Erhardt Niedt. The Musical Guide: Parts 1 (1700/10), 2 (1721), and 3 (1717).;Susan P. Snook-Luther. The Musical Dilettante: A Treatise on Composition by J. F. Daube.

13. Leonard Meyer. Style and Music: Theory, History and Ideology. Philadelphia: University of Pennsylvania Press, 1989. xi, 376 pages. Studies in the Criticism and Theory of Music.

14. Luigi Boccherini and the Court of Prussia

15. Nicholas Cook. Music, lmagination, and Culture. Oxford: Oxford University Press / Clarendon Press, 1990.265 pp.

16. Stephen Banfield. Sensibility and the English Song: Critical Studies of the Early 20th Century. Cambridge: Cambridge University Press, 1988. xvii, 619 pages.

17. Aesthetics and Ideology in the Fin-de-Siecle Mozart Revival

18. Critical Perception and the Woman Composer: The Early Reception of Piano Concertos by Clara Wieck Schumann and Amy Beach

19. Anna Maria Busse Berger. Mensuration and Proportion Signs: Origins and Evolution. Clarendon Press, 1993. xiii, 271 pp.

20. Gregory Butler. Bach's Clavier-Ubung III: The Making of a Print. With a Companion Study of the Canonic Variations on "Vom Himmel Hoch," BWV 769.

12. Friederich Erhardt Niedt. The Musical Guide: Parts 1 (1700/10), 2 (1721), and 3 (1717).;

Susan P. Snook-Luther. The Musical Dilettante: A Treatise on Composition by J. F. Daube.