31. Leoš Janáček. Kritische Gesamtausgabe, Reihe C, Band 1: Männerchöre I. Herausgaben von Leoš Faltus, Petr Oliva. Prague: Supraphon, and Kassel: Bärenreiter, 1983 Beckerman, Michael 1984 Reviews Music
32. Keith W. Daniel. Francis Poulenc: His Artistic Development and Musical Style (Ann Arbor: UMI Research Press, 1982), 390 pp. Meltzer, Howard 1983 Reviews Music
33. James Pritchett. The Music of John Cage. Cambridge: Cambridge University Press, 1993. 223pp. Lochhead, Judy 1995 Reviews Music
34. James M. Baker, David W. Beach, and Jonathan Bernard, eds. Music Theory in Concept and Practice. University of Rochester Press, 1997.529 pp Nonken, Marilyn 1997 Reviews Music
35. James Kippen. The Tabla of Lucknow: A cultural analysis of a musical tradition. Cambridge: Cambridge University Press, 1988. Manuel, Peter 1991 Reviews Music
36. Hearing, Remembering, Cold Storage, Purism, Evidence, and Attitude Adjustment Dubiel, Joseph 1996 Reviews Music
37. Gregory Butler. Bach's Clavier-Ubung III: The Making of a Print. With a Companion Study of the Canonic Variations on "Vom Himmel Hoch," BWV 769. Stauffer, George B. 1994 Reviews Music
38. Far Out: Intentionality and Image Schema in the Reception of Early Works by Ornette Coleman Saslaw, Janna K. 2000 Reviews Music
39. Explorations in Music, The Am, and Ideas: Essays in Honor of Leonard B. Meyer. Edited by Eugene N annour and Ruth A. Solie. Stuyvesant: Pendragon Press, 1988. xiii, 473 pages. Marvin, Elizabeth West 1992 Reviews Music
40. Elliott Antokoletz. The Music of Béla Bartók: A Study of Tonality and Progression in Twentieth-Century Music. Morris, Mitchell 1986 Reviews Music